Un'altra giovinezza

I was flabbergasted to see that a lot of the comments for this film were negative. The fact that the movie is not of a commercial nature doesn't make it bad, it just makes it less accessible. In this manner, it is just as bad for movies as a science paper is for publications.

Anyway, the film is based on a book of Romanian Mircea Eliade, one that I didn't read. Actually, I didn't read most of Eliade's work for the very reasons people bad mouthed this film. Then I entered adolescence :-P.

The film, though, is a resounding success to me. Not only that it is well done, but at the end of it, it let me wanting to understand more and to read the book. Maybe I will one of these days. As the film is impossible to summarize here, I will get to a quick conclusion.

Bottom line: a heavy feeling film, with a complex script and a lot of philosophical ideas of Eliade's scattered through the story; also some of his personal obsessions: orientalism and the loss of the love of his life. I personally think it was a great movie, but it became a bit confused at the end.

This is definitely not everyone's cup of tea and has a pretty good chance of becoming a cult film. It explores major philosophic subjects from a dialectic angle, which might confuse pedestrians. In a nutshell: an elderly professor is challenged by his inability to complete his life's work. He is struck by lightning and gets the opportunity to observe life from a meta-human POV. He realizes that intellect, love , morals and reality in general are always ambiguous. IMO one must have some intellectual baggage, life experience and artistic curiosity in order to appreciate the profoundness of this film. Artistically, the film is very stylized and has a rather cold feel to it, something that might deter and alienate the viewer from actually empathizing with any of the characters. However, it's quite clever and stays with you after watching it. I would say that it felt to me a bit like a Darren Aronofsky film combined with Greenaway's Tulse Luper.

Francis Coppola's last mainstream Hollywood film was The Rainmaker and before that it was the critically maligned Jack. Since then the legend of cinema has walked away from being a director for hire. I guess he is still smarting from the failure of his Zoetrope Studios.

In Youth without Youth Coppola turns to European art cinema and not for the first time. His black and white Rumble Fish was heavily influenced by the German Expressionist style.

Tim Roth plays Dominic a 70 year old man in Pre World War 2 Romania, who is struck by lightning and is rejuvenated astounding his doctor (Bruno Ganz).

Dominic is 30 years younger with a regenerated body, he even grows new teeth, he undergoes various tests put to him by his doctors. However it is not only the physical body that has improved, also his mental faculties have gone through a quantum leap. This also arouses the interests of the Nazis once the war erupts.

Of course Dominic hides that he has an alter ego that converses with him and seems to have enhanced powers himself. Also whereas the older Dominic was striving to finish his life's work in the origins of linguistics, now he has the time to research and write further. He speaks many Oriental languages now he can read by just looking at a book.

As the war rages on Dominic escapes to Switzerland to continues his research. In the 1950s, a meeting with a woman called Veronica who reminds him of Laura, a lost love turns the film further on its head. Veronica transmigrates to another soul back in time such as an early disciple of Buddha in ancient India. She keeps going back further in time speaking in ancient languages enabling Dominic to get very near to the first spoken text but at the risk of losing Veronica for good.

The film is a mixture of vision and story. It could easily be something that could had been made by that other American filmmakers Terrence Malick or David Lynch. The film sets its stall out with the European Art-house cinema style, it is not a literal movie as the film feels dreamlike. You do wonder if this is all a dream of Dominic after being struck by lightning.

The film is little known but I was surprised by how accessible it was and how much I enjoyed the film. Coppola has never been afraid to experiment and at times he has misfired badly. Even here some of the scenes set in India does not convince as they are too modern with modern cars driving past. There is even a shot of The Taj Mahal Palace Hotel in Mumbai that crops up in scenes set in Uttar Pradesh.

However this is an intriguing, experimental even a slightly unnerving film. Roth should be given plaudits for drawing the viewer in and keeping them invested in his character.

Youth without Youth shows the world that Coppola is still a master filmmaker.

I was surprised and fortunate to find a movie of this caliber by chance, since I'd never heard of the release; at first, I actually thought it was an old movie, one that I hadn't seen.

I' am bewildered and frankly frightened by the obscene IMDb rating of "6.6" - the current evaluation of this movie, by the audiences frequenting these boards - a prime example of the fact that taste is a controversial matter.

Albeit, this movie isn't for everyone; if you regard the world as being a solved puzzle, if you've figured it all out; what it's all about, if nothing mystifies or captivates your senses and entelechy, if you are utterly unenchanted by the magical and mysterious nature of reality, this movie will be a huge disappointment for you. Please don't watch it, since it's not made for you, and hence, you will distort the perception of the movie. In-fact, if any of the latter apply, don't watch this movie, it will only bring grieve.

The movie is stunning in its appearance, the characters are believable, the story is uncompromising, relentless, of an epic nature, and the atmosphere is hypnotic and enchanting.

I was sucked into the world of this strange professor.

I only regard the ending as being less then perfect; however, such movies are never easy to end.

An essential and unique experience.

A complex and challenging film, from one of the great American directors, and part of the continuing magical adventures of Tim Roth(The Legend Of 1900), this time around Roth is a linguistics professor trying to develop a theory of the origins of hum...(read more)an language and consciousness at his 70th birthday when he is struck by lightening that reverts him to his youth. Not only is he younger, but he discovers he can read whole books in minutes, see into dreams, and in the films most outlandish moments some limited telekinesis(but in all fairness it's his only way to stop an evil Nazi scientist who wants to jump start human evolution through electro shock). From there our hero meets a women who resembles one he used to know, who is similarly struck by lightening or near lightening which causes her to regress into previous lives. Naturally the two fall in love, and the odd couple are happy enough until her ancient language fits, get more frequent, and dive further and further into primitive languages, much to Roth's joy, though his love ages more and more with each regression.

Like I said Youth Without Youth is an ambitious mix of science fiction, world war 2 spy espionage, romance, meditation on death, aging, linguistics, the origins of consciousness, time, philosophy, the atomic bomb, multiple personalities, and reincarnation.

Watching Youth Without Youth is a bit like reading an overwrought but well written novel, where you can appreciate the skill of the speaker's use of language more than any profound statement being made. Not that Coppola's subjects are not profound, or treated, so, just that's it's done in such a way that at first view it's going to go over just about everyone's head. Author Mircea Eliade, is better known as a religious historian and academic, whose work is as rigorous as his fiction offerings. This is a well made and well performed film, but it's zeal gets ahead of itself on more than one occasion.