Poliziotto sadico

'Maniac Cop' is the most enjoyable of William Lustig's movies for me. If I was being objective I'd have to admit that it's stupid trash, but I love it just the same, and never tire of watching it. The team of Lustig ('Maniac', 'Vigilante') as director and the legendary Larry Cohen ('Q', 'The Stuff') as writer really worked well here. Each sequel is slightly worse than the one before - though still entertaining enough - and their latter day attempt to start a similar franchise with the overlooked 'Uncle Sam' wasn't as successful, though that movie was a lot of fun for me. Facially challenged b-grade regular Robert Z'Dar ('Cherry 2000', 'Tango And Cash') "stars" as Matt Cordell the Maniac Cop, but the real drawing card here are cult favourites Tom Atkins ('The Fog', 'Escape From New York') and Bruce Campbell ('Evil Dead', 'Crimewave'), who are both always cool to watch. The supporting cast includes the legendary William Smith ('Run, Angel, Run', 'The Ultimate Warrior'), original Shaft Richard Roundtree, and Laurene Landon and Frank Pesce, both regulars of Lustig and/or Cohen. Lustig himself pops up in a cameo, as does his Uncle 'Raging Bull' Jake LaMotta, director pal Sam Raimi, and the ubiquitous 'Buck' Flower. I love 'Maniac Cop', an 80s trash classic that I enjoy every time I watch it. Highly recommended fun!

I have to admit that I was pleasantly surprised with 'Maniac cop'. Having seen the posters and video years and years ago and heard it mentioned numerous time, I finally got around to, ahem, 'acquiring' it for myself. First off the setting and pace of the film are spot on and fit perfectly into the horror genre so prevalent in the late 80s. This film is really a blend of cop and horror genres and scores well on both counts. There is ample gore and some genuinely chilling scenes which are well backed up by sturdy performances from genre favourites Bruce Campbell, Tom Atkins and even 'Shaft' himself - Richard Roundtree. I recognised many of the other actors from other 80s films like the sleazy mayor, crippled policewoman and others and this all helps the film along. Make no mistake about it, this film still packs a punch, despite the somewhat jokey killings and the air of invulnerability of the eponymous 'Maniac' is reminiscent of 'Manhunter' and especially 'The Hitcher'. If you love 80s trash films then this is a real treat.

7 out of 10 - very enjoyable.

When I saw this movie on the market I thought 'what the hell' and bought it. I was so surprised by this movie that now i'm on the search for the sequels. The storyline is good and the action with the horror is great. Watch out for 'Tango and Cash' big jawed baddie Robert Z'Dar and surprise cameos from Sam Raimi and Boxing champ JAKE LaMOTTA. There are loads of killings, plenty of low-budget action and another SURPRISE moment involving Tom Atkins. Don't miss this before you die or go blind. 9 out of 10.

Although hampered by a very low budget, by the looks of things, this is still a passable thriller which is along the lines of THE TERMINATOR and THE HITCHER in that it charts the murders of an unstoppable killer. There's even a police station massacre which bears direct resemblance to the former film. Probably the best thing about this film is the talent involved, from William Lustig (big-time horror fan and director of gritty urban horror MANIAC) as director to the all-star, cult cast of familiar faces: not only do you get Bruce Campbell in the leading role, the underrated Tom Atkins appears in a supporting role while blaxploitation star Richard Roundtree also cameos!

The most disappointing thing about this film is the lack of action; the low budget means that there's only really one notable action sequence in it, and that occurs at the very end with the van chase. Other moments which could have been spectacular are only hinted at, for instance : the police station massacre sees a number of officers being strangled and hanged, but we only get to see the aftermath of this event. A spooky moment, yes, but one which could have been phenomenal with the right money to spend. The plot is adequate and quite complex to begin with, and at least the script writer figures out a psychology and motive behind the crimes. I also liked the fact that the maniac cop is a zombie (how else could he survive all those bullets?) is never explained, just left to the imagination.

The film is pretty grisly in places but the death scenes are kept brief. There are a lot of them to compensate for this, with about 95% of the cast being slaughtered through and through. Bruce Campbell looks too young to be a cop but, as per usual, he's charismatic and likable in his leading role. Tom Atkins, a familiar face in '80s films, is also fine as the older policeman investigating the crimes. One person I didn't like was Laurene Landon, who plays Campbell's mistress. As much as I hate to be rude, this actress's acting was a definite down side to the film! Richard Roundtree is good and gruff as usual but underused, while William Smith's croaky-voiced commander is another plus point for the film.

