La moglie di un diplomatico francese a Bangkok, Emmanuelle intraprende un viaggio di scoperta sessuale.La moglie di un diplomatico francese a Bangkok, Emmanuelle intraprende un viaggio di scoperta sessuale.La moglie di un diplomatico francese a Bangkok, Emmanuelle intraprende un viaggio di scoperta sessuale.
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Pac-Man is the grand old man of video games, Hulk Hogan is the grand old man of pro wrestling; Sylvia Kristel is the great dame of the softcore porn industry, and even today is still revered for her role as Emmanuelle.
Emmanuelle came out in the swinging seventies and still stands as one of the finest films of the genre. The Emmanuelle series features great scenery from exotic parts of the world, superb sensuality, and the fact that man-made babes are disallowed here.
22 year-old Kristel plays Emmanuelle (based on author Emmanuelle Arsan's erotica), a recently married young woman who is quite new to the world of sensuality. Married to a much older man, and free to explore her sexuality without any consequence, we see her going from place to place, yearning to learn more.
There's a lot to like here. Steamy settings in Thailand, lust on a squash court, a great fight scene in which the victor would get to have a "philosophical discussion" with Emmanuelle, skinny dipping, and a neat trick that a showgirl can do with a cigarette are some of the attractions. Miss Kristel is absolutely gorgeous and plays the innocent beautifully. The acting is a lot better than the usual American softcore film is. A film worth a look; you'll look at these films at a different light after this one.
BTW, I've seen both the original and English-dubbed versions; in the latter, the voices for Emmanuelle and Marie-Ange (played by 17 year-old Christine Boisson) are whack and cute at the same time. Especially in their conversations.
Emmanuelle came out in the swinging seventies and still stands as one of the finest films of the genre. The Emmanuelle series features great scenery from exotic parts of the world, superb sensuality, and the fact that man-made babes are disallowed here.
22 year-old Kristel plays Emmanuelle (based on author Emmanuelle Arsan's erotica), a recently married young woman who is quite new to the world of sensuality. Married to a much older man, and free to explore her sexuality without any consequence, we see her going from place to place, yearning to learn more.
There's a lot to like here. Steamy settings in Thailand, lust on a squash court, a great fight scene in which the victor would get to have a "philosophical discussion" with Emmanuelle, skinny dipping, and a neat trick that a showgirl can do with a cigarette are some of the attractions. Miss Kristel is absolutely gorgeous and plays the innocent beautifully. The acting is a lot better than the usual American softcore film is. A film worth a look; you'll look at these films at a different light after this one.
BTW, I've seen both the original and English-dubbed versions; in the latter, the voices for Emmanuelle and Marie-Ange (played by 17 year-old Christine Boisson) are whack and cute at the same time. Especially in their conversations.
This film is loosely based on the erotic art novel by Emmanuelle Arsan.
The fact that it was directed by Just Jaeckin means that it is the best of the Emmanuelle series, and makes the others look like mere skin flicks, which I think they probably are anyway.
Sadly, in Britain, the censors, in an effort to save the British public from themselves, have hacked a few scenes out of it, including a "smoking" scene in a nightclub and a rape scene towards the end of the film.
Sylvia Kristel seems ideally cast as the protagoniste. Others have called her innocent, but this is not the case: she is not so innocent, but becomes even less so, as her adventures increase her learning and experience.
Compared with the novel, the sam-lo scenes are not so well done, and the Mario character is a bit tacky, otherwise the film is well done. Emmanuelle's encounter with Bee is better than the book. Not so good are one or two of the simulated sex scenes; they look pretty phony.
This film was exceedingly popular at the time it was released, and has lasted the test of time, even if some of the clothes have not.
The fact that it was directed by Just Jaeckin means that it is the best of the Emmanuelle series, and makes the others look like mere skin flicks, which I think they probably are anyway.
Sadly, in Britain, the censors, in an effort to save the British public from themselves, have hacked a few scenes out of it, including a "smoking" scene in a nightclub and a rape scene towards the end of the film.
Sylvia Kristel seems ideally cast as the protagoniste. Others have called her innocent, but this is not the case: she is not so innocent, but becomes even less so, as her adventures increase her learning and experience.
