Roulette russa

If being a spy was really this boring, they'd all find other work. Horrible movie. Trite, over-cooked, predictable plot. Ridiculous screenplay. It must have been written by a 10-year old. Terrible acting. Really awful garbage. Segal must have really need a paycheck in 1975.

George Segal plays an officer with the Royal Canadian Mounted Police, currently on suspension, who accepts "piece of cake" assignment keeping a nonconformist immigrant from Latvia under his surveillance during the Soviet Premier's visit to Vancouver...that is, until his subject is kidnapped. Assassination thriller adapted from Tom Ardies' novel "Kosygin Is Coming" was just a quick-stop for Segal during a busy decade for him as a leading man. Plainly-filmed, mostly forgettable, but with little eccentric bits of humor. Good cast includes Cristina Raines, Denholm Elliott, Richard Romanus and Louise Fletcher, plus Segal is always fun to watch. The first of only two films directed by Lou Lombardo, revered movie editor on many '70s and '80s classics including most of Robert Altman's releases of the era. ** from ****

Another Well restored 70s film on Tubi: The 2023 answer to the sorely missed VHS rental store.

I've began to like the recently departed George Segal. Appreciate his work in comedy/drama and in this little gem of a thriller. As a 80s kid, I just missed his earlier work, or he didn't leave an impression that he does as an adult. He was in EVERYTHING!

Any film buff will find this worth seeking out. Yes, It's another "Russia Bad" thriller. What got me was not the plot, but it has a number of well crafted scenes that go in a different direction than you would expect. And they made it look easy. The light humor does not come off forced either. If this were a modern movie (and it can easily be remade) it would be a heavy handed, digitally shot, by the numbers stream & forget factory piece with D. Rock Johnson saving the world again.

As much as I enjoyed it, the location, and excellent cast, it seemed longer than the 90 minutes. Nonetheless, a must for 70s thriller seekers.

Mountie George Segal is currently on suspension. He is ordered by Special Services to pick up a Russian national; it seems that Alexei Kosygin is coming to Vancouver, and they don't want this guy on the street. Before Segal can pick him up, he is kidnapped, and Segal must find out by whom and why.

I've seen Vancouver in person once, and hundreds of times in the movies, although it's usually masquerading as some other place. Because it arose as a place for Hollywood to shoot movies that satisfied the British Kinematograph Act, it developed as a cheap film center. In person, it's a very handsome city,and this is the first time I recall seeing it as itself. It's worth seeing for that.

It's also worth seeing for Segal's performance. He was a fine actor, adept at playing a schlub, but here's he's believable as a man of action. The movie is eked out with the usual assortment of Hollywood and British movie performers, like Denholm Elliott, Peter Jackson, Nigel Stock, and Louise Fletcher. My favorite role seems to be anonymous: a little old lady who can't remember Segal's sweetly spoken instructions to call the Mounties and tell them that Kosygin will be shot.

I'd be lying if I claimed I fully understood every tiny little detail of the conspiracy plot in "Russian Roulette", let alone being able to properly write an accurate summary. But the plot isn't the most important element in a conspiracy thriller, at least not according to me. What I like most in flicks about complex conspiracies is high-adrenalin action sequences at regular intervals, a few unexpected twists, a cool cast, and maybe an interesting setting and/or political background.

"Russian Roulette" has all those things. George Segal is surprisingly good as a suspended Canadian Mountie agent who nevertheless receives a special assignment. Soviet prime minister Kosygin is visiting Vancouver, and Shaver (Segal) is instructed to take a man into custody who's named Henke and who's believed to disrupt the official ceremony. But Henke - who only needs one sequence to demonstrate he's a real jerk - gets kidnapped by someone else before Shaver can get to him, and our skeptical Mountie is sucked into a dangerous cat-and-mouse game with the KGB.

Well-directed by Lou Lombardo, usually an editor for eminent directors like Robert Altman and Sam Peckinpah, and featuring several impressive action sequences during the middle as well as a nail-biting finale. Segal and Cristina Raines are excellent together, and there are lovely supportive roles for Denholm Elliott and Louise Fletcher (the latter in a modest role despite the same release year as "One Flew over the Cuckoo's Nest")