Giardini di pietra

This movie is little-watched compared to Coppola's other Viet Nam movie, "Apocalypse Now", which is unfortunate, because it's a gem. Taking a device straight out of Aeschylus' masterpiece "The Persians", the war itself is almost entirely an off-screen presence (except for a few atmospheric news-reel clips, which serve to separate acts, as it were). Instead, like "The Persians", it considers the war through its effects on those at home, and does a generally excellent job.

It is particularly good at showing the view from inside the military "family", both of that life in general, and the effects of Viet Nam in particular. James Caan and James Earl Jones (the latter especially) turn in fine performances as veteran non-coms (the backbone of any army). One reviewer condemned D.B. Sweeney's portrayal of the young gung-ho recruit Willow because he sounded as if he were reading his line from cue cards - which rather misses the point, which is that because the green Willow doesn't know what it's really like, the slogans he repeats inevitably sound tinny and false.

Despite a few flaws (e.g. Mary Stuart Masterton's character is rather under-developed, and a few scenes are clangers), overall this is one of the greatest of all Viet Nam movies.

This is a very underrated movie and belongs up there with some of Francis Ford Coppola's best movies. The movie has a great cast that includes James Caan, Anjelica Huston, James Earl Jones, Dean Stockwell and several more people. Caan plays a solider who fought in Korea and Vietnam but is now in charge of Arlington national Cemetery and wants to train young soldiers going into Vietnam but is turned down. Huston is Caan's girlfriend and Jones is his friend who fought with him in Vietnam and now serves with him. Stockwell is the man in charge and D.B. Sweeney is a young soldier who can't wait to get to Vietnam. It's a really great movie that is one of Coppola's best films.

After 'Apocalypse Now', it's hard to believe that this film was directed by Francis Ford Coppola with such sensitivity. Truly a testament that in many ways demonstrates that Coppola is one of film's greatest directors.

This film shows the lives of many different people and their backgrounds in opposing the Vietnam war. James Caan is a military officer working as a home guard at Arlington National Cemetery during the casualties of America's most tragic conflict. It shows his relationship with Anjelica Huston and James Earl Jones as his closest friends. D.B. Sweeney and Mary Stuart Masterson are great as the younger and more naive observers of the times.

Part documentary style, part sentiment and all inclusive drama showcase its impact in a more sedated manner than most other films dealing with its subject but worth a look as an alternative.

An excellent film. The subject matter is not one that I thought would hold my attention....but I was wrong. The characters in this movie will involve you in their lives, so be prepared to stay awhile. The writing is first-rate. But I was most impressed with the directorial abilities of Coppola....and here's the reason why: he reined in the actors so that they gave marvelous, realistic performances (James Caan and Dean Stockwell are not always the most subtle of performers - but here, they are perfect). There is one exception - Coppola allows Angelica Huston to shine, and brings her out to full advantage (what is the opposite of 'reining in?'). For all the actors to turn in such great portrayals says something about the director, I think.

This is a great movie and it makes a very interesting pairing with Apocalypse Now to achieve Coppola's complete take on the Vietnam war. While Apocalypse Now was a surrealistic view of the front lines and insanity of war, Gardens of Stone is pulls no punches with a realistic portrayal of the home front, which presented its own type of warfare during Vietnam. As the other reviewers said, the acting is top notch throughout. Caan and Jones are perfect, but I disagree with the comments about Masterson and Huston. Theirs are key supporting roles and critical to the success of the movie. Huston is especially good in her scenes with Caan to bring the story full circle. This is an overlooked gem and highly recommended.