Compared with the novel, the sam-lo scenes are not so well done, and the Mario character is a bit tacky, otherwise the film is well done. Emmanuelle's encounter with Bee is better than the book. Not so good are one or two of the simulated sex scenes; they look pretty phony.
This film was exceedingly popular at the time it was released, and has lasted the test of time, even if some of the clothes have not.
"Emmanuelle" is an elegant, excellently photographed movie, but too often rolls in a syrupy pretension
It is about a young, French woman who joins her husband in Bangkok There much of Emmanuelle's allure is that she isn't shy about her body, or even afraid to engage in sexual activity in semipublic places
There are a number of rousing, lesbian meetings very typical of French cinema, coupled with encounters with handsome, sensitive men who enjoy superficial lovemaking The film really deals in sensual images and an over-blown, continuous repeating of its erotic philosophy There is sensual intimacy between Emmanuelle and the other women that is rare in the cinema
My favorite moment when teen-ager Christine Boisson comes upon the nude Sylvia Kristel asleep Without embarrassment, she leans forward and unusually caresses gently and affectionately Emmanuelle's breast with her finger
It is about a young, French woman who joins her husband in Bangkok There much of Emmanuelle's allure is that she isn't shy about her body, or even afraid to engage in sexual activity in semipublic places
There are a number of rousing, lesbian meetings very typical of French cinema, coupled with encounters with handsome, sensitive men who enjoy superficial lovemaking The film really deals in sensual images and an over-blown, continuous repeating of its erotic philosophy There is sensual intimacy between Emmanuelle and the other women that is rare in the cinema
My favorite moment when teen-ager Christine Boisson comes upon the nude Sylvia Kristel asleep Without embarrassment, she leans forward and unusually caresses gently and affectionately Emmanuelle's breast with her finger
Going into this film, the only thing that I was really worried about was that it might be boring. It's not that I particularly have anything against pornography; but what's taboo now and what was taboo over three decades ago are different things, and besides that; you can only watch people having sex for so long before it begins to get dull. However, I was wrong; the film isn't boring, and while the focus is usually on sex; there actually is a story, and it actually is quite interesting! The film is unlikely to appeal to people that are interested in the more perverted side of sex as the film doesn't feature anything above lesbian sex, but the tender way that the story is presented as well as the French style give it a very erotic feel throughout. The plot, as you might expect, focuses on the character 'Emmanuelle', a young woman that lives with her husband; an older man, in Bangkok. They share a sort of teacher-pupil relationship, and they're also very liberal where adultery is concerned, as neither one cares too much about the other's antics with other people.
This film inspired a barrage of slightly less tasteful sequels, as well as a range of Italian films, many of which were directed by sleaze God Joe D'Amato. I don't think the filmmakers intended Emmanuelle to be associated so closely with sleaze, and actually at times; it doesn't really feel like a porn film; more of a drama with sex. I've got no idea how many taboos this film broke upon it's release over three decades ago, but the fact that it doesn't really break many today does it a favour where class is concerned as the film never feels too dirty, and this bodes well with the high class of the lead characters and setting. Sylvia Kristel takes the lead role, and is believable as a sexually naive young woman. She is joined by a number of eye-pleasing actresses, including Christine Boisson and Marika Green, and all get to take their clothes off in several scenes. The settings in which it all takes place are pleasing also, and the film is of a much higher class than a lot of nowadays porn. I'm surprised that Emmanuelle still has a notorious reputation, as it's only soft-core at best; but it's definitely worth seeing, if only to see how much things have changed!
This film inspired a barrage of slightly less tasteful sequels, as well as a range of Italian films, many of which were directed by sleaze God Joe D'Amato. I don't think the filmmakers intended Emmanuelle to be associated so closely with sleaze, and actually at times; it doesn't really feel like a porn film; more of a drama with sex. I've got no idea how many taboos this film broke upon it's release over three decades ago, but the fact that it doesn't really break many today does it a favour where class is concerned as the film never feels too dirty, and this bodes well with the high class of the lead characters and setting. Sylvia Kristel takes the lead role, and is believable as a sexually naive young woman. She is joined by a number of eye-pleasing actresses, including Christine Boisson and Marika Green, and all get to take their clothes off in several scenes. The settings in which it all takes place are pleasing also, and the film is of a much higher class than a lot of nowadays porn. I'm surprised that Emmanuelle still has a notorious reputation, as it's only soft-core at best; but it's definitely worth seeing, if only to see how much things have changed!
