L'ispettore Martin ha teso la trappola

I saw this movie today for the Xth time. As usual, I liked it a lot. So I looked this movie up on imdb.com, to see what they had to say, and was surprised at their Summary for this movie: `Dreary, Empty-Headed Crime Drama.'

I beg to differ. I have always loved this movie. It was released in 1973. It is a perfect picture of San Francisco in the mid-70's. I was there and I recognize everything in it--people, places, and attitudes. This is the pre-AIDS, pre-Yuppie, free-wheeling, getting-used-to-it San Francisco that I loved.

The director (Jack Sommersby) has taken the usual poetic license with the locations, so that the No. 14 Mission bus miraculously goes to Chinatown, and the Transamerica Pyramid is a good view from the Transbay Bus Terminal, but never mind. Any long-time San Franciscan will recognize the sights.

Further, and even better, this is a movie of subtleties--perhaps that is why the IMDB reviewer found it dreary. We are not hit in the face with expository material. The dialogue is not used to describe what can be shown. Early in the movie, the police are confronted with a bus of dead people. Getting on the bus, nobody says `It stinks in here.' Instead, one of the policemen says to the medical examiner, who is smoking a cigar, `Blow some of that smoke over here.' And, without comment, the ME does so. That is how we know it stinks in the bus.

As the policemen look closely at the dead people on the bus, they find that one of them is a policeman. It is, in fact, Matthau's partner. But they never say to each other (and therefore to us) that this victim is a policeman. They show it only in their reactions. Someone says, `My God! It's Hansen!' or words to that effect. `What is he doing on a bus?' and other dialogue let us know that this man is a policeman.

This is a happy change from the tedious obviousness of movies that are full of lines like, `You know, Jack, you are a happy-go-lucky person. Your face shows it.' Jack sits there like the lump he is, looking neither happy nor unhappy. We have to believe the speaker, because the acting isn't going to give us this information. A good director would eliminate this line, and get some happy-face acting from Jack.

It is good to see a movie directed by someone who thinks we are smart enough to get the point without being hit over the head with it. The advice usually given to beginning writers is also good for experienced directors: Don't tell us. Show us.

The laughing policeman is Bruce Dern--new to homicide investigations, and without subtleties. He laughs a lot. Matthau is the old-timer, who never laughs. He is also not a subtle person, but he is at least cautious. They are the beagle puppy and experienced retriever of the world of murder. They are oil and water, definitely not blending.

The plot is absurd, but it hardly matters. It is the chase. It is the location. It is the ambience (dreadful, overused word, but there it is; it is the right word) that counts in this movie.

Finding it on TV is hard these days. I found it recently on Black Starz TV. Fortunately for us all, Lou Gossett, Jr. is in it, so it will show up on channels catering to African Americans. Hunt for it. It's worth it.

IMDB.com uses the 10-star rating system. Following their lead, I give it 5 stars for plot, and 9 stars for faithful depiction of a time and place.

This sullen, violent police drama is as detailed an investigation as you will find on film. The opening scene of The Laughing Policeman is extremely tense and sets the tone for a Dirty-Harry-style flick that delivers one of Matthau's moodiest performances. Basically, a mass murder takes place on a San Francisco bus, and we find out that a policeman was one of the victims. He turns out to be Matthau's late partner. Bruce Dern is assigned to be his new partner, working with Matthau, a conflict of interest, to find out why this SFPD detective was on the bus in the first place. Their subsequent relationship is a play the standard, portrayed in the Laughing Policeman as "mute cop/bad cop". So, teams of gritty cops (a young Lou Gossett) meander through the roughest neighborhoods of San Francisco bullying pimps, pushers, hip drag queens and sidewalking street-wheelers in an attempt uncover what turns out to be a very complex underworld fraternity. The purpose (seeing as this plays as a Matthau character study), to quell Matthau's melancholic contribution to this Dirty Harry spin-off. It is more violent and much more precise than Dirty Hary but not as entertaining. A must see, however, for all Matthau fans.

I happened upon this movie the other night by accident, and I loved it. I got hooked early on by the way the police in this film are portrayed as real human beings, with real foibles and weaknesses and prejudices. Definitely worth a viewing for anyone who knows anything about movies.

From a period before marketing departments and focus groups took over the movie industry and began pumping out formulaic happy-ended regurgitated baby food, The Laughing Policeman offers gritty urban drama, acted by the great character actors of the day, actors that filled out such classics as The Godfather, Dog Day Afternoon...

It's shortcomings are there, to be sure, but as a stylistic gem - as a sample of the type of movies they just don't or can't make anymore, it's worth watching. Matthau is as angry and as serious as you've ever seen him - a performance sterner that even the MTA traffic official in The Taking of Pelham 123.

There is no formula here - no overbearing Sargent hanging over the detectives, no goofing off in the office downtown to lighten things up. No romantic interest or hot sex scene crammed in between bullets.This is reality, harsh and complicated - if you can handle it, that is.

In San Francisco, eight passengers and the driver of a bus are killed by a passenger with machine gun. Police detectives Jake Martin (Walter Matthau), Leo Larsen (Bruce Dern) and James Larrimore (Lou Gossett) find the body of Martin´s partner Dave Evans (Anthony Costello) among the victims. Lieutenant Steiner (Anthony Zerbe) assigns Larsen to be the new partner of Martin, who is obsessed by the murder of his former partner. He meets Evans' girlfriend that believed he was working in overtime with Martin. Now the detective is convinced that Evans was investigating the wealthy Camerero (Albert Paulsen), who was the prime suspect of a murder case two years ago.

"The Laughing Policeman" is a gloomy and gritty crime story with Walter Matthau and Bruce Dern in the leading role. The beginning is promissing with the massacre of passengers in a San Francisco bus. The pace is slow, and the plot is realistic, but dated. However, there are many parts that go nowhere, such as Larrimore with the pimp or the meeting with the Hell's Angels or the relationship of Jake Martin with his family. My vote is six.

Title (Brazil): "Matança em São Francisco" ("Slaughter in San Francisco")