Emmanuelle 5

While I don't want to rave too much about the 1970's Emmanuelle films, either the "official" French series with Sylvia Kristel or the more notorious unofficial "Black Emanuelle" series of Laura Gemser and Joe D'Amato, there was always SOMETHING interesting about them. This movie marked the point though where the series became totally worthless. First off, they cast American B-movie bimbo Monique Gabrielle in the title role. It's not just that she is a worse actress than Kristel or Gemser (which she certainly is), but she is also totally wrong for the European flavor of the role. It's like casting Queen Latifah in the lead role of "Memoirs of Gisha".

They did hire interesting if erratic director Walerian Borowzyc, but when he and Gabrielle clashed they fired him. Roger Corman than did an incredible hatchet job on the film Borowzyc had made. Most of what he cut out, I've heard, were the sex scenes involving the black characters. The European fascination for these kind of interracial sex scenes was not exactly a blow for civil rights (anymore than Joe D'Amato's fascination for equine masturbation was a blow for animal rights), but whether these cuts made the film less racist or more racist, they certainly ruined the rhythm of the movie, left Gabrielle and her equally untalented male co-star with too much screen time, and it's even hard to tell in the final cut that this film was shot on location on the beautiful island of Reunion--thus the movie loses all the travelogue appeal of the early series (other than an idiotic prologue set at Cannes where Gabrielle's character is chased and stripped naked by a mob of fans).

After this fiasco the producers tried to recapture the European-flavor and old magic with "Emmanuelle 6" and by dusting off Syvia Kristel and teaming her with washed-up former James Bond George Lazenby in a French television series. But finally, the "Emmanuelle" movies fell victim to silicone, both in the increasingly overstuffed breasts of increasingly untalented actresses, and in the "futuristic", computer- themed plots, which were apparently aimed at sexually frustrated "Star Trek" fans. But even if socially-maladjusted computer geeks weren't getting all their porn off the internet, they would probably be laughing their asses off at the pathetic "hi-tech" nonsense of "Emannuelle in Space" and "Emmanuelle 2000". A sad end for a series that was never good, but certainly deserved better than this.

Let's be honest, one does not watch a movie such as this for the intellectual kind of stimulation. It is softcore porn, and is closer to that genre than film. As such, the acting is near always amateurish and unrealistic; story line ridiculous if even existent; and most importantly, its structure is segregated into sex scenes with filler space between them to fake a movie format. A good softcore movie has many great sex scenes, and somewhat entertaining if imbecile filler space. "Emmanuelle 5" has only 4 sex scenes, mere 2 of which are decent, and 1:40 of BAD filler space. These numbers mean it's poop, don't waste your time.

Penthouse queen Monique Gabrielle stars in this low budget Andy Sidaris style 'thriller' as an actress lured to some fictional middle eastern kingdom to be a sex toy for its cruel ruler. With that plot line it had exotic (or at least lurid) potential, but the final product lacks the conviction of its cheesy exploitativeness. Even the nude scenes are boring and tame, and the whole thing looks about as authentically middle eastern as a set from Harum Scarum. What make the other Emmanuelle movies appealing is the way they drip with local color and jungly Asian atmosphere, not to mention steamy hothouse sex, and the previous installment (Emmanuelle IV) was still churning this out.

This is yet another series that went on too long. Avoid.

Poor Walerian Borowczyk. Such a promising career early on as an important player in avant-garde European cinema, his talents wasted by the time this movie was made. I can understand sometimes you have to pay the bills (ask Jean Rollin) by making porn, but this could have been made better. What, you ask? Porn? Indeed. This movie seems to have several edits for the domestic and international markets. American releases have had a 77 minute "R" rated cut I believe as well as the 85 minute "unrated" edition. The French version is roughly 85 minutes but will be virtually unrecognizable to most audiences. The first 20 minutes are an extension of Emmanuelle's "Love Train" movie which we see being screened by Cannes audiences. This 20 minute sequence contains 3 pornographic sequences, which look like they were intended for another film but found their way into Emmanuelle V. (The sex toys on display are those of Borowczyk, I guess to make these scenes "arty"). After these sequences, the film continues in the same way as the American versions except for a porno sequence in the ballet school and a porno lesbian encounter at the sheik's harem (with more of Borowczyk's "personal collection"). Monique Gabrielle does not appear in any of the porno sequences, just the softcore ones. The French version has little dialogue, but really, do you care what they're saying?

Emmanuelle 5 (1987)

* 1/2 (out of 4)

Emmanuelle (Monique Gabrielle) is at Cannes showing off her latest film, which is bought by an Arab prince. Emmanuelle goes to his small country for the premiere but soon she is held captive by the evil ruler who won't even allow women to show their legs or touch themselves but that's not going to sit well with our star. Apparently there are three versions of this film; the original European version, an American edit and an alternate hardcore version. I watched the American edit, which features some newly shot scenes as well as outtakes from the Euro version. I've never been a huge fan of the director but I might go as far to say this is the most entertaining film I've seen from him. If you've seen any of the Emmenuelle movies, whether the original series or the Black Emanuelle movies, then you know what to expect. Gabrille isn't much of an actress but she does have a great body and shows it off enough to keep the film moving. The supporting cast includes Crofton Hardester and Dana Bruns Westburg but they don't add a whole lot to the film. The biggest problem is the studio subplot dealing with the evil ruler who won't let women be free but of course we all know this movie was made to show women naked so the political message just comes off silly and rather stupid. Apparently fans have called Borowczyk a sell out for doing this film but there's still plenty of "art" here to where he can call it his own. I doubt his die-hard fans are going to give this film too much credit so I'd say those seeking cheap nudity will be the ones to enjoy this the most.