There is a whole raft of French 1970ies porn movies, and while a surprising number of them take place in beautiful French châteaus -- and their less picturesque cellars -- and are set to la-la-music that would bore the pants off Enya, quite a few of them are rather good, actually -- and really filthy.
Here we have the movie that started it all, and yet I was disappointed. Granted, it's beautifully photographed, and the sex scenes pack a lot of sizzle, but the rest was lame and shallow. Emmanuelle is a young woman who -- you guessed correctly -- wants to explore her sexuality. What I had to accomplish singled-handedly in the grubby furtivity of our garden shed with the bra pages from the Sears catalogue, she can have a go at with the cream of beautiful French actresses and all the Oriental totty they couldn't beat off with a soiled stick in beautiful Thailand. And in a squash court. You'd think the permutations were endless, but what it boils down to is a long alternation of heady talk (maybe my French isn't good enough, but I thought it was all gibberish) followed up by breathy sex scenes (which are strictly softcore, by the way). Maybe I'm the exception from the rule here, but I don't only watch a movie such as this for the sex scenes, I actually do care about the rest of the movie.
The story disintegrates further when Emmanuelle, after two encounters with random men and a romance with a younger girl and an older woman, inexplicably shacks up with a grubby old man, and reaches its absolute low point when he subjects her to gang rape -- which is all the more revolting because it is filmed in wonky ouh-ah soft focus.
Here we have the movie that started it all, and yet I was disappointed. Granted, it's beautifully photographed, and the sex scenes pack a lot of sizzle, but the rest was lame and shallow. Emmanuelle is a young woman who -- you guessed correctly -- wants to explore her sexuality. What I had to accomplish singled-handedly in the grubby furtivity of our garden shed with the bra pages from the Sears catalogue, she can have a go at with the cream of beautiful French actresses and all the Oriental totty they couldn't beat off with a soiled stick in beautiful Thailand. And in a squash court. You'd think the permutations were endless, but what it boils down to is a long alternation of heady talk (maybe my French isn't good enough, but I thought it was all gibberish) followed up by breathy sex scenes (which are strictly softcore, by the way). Maybe I'm the exception from the rule here, but I don't only watch a movie such as this for the sex scenes, I actually do care about the rest of the movie.
The story disintegrates further when Emmanuelle, after two encounters with random men and a romance with a younger girl and an older woman, inexplicably shacks up with a grubby old man, and reaches its absolute low point when he subjects her to gang rape -- which is all the more revolting because it is filmed in wonky ouh-ah soft focus.
Lo sapevi?
- QuizStar Sylvia Kristel was apparently fairly unhappy that she was not approached regarding the English-language dub of the film, as she herself spoke fluent English and felt she was capable of doing the job herself.
- Blooper(at around 1 min) When Emmanuelle is on the plane, she closes the blind fully and curls up. A fellow passenger sits down and embraces her. In addition to the high spotlight on her cleavage, there's a bright light coming from the direction of said covered window.
- Versioni alternativeThe dubbed U.S. version was originally rated X in 1974. An alternate, R-rated version was released later in 1974, having trimmed or removed all the more explicit sex scenes. In 1984, the uncut version was re-released in the U.S. with an X rating. That version is currently available unrated on video.
- ConnessioniFeatured in Ping Pong (1986)
- Colonne sonoreEmmanuelle
Music by Pierre Bachelet and Hervé Roy
Lyrics by Pierre Bachelet
Performed by Pierre Bachelet
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Dettagli
Botteghino
- Budget
- 500.000 USD (previsto)
- Tempo di esecuzione1 ora 34 minuti
- Mix di suoni
- Proporzioni
- 1.66 : 1
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