Dopo che un infortunio paralizzante ha lasciato il marito impotente, Lady Chatterly è combattuta tra il suo amore per suo marito e i suoi desideri fisici. Con il consenso del marito, cerca a... Leggi tuttoDopo che un infortunio paralizzante ha lasciato il marito impotente, Lady Chatterly è combattuta tra il suo amore per suo marito e i suoi desideri fisici. Con il consenso del marito, cerca altri mezzi per soddisfare i suoi bisogni.Dopo che un infortunio paralizzante ha lasciato il marito impotente, Lady Chatterly è combattuta tra il suo amore per suo marito e i suoi desideri fisici. Con il consenso del marito, cerca altri mezzi per soddisfare i suoi bisogni.
- Regia
- Sceneggiatura
- Star
- Gigolo
- (as Ryan Michael)
- Ballroom Guest
- (non citato nei titoli originali)
- Ballroom Guest
- (non citato nei titoli originali)
- Ballroom Guest
- (non citato nei titoli originali)
Recensioni in evidenza
A bit of sex goes with the story, of course, and it's done well enough; but it's nothing like Kristel's soft core films. The acting is competent thruout, and the filmmakers take pains to maintain the essence of the English class struggle. But some of the jealousy and social indignation feels contrived.
I loved Lord Chatterly's gas-powered wheelchair for zipping around the grounds, altho why he didn't install an elevator in the mansion is a mystery.
This is trying to be a highbrow soft porn adaptation of the D. H. Lawrence novel. Sylvia Kristel is probably the obvious choice since becoming infamous for her Emmanuelle movies. She is not shy about showing her body but she is limited in her acting range. There isn't much in the story. Nothing is obviously bad. This could be an interesting psychological drama but this does not have the gravitas. There is no tension. It's rather flat.
But the movie fails both at its serious attempts and with its attempts at exploitation. The script has too many faults that distance the audience. The setup of the situation at the beginning of the movie goes so fast that there's no time to set up characters and make us see what they are feeling. This flaw with the characters continues as the movie goes on, and I was not sure why many times characters did what they did. Oddly, there are also a number of scenes that serve no purpose - if they had eliminated those scenes, and used the extra few minutes to pump up the characters, I'm pretty sure the movie would be a lot better.
As for the erotic element of the movie, it's not there. Even for 1981, the idea of taking a lover must have seem old hat to audiences. The nudity and sex in the movie is not the least bit erotic despite full frontal nudity and explicit sex scenes. Some of this might be blamed on the below average production values - the movie has a murky look throughout, and there's not much effort to beef up the backgrounds with extras or anything that might have taken time and expense to make.
Even if you are a Golan/Globus fanatic like I am, odds are you'll find this as dreary as I did.
Lo sapevi?
- QuizThe character of Oliver Mellors was originally going to be played by Ian McShane who was a former boyfriend of lead star Sylvia Kristel. McShane pulled-out of the film when his wife objected to him partaking in sex scenes with his ex-girlfriend.
- BlooperHyacinth flowers are seen in the bedroom during mid autumn in Great Britain in the early 1920s. These plants bloom in the springtime.
- Citazioni
Sir Clifford Chatterley: If ever there's another man, who you absolutely want, to make love to you, take him.
- ConnessioniFeatured in Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014)
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