Rusty il selvaggio

Yes, this was an effective, well-acted and visually stimulating art-house movie - the forgotten masterpiece of Francis Ford Coppola. I just recently watched this again and fell in love with it. I was a big fan of S.E. Hinton's writings growing up and this film did it justice. It's interesting that author S.E. Hinton claims that the script to this movie was written "on one of the first personal computers" in less than two weeks. How technology has changed nowadays with Final Draft. Matt Dillon gives his best performance as Rusty James, a 1950s street punk whose alcoholic father has all but walked out on him, and whose older brother (an enigmatic figure known only as The Motorcycle Boy) has left and moved to California some time ago. Dig this one up again. It's a classic.

I saw Rumble Fish in a small a cinema in Dublin when it came out in 1983. It became a cult hit around town and was shown every Monday afternoon for for £1 for months. I bunked off work often to see it as did many people, I got to know. It's hard to say what made it quite so special, god knows I've tried over the years in those party/pub moments when the conversation is flagging and someone asks, 'what is your favourite film?' Obviously they want to know why when you come up with something they've never heard of, hate or are indifferent to. I read Susie Hinton's books afterwards and also sought out the Outsdiders (also from a Hinton novel) which was made at the same time and was a good film with some of the wistful intensity of teenage life so strong in Rumble Fish but was like the straight, conventional brother by comparison. I think Susie Hinton went straight to Coppola's heart and she worked with him on the two films, even appearing in cameo in both. It is amazing to me that her books were marketed as teenage fiction, they are to my mind mature American fiction and transpose beautifully to the screen. The plot is a simple one and necessarily so yet the implications are universal. The style, camera-work, casting and soundtrack work together so well. I don't think that even in the Godfather Coppopla ever got it so right. The dreamy quality of the film, the distorted imagery and the fantastic soundtrack reflect the physical and mental damage suffered by the James family, Rusty's brain damage from one too many rumbles, Dad's alcoholism and the Motorcycle Boys colour blindness, depression and death wish. It's like an elegy for the old west and the constraints of small town life, John Ford meets David Lynch. It also marked the beginning of the end for Zoetrope studios and we'll never know what great movies we lost when that motorcycle gang left town.

Francis Ford Coppola's most personal film is also one of his best - in its own way just as good as APOCALYPSE NOW and THE GODFATHER films. Those who wonder why Mickey Rourke is so revered by cult film fans need look no further than his almost-hypnotic performance as The Motorcycle Boy. But Matt Dillon is just as good as his younger brother, and when you also have the likes of Nic Cage, Diane Lane, Dennis Hopper, Laurence Fishburne, and Chris Penn in the supporting cast, you know it's a once-in-a-lifetime movie. The look of the film - a sparse black-and-white urban landscape - is perfect, as is Stewart Copeland's atmospheric music. But aside from the visual and aural pyrotechnics, what really singles this out as a bona fide classic is its spot-on portrayal of disaffected youth. When Hopper describes to Dillon how Rourke has simply been "miscast in the play", I still feel shivers running down my spine...

After hearing such rave reviews, I really was excited to see Francis Ford Coppola's indie classic 'Rumble Fish'. The film was shot in black and white and it had an expansive cast of talented actors including Matt Dillon, Mickey Rourke, Dennis Hopper, Diane Lane, Laurence Fishburne, Tom Waits and Nicolas Cage. I enjoyed Francis Ford Coppola's other films like Apocalypse Now and of course The Godfather Parts I, II & III. From what I heard it was filmed kind of like this year's smash hit 'Sin City' ('Rumble Fish' was black & white but with dashes of color) only on a smaller scale. I rented this indie sensation when I was on vacation because they had it in the hotel video store. I couldn't find it in the Blockbusters in Arizona (where I live) and my portable DVD player was acting up so I couldn't view the DVDs I brought a long with me for the trip. It may have been just fate that I got the opportunity to view Coppola's 'Rumble Fish', definitely one of the most, if not the most inventive motion pictures I ever gazed my eyes upon.