This is one of those films which keeps the face of the killer hidden for the entire running time and then ruins the shock at the end with some extremely poor makeup. The cop - played badly by Robert D'Zar - just has a few scars on his cheeks, that's all, which doesn't explain why everybody screams when they see his face. What this film does succeed in doing is painting a dark and gritty picture of life in New York - realism is at a high here. Plus the scenes of people being chased by the cop are successfully tense and suspenseful. Although not a brilliant film and slightly disappointing for most people, I did fully enjoy this movie and look forward to watching the sequels some day.

In New York someone is committing brutal murders on unexpected and innocent victims, but to make matters worst for the police force, witnesses claimed it was a cop doing the horrific acts. Now terror fills the people of New York of anyone in a blue uniform. Not too long officer Jack Forrest (Bruce Campbell) gets accused of these murders, but Cordell a supposedly dead cop who was wrongfully jailed by the higher authorities of the city frames Forrest, so he could get closer to those screwed him. Lt. McCrae (Peter Atkins) who is in charge of the case doesn't believe that the accused officer is apart of it and he goes out of his way to prove that a demented policeman is the one they should be after.

Damn! I wished I watched them in order, as certainly this is by far the best of the three. It's just I couldn't get my hands on it, until after seeing the two sequels and they were just there. But that's always the case when you do something like that. Oh well, I did leave the best for last, which I guess leaves me with more than a satisfied feeling towards the trilogy after the somewhat fair, but disappointing number three.

'Maniac Cop' isn't going to win any awards nor is it not trying to. What we have by Director William Lustig and writer Larry Cohen is nothing but good trashy b-grade action-horror hokum… and it achieves it in a rather sprightly manner. Watching this you'll be thinking your trash heaven! It borders on ridiculous, but hey that makes it even more enjoyable and you could say its one of the better horror flicks that filled the late 80's. It has the slasher touch to it, but with a twist with a killer being someone who we think will protect us. Larry Cohan's screenplay makes great use of this premise, by executing ideas about the hysteria it would cause when playing on society fears of political correctness and people abusing their authority figure and power. These sort of social commentaries you just come to like and grow use to when watching a film that has him credited as writer. Other than the satire part, Cohan adds to the mystery of Cordell in a very compelling structure by providing enough mayhem and more than enough surprises along the way. That's not to say it doesn't have its plot holes and some things just come together a bit to easy, but again it knows its limitations by playing it for fun than going for a serious outlook were every little thing is wrapped up in nice little bow. For me it was more original than most in its field.

The vividly seedy New York backdrop was a superb fitting with its scummy macabre that fills every crevice during the night sequences, but still enough through daylight that you are pulled into panic and uneasy vibe that fills the city. A chilling aurora is felt with rustling sounds that added even more to the grinding tension and increasing dread. Something that the two sequels just couldn't replicate, well not in the same vein. The time pretty much passes by like a breeze, as it's relentlessly at a high-octane pace. That's all because of William Lustig no bars approach to the direction, by adding a pinch of all types of ingredients. Like the usual high speed car chase, interesting interactions between the characters, explosive shootout, exploitative violence that has a tad of gore and the basic flashback on the bad guy and how he become this monster. You'll be on the edge for last 15 minutes.

Although, the performances also make it one hell of a ride with the likes of some favourite powerhouse b-films stars that just have a knack of making any sort of character interesting. You have probably guess who I'm going to praise and I see from other reviewers I'm hardly alone on this one, but Bruce Campbell and Peter Atkins can make anything incredibly lively when they are involved. Both get their fair share of screen time and make the most of it and it's the first time that I've seen Campbell in a tone down role and he still nails it. But again the characters get their witty lines curtsy to Cohen's profound script. Laurene Landon also is quite good as Forrest's mistress and cop buddy. She adds another feisty element to the picture. Also in the support you got the likes of Richard Roundtree as Commissioner Pike and William Smith as Capt. Ripley. Robert Z'Dar plays the hidden figure Matt Cordell that has some supernatural vibe with brute and energy, but even with some passion too. The actual makeup for Cordell's scarred face wasn't too bad either.

Overall, this low-budget feature is immensely messy fun with an above-average script and remarkably agreeable performances by all involved. Definitely check out the sequels if you enjoy this flick as they kind of follow the same path, but also adding their own distinguishable trait to the central idea.