Fiore di cactus

Walter Matthau is wonderful as the "philandering" dentist Dr. Julian Winston whose frequent fibs to girlfriend Goldie provide textbook proof of the dangers of lying. Goldie Hawn's touching kook Toni Simmons certainly deserved to win her Oscar. Ingrid Bergman's work as the stiff-as-starch nurse Stephanie is also touching to watch as she comes out of her shell, slowly and nervously. This is a great movie to watch in the springtime, or any time for that matter. It's very underrated; I never heard about it until I found it in the video store, and what a find!

I discovered this late one night on Turner Classics. I kept saying to myself "I'll turn it off as soon as it stops being funny", but needless to say I watched the whole way through.

I am a movie junkie but I had never even HEARD of this movie (or if I did in 1971, I forgot). It's worth watching just for the performance of Goldie Hawn as the tart-tongued ingénue. Her acting is a revelation in this movie. Yes, the script is sharp and excellent (when was the last time they made a Hollywood comedy with a smart script?) but her acting is extraordinary. I never realized how funny Goldie could be, and it makes her later appearances in roles such as Laugh-In and Private Benjamin a little sad. In her later career she is far too over-the-top compared to her minimalist, wickedly funny appearance here.

It's a pleasure watching the young Matthau, the great Bergman and the stellar supporting cast, but it's Goldie Hawn that will make this movie worth watching again.

I am surprised by the relatively low rating this film has. It is a screwball comedy & romance film rolled together by someone besides Billy Wilder but it does a really good job & even won an Oscar.

It is Ingrid Bergman's first film in the US since the 1950's & even though she is no longer the young bombshell she was in her early films, she brings off a difficult role quite handsomely. This film proves she had multiple talents beyond her good looks.

Goldie Hawn who won an Oscar in this, her first film, as supporting actress is very good as the modern sophisticated yet quirky latest mistress to Dentist playboy, love them & leave them Walter Mathaw. Goldie is delightful to all the senses in this role which with a great cast set her up as a slam dunk for this early career award.

This film is not real deep, but is a gem that has stood the test of time very well. Not sure why it's average is so low as I give it a solid 8.

Adapted from the Broadway play, Cactus Flower is nonthink entertainment given superlative star treatment by Walter Matthau, Ingrid Bergman, and Goldie Hawn. Hawn, in her Oscar-winning debut, plays Toni, a twentysomething free spirit engaged to dentist Julian Winston (Matthau), who isn't ready to give up his bachelorhood just yet. To avoid marriage, he lies to Toni and tells her that he is already married (with children) to his assistant, Stephanie (Bergman). At first, Stephanie is against the idea of being dishonest, but because of the secret love she harbors for Julian, she gives in. Romantic entanglements ensue, leading to a touching conclusion. Ingrid Bergman always had a flair for light comedy, but was only given rare opportunities to show it (Indiscreet, The Yellow Rolls-Royce). Matthau is wonderfully befuddled, and Hawn began the first in a series of kooky characterizations. With hilarious support from Jack Weston, Rick Lenz, and Eve Bruce, Cactus Flower is a blossoming laugh fest!

This film has not exactly remained fresh in the minds of film buffs, and it's a crying shame. Its witty screenplay adaptation should have netted Oscar nominations for the great screenwriter I.A.L. Diamond's adaptation, and Ingrid Bergman's flawless performance. It must have been an honor for Goldie Hawn at such a young age to work with Bergman, looking more than a decade younger than her 54 years--fifty four! When she's on the screen, it positively twinkles.

This is a film which may appear dated at first, but it actually made me wish I was around during the swingin' 'sixties. Hawn's fashions are as tacky as Bergman's are chic. (That's one minor flaw--isn't her character a little too soignée for a gal who still lives with her sister? But then again, would we have Ingrid any other way?) And who wouldn't want to hang out at a nightclub called The Slipped Disc?

The best compliments I can pay to this film is that it somehow made me nostalgic for a decade that I never saw, and that it left me wanting more. Speaking of wanting more, I wonder what ever became of sexy supporting actor Rick Lenz? (He resembles Griffin Dunne in this film.) This was his film debut, and I don't see any other major roles in his filmography. As for Goldie Hawn, she's done so much since then it's easy to not be impressed, but I can't imagine any other actor in the role, either.

Since the movie is based on a play, the line delivery may seem a bit stage-y, but it did not inhibit my enjoyment at all. In fact, I am amazed at how funny it still is after over thirty-five years. Because this film represents a bygone era, it has unjustly slipped from the consciousness of film buffs. It is more linked to the era films that came before it than the ones that followed. But don't let that stop you from savoring the delights it has to offer. Grade: A