Due sotto il divano

The most impressive thing about this movie is the way the director manages the tone of this film. The balance between comedy and drama is handled with great aplomb. This is best in encapsulated in the Myerson character. His ineptness is clearly the comic relief yet he also is trying to hunt down Kendig. I had seen other films where Matthau was in a supporting role like Mirage and Charade but here he is the star and he carries the film perfectly. The new Criterion Collection DVD has a very interesting interviews that add immensely to the appreciation of the film. 8/10.

After growing tired of the job, CIA agent Miles Kendig decides to get out of the business once and for all. Fearing that his peace, and maybe his life, could be threatened by the organisation, he tells them that unless he is left alone he will spill the beans on all the secrets that he knows about. They call his bluff, thinking he is full of bitter hot air, so he promptly starts sending out to them one chapter at a time. Realising that Kendig is serious, the CIA sets about putting a stop to him, by whatever means necessary!!. But with Kendig having been one of their own once, he is one shrewd customer, and stopping him is going to be one hell of a job.

Based on the Brian Garfield novel, Hopscotch is a cheeky comedy paced with utter perfection from director Ronald Neame. Featuring a very accomplished cast, Walter Matthau, Glenda Jackson, Herbert Lom, Ned Beatty & Sam Waterston, Hopscotch relies on a sharp script and incredibly appealing dialogue to bring home the bacon, and it does, admirably so. It's the type of film that one knows is not about winning awards, the kind of film that is an actors film, where everyone is comfortable with the material and appears to be having a great time. The lead role of Kendig is tailor made for Matthau, ambling along at his own pace with a glint in his eye and a quip on his tongue, Matthau carries the film with charming ease. The others all contribute of course, but the comedy gold comes from Walter and that lived in face of his. So bits of drama here, bits of comedy there, Hopscotch is a very well made and hugely enjoyable picture, recommended. 7/10

I saw this movie when it was released twenty-four years ago and I am happy to say that it has not aged at all. It is just as funny and delightful today as it was then. "Hopscotch" is a diamond in the rough and a real gem. Walter Matthau plays an experienced CIA agent, Miles Kendig, who is sentence to a desk job by his idiot boss, for disciplinary reasons.

If you are a Walter Matthau fan then this is a must see movie. If you are not familiar with Matthau then `Hopscotch' will be a great introduction to one of the most talented actors in Hollywood history. Even though `Hopscotch' is based from a novel the role of Miles Kendig must have been written for Walter Matthau. He was brilliant!

I certainly don't want to over shadow the terrific supporting cast. Ned Beatty and Glanda Jackson were superb. You will also get to see a very young Sam Waterston. Pay special attention to CIA agent `Ross' played my Matthau's son David.

I think many of us were really surprised to see Criterion release Hopscotch, but glad, were all glad they did. Here Walter Matthau is reprimanded for allowing a wanted KGB agent to walk. Matthau's integrity is too precious to take guff from even the CIA. Subsequently, he does not take the news of being reassigned to the job of file clerk very well so he begins to write his memories, leaking secret information to the opposition. The ensuing chase is slapstick, a Spy vs. Spy comedy with great international locations. Frankly, using the cold war as a catalyst for comedy was long overdue by 1980. A great travel piece.

Hopscotch (1980)

A lightweight, enjoyable entertainment about an aging spy who has fun going renegade in his final weeks.

I have to admit I liked the movie for the congeniality of Walter Matthau. While not as zany (and original) as the much earlier "Charade" (also with Matthau), "Hopscotch" shares a lot of the feel of that movie, with villains who aren't quite villainous, and a leading man who is part bumbling and part a step ahead of the game. The supporting cast is fun, though just barely--both of the key CIA guys after our hero are good actors at their best, but they are not at their best here, especially Sam Waterston in a wishy-washy role. Most peculiar of all, and almost scotch-taped into both the plot and the casting, is very British and very different actress Glenda Jackson, a former spy who chips in as needed, and plays a growing role as things proceed.

British director Ronald Neame (who directed "The Prime of Miss Jean Brodie" and "The Odessa File") is completely in charge here, making the most of a middling script that uses well worn or barely surprising twists and gags to keep a potentially violent espionage film from ever leaving light comedy. Because in fact the pace is consistent and the filming (under the eye of Arthur Ibbeteson, also British) is completely fine, if nothing to write home about. In fact, this feels like high budget British television, which is something different than pure Hollywood. Or it might feel like 1960 Hollywood widescreen with minor updates--not including the 1960s Hollywood star, Mr. Matthau.

But it is Matthau's movie, fortunately. He can be a convincing bumpkin and a warm hearted fellow, and he can be clever beneath his seeming simplicity. All of this is an advantage here, and you are completely on his side as he thwarts, with winks and tricks, the supposedly superior forces of a full press CIA assault. Expect some fun, and you won't be disappointed.