The film is set in a 1950s - 1970s setting. With it's black & white color and just the way the film is presented it gives the audience a feel of the old 1930s James Cagney crime noir flicks. It follows a young and dumb hoodlum named Rusty James (Matt Dillon), whose the leader of one of the two gangs in town. After a huge rumble played out like a West Side Story scene from hell, Rusty is left hurt real bad when the opposing gang leader stabbed him in the gut with a switchblade. Coming to Rusty James' rescue is his older brother, The Motorcycle Boy (Mickey Rourke) who hasn't shown his face in town for a year after disappearing to California. The Motorcycle Boy helps his younger brother out, and eventually starts to hang around the neighborhood more. From there, the plot follows the two re-united brothers as they hang around the streets and cause trouble, while the Motorcycle Boy tries to teach his less then intelligent brother the meaning of life. Dennis Hopper stars as Rusty James and the Motorcyle Boy's dad, Diane Lane stars as Rusty James' sweet friend, Tom Waits stars as the grill master in the town's diner, and Chris Penn, Laurence Fishburne and a young Nicolas Cage are featured as some of Rusty James' gang buddies.

First of all, I adored the way 'Rumble Fish' was shot. With his extraordinary talent, director Francis Ford Coppola really creates a thing of beauty and opulence with 'Rumble Fish'. The only real downside of this picture is that the plot drags entirely too much, and that's pretty bad for a film running only 90 minutes. The writing is mostly good, but 'Rumble Fish' seems to be missing a real plot. The film substitutes hypnotic cinematography and cool scenery for an easy-to-follow plot, which in my opinion is a big mistake. Although this kind of bugs me, 'Rumble Fish' is a good film for the most part. The acting is superb with a engrossing and passionate performance by a very young Matt Dillon and a powerful and carefully layered performance by Mickey Rourke who in my opinion should have gotten an Oscar nod for Best Supporting Actor. Diane Lane is very good in one of her first roles, Dennis Hopper plays the alcoholic clueless dad perfectly and Tom Waits is a pleasure to watch. Nicolas Cage and Laurence Fishburne are also rock solid. If you want to see a film that's really out there and full of likable qualities, I'd recommend picking up 'Rumble Fish' your next stop to the video store. Chances are you'll find something or somethings to love about it. Grade: B

I saw Francis Ford Coppola's Rumble Fish in a film class, and it was interesting to see how certain scenes were made (seeing transitions and shots in slow motion, stopping to point out things), among the plot. From S.E. Hinton's novel, he assembles a breakthrough cast (a lot of teens) who show they can get into the characters quite effectively. And for those who love the technical side of a film- how it was made and what went into the shots and the meanings of shots- will have a feast that will turn them off or have them asking for more (or the rumored 8-hour cut, perhaps).

The story deals with characters who are struggling through life, stuck in a town where the environment seems nostalgically black and white, and only glimpses of color arise. We are given the story of two brothers- the one who takes a chunk of the story is Rusty James (an excellent, young Matt Dillon), a tough, sometimes ignorant teen who has all the strengths and weaknesses of the high-school 'rebel', taking after his AWOL older brother. The other is Motorcycle Boy (Mickey Rourke, perfect in his quiet and touching presence), who left his town and his reputation behind to go to California. He returns to find Rusty James getting in over his head, and all his best efforts to keep him cool are mired by old wounds (some wounds involving their parents, others by the effect the atmosphere left on him). There's also keen supporting work by fresh faces- Nicolas Cage, Chris Penn, and Laurence Fishburne as friends and sometimes followers of Rusty; Diane Lane (wonderful even in her youth) as a sweet/sour love interest; and Dennis Hopper as the father of Rusty James, who appears just enough to get the psychological points across to the viewer.

Coppola tends to use his symbols rather thickly, and it's arguable if he may show things too much, or maybe if he shows them just enough (i.e. skies darkening, clocks). Yet it doesn't stop him from creating indelible images- practically all the shots in the film could be put on a wall and look as great as any other by a professional photographer. With Stephen Barum and Dean Tavoularis (photographer and designer, respectively) scene after scene experiments with techniques (the fish is just a taste of this), and it's rather authentic in its respectfulness of the material. For example, in the gang fight, the style with which Coppola introduces characters controls the mis en scene, the editing and the use of shadows, all of this in this one sequence displays the tremendous directorial vision Coppola can have on a film.

It's not really a joyful film, and the downward spiral motif of the story may make some depressed with what they're seeing. But, if you want to see a very well-crafted film, the kind that gets better on repeat viewings (as with the Godfather films and Apocalypse Now), check it out- at least a viewer will get the sense of concise, complex film acting by young stars.