Emmanuelle

Going into this film, the only thing that I was really worried about was that it might be boring. It's not that I particularly have anything against pornography; but what's taboo now and what was taboo over three decades ago are different things, and besides that; you can only watch people having sex for so long before it begins to get dull. However, I was wrong; the film isn't boring, and while the focus is usually on sex; there actually is a story, and it actually is quite interesting! The film is unlikely to appeal to people that are interested in the more perverted side of sex as the film doesn't feature anything above lesbian sex, but the tender way that the story is presented as well as the French style give it a very erotic feel throughout. The plot, as you might expect, focuses on the character 'Emmanuelle', a young woman that lives with her husband; an older man, in Bangkok. They share a sort of teacher-pupil relationship, and they're also very liberal where adultery is concerned, as neither one cares too much about the other's antics with other people.

This film inspired a barrage of slightly less tasteful sequels, as well as a range of Italian films, many of which were directed by sleaze God Joe D'Amato. I don't think the filmmakers intended Emmanuelle to be associated so closely with sleaze, and actually at times; it doesn't really feel like a porn film; more of a drama with sex. I've got no idea how many taboos this film broke upon it's release over three decades ago, but the fact that it doesn't really break many today does it a favour where class is concerned as the film never feels too dirty, and this bodes well with the high class of the lead characters and setting. Sylvia Kristel takes the lead role, and is believable as a sexually naive young woman. She is joined by a number of eye-pleasing actresses, including Christine Boisson and Marika Green, and all get to take their clothes off in several scenes. The settings in which it all takes place are pleasing also, and the film is of a much higher class than a lot of nowadays porn. I'm surprised that Emmanuelle still has a notorious reputation, as it's only soft-core at best; but it's definitely worth seeing, if only to see how much things have changed!

"Emmanuelle" is an elegant, excellently photographed movie, but too often rolls in a syrupy pretension…

It is about a young, French woman who joins her husband in Bangkok… There much of Emmanuelle's allure is that she isn't shy about her body, or even afraid to engage in sexual activity in semipublic places…

There are a number of rousing, lesbian meetings very typical of French cinema, coupled with encounters with handsome, sensitive men who enjoy superficial lovemaking… The film really deals in sensual images and an over-blown, continuous repeating of its erotic philosophy… There is sensual intimacy between Emmanuelle and the other women that is rare in the cinema…

My favorite moment when teen-ager Christine Boisson comes upon the nude Sylvia Kristel asleep… Without embarrassment, she leans forward and unusually caresses gently and affectionately Emmanuelle's breast with her finger

Whether you like it or not this is a milestone in the history of cinema. Like the James Bond movie Thunderball set new standards for violence in mainstream cinema, Emmanuel set new standards for sexual content.

Certainly the film was an amazing hit and box office records quickly tumbled. It is the most seen French film of all time and holds the record for the longest run at a single non-multiplex cinema (18 months in Paris, France). After this film sex on film was a completely different beast and many directors (new and old) used part of the template.

Anyone one wanting a dirty movie will be sadly disappointed. Here sex is treated as natural, rarely earth shattering and almost matter-of-fact. The bedroom is only one of the locations where the act takes place - in fact I am surprised the participants weren't arrested!

Sylvia Kristel plays a newly married wife of 22 (19 in reality) with no previous film experience (this is no accident). Previously she had only appeared in commercials. She is the innocent who becomes corrupted, but it is a journey of corruption she is happy to take. Her nice-but-cold older husband is also all for it. The circumstances behind their marriage are not even touched upon - but maybe it was a marriage of convenience as he is a world travelling diplomat?

For a film aimed at men, men are rarely shown in a great light. Emmanuel finds she is bisexual and looks happier with women than with men - who commonly treat her as a sex object. If she appeared brighter she could even be viewed as a feminist icon, but even the high queen of feminism Germaine Greer says she is a "bimbo."

Lot of things are dated in this movie. The view of casual unprotected sex certainly. There is even a casual rape. But its use of third-world locations is a treat on the eye (on the big screen especially) and there is nothing substandard about the production. Even the music is first class and still does the rounds on its own.

The photography is as good as you would see in a big budget epic. The film moves along at a slow but steady pace and you do look forward to finding out what happens next or how a situation is resolved.

The film is nothing but a study of an open marriage from the female perspective. The fact that she yields to the experiences and becomes more sexual bold is clearly pleasing to the male viewer. No doubt this was a date movie for males those that wanted their partners to follow her lead.

This is a clever erotic movie. It stays in the mind long after seeing it and Kristel looks comfortable with or without her clothes. She is far from a great actress, but she does have poise and dignity. The sequels that followed are nothing more than attempts to extract more money from a franchise and are merely routine entertainment.

One of films like a box with memories. I saw it when I was teenager and the fascination remains intact after decades, more than the sexual impulses. Because , in bizarre way, it remains a manifesto about opened marriage, bisexuality, manner to expose sex scenes and bitter poetry of a story representing a frame or , in happy perspective, a sketch. And, no doubts, for the way to propose to viewer her Emmmanuelle by Sylvia Kristel. Short, seductive for late poetry and, sure, it sounds very wrong, innocence.

The biggest cinema surprise hit of 1975, based on a book by Emmanuelle Arsan, made Dutch model Sylvia Kristel a famous actress. The first thing you'll notice is that over 30 years later, the fascination with the exotic is still strong. It was worth going to Thailand and present the real thing instead of shooting "Asian" scenes in a park in Spain or Italy like many other European film crews did at the time. And it surely is one of the very few erotic films where you have to pay attention to the dialogs. It was important to explain the bizarre idea of "freedom" which the scandalous novel had introduced - arguably a two-edged sword. It is said that dependency is humiliating, but aren't scenes like when Emmanuelle is given as a "prize" to the Thai boxer even more humiliating? Easy to see why the movie stirred up discussions - which made even more people want to watch it. The ambiguity of this "freedom" in "Emmanuelle" thus was used for marketing. In her autobiography "Undressing Emmanuelle", Kristel recalls one scene with real horror: near the end, when she is raped by the opium smoker. The young man didn't understand a word of what she or the director said, so he just grabbed her. Sylvia's disgust is visible, and if the sequels hadn't been softer, she probably wouldn't have made them. The first Emmanuelle film still was experimenting with both visual style and a provocative attitude; it may have created a certain formula even though it didn't completely obey its rules, since it was rather the more gentle and glossy second Emmanuelle film which perfected the formula. I voted 7/8/6/4/6/7 for the six cinema films of the series.