VALUTAZIONE IMDb
6,2/10
5882
LA TUA VALUTAZIONE
Dopo che un treno è stato derubato, un agente assicurativo e uno squalo delle carte si uniscono per recuperare il bottino dai banditi che lo custodiscono in un luogo segreto vicino al confin... Leggi tuttoDopo che un treno è stato derubato, un agente assicurativo e uno squalo delle carte si uniscono per recuperare il bottino dai banditi che lo custodiscono in un luogo segreto vicino al confine messicano.Dopo che un treno è stato derubato, un agente assicurativo e uno squalo delle carte si uniscono per recuperare il bottino dai banditi che lo custodiscono in un luogo segreto vicino al confine messicano.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
José Manuel Martín
- Bud
- (as José Manuel Martin)
Franco Gulà
- Gravedigger - Clockmaker
- (as Franco Gula)
Bruno Ariè
- Older poker Player with no moustache
- (as Bruno Arie)
Juan Olaguivel
- Targo
- (as Juan Olaguibel)
Tito García
- Tam-Tam
- (as Tito Garcia)
Luis Barboo
- Full-bearded henchman
- (as Luis Bar Boo)
Recensioni in evidenza
I'm not sure why American-International chose to theatrically release in the U.S. this particular spaghetti western over dozens of others. Although this does the job for spaghetti western addicts (like myself), and it's never boring, it is not spectacular in any department - scenery, story, action, violence, etc.
The main attraction this movie has today is the early pairing up (before the TRINITY films) of Hill and Spencer. Spencer acts like his usual ornery self, though we do get the chance to see hill play a determined, more brutal western hero. The movie is also interesting that we see the duo in a more serious story for once. However, there are a few (mild) comic moments where you can see the rumblings of the comic characters the two were to later play. Did the TRINITY people see these scenes? I wouldn't be surprised!
The main attraction this movie has today is the early pairing up (before the TRINITY films) of Hill and Spencer. Spencer acts like his usual ornery self, though we do get the chance to see hill play a determined, more brutal western hero. The movie is also interesting that we see the duo in a more serious story for once. However, there are a few (mild) comic moments where you can see the rumblings of the comic characters the two were to later play. Did the TRINITY people see these scenes? I wouldn't be surprised!
Very good quality spaghetti western!Without exploration in genre but strong professional work on all levels.Not bad scenario (rude variation on THE GOOOD THE BAD THE UGLY scheme).Without inventions in plot and dialog but successful inside fighting and especially torture (rope,water(pit),fire) scenes.Red hair Bill San Antonio not demonic power character but sly fox.Terence Hill as Cat Stevens is equal parts of Franko Nero's (Django) and Clint Eastwood's (in "dollars trilogy") "good" guys performances.Bud Spencer's Hutch Bessy is pretty with limit (relatively for latest Spencer's characters) physical power. Generally: for all spaghetti western fans!
I've never really appreciated the whole Terence Hill and Bud Spencer phenomenon the way that some people apparently do. I don't think they are any better as a duo than any other two random actors that could have been thrown together at that time, and as far as comedy goes, let's just say they are no Laurel and Hardy. I see no good reason for them ever having been teamed up for more than just one film. In fact, I think they've done better work when they haven't been together, especially in the case of Hill.
One saving grace for this film is that it is not one of their irritating attempts at comedy. It is a serious story with bloody violence, double-crosses, revenge, and gold. And it's told in good spaghetti western fashion. This film keeps the viewer intrigued from beginning to end, and it is accompanied by an interesting music score from Angel Oliver Pina.
The highlight of this movie is the performance of Frank Wolff, as Bill San Antonio. Wolff has appeared in a lot of spaghetti westerns playing all sorts of characters, and is one of the finest supporting actors of the genre. He really outdoes himself in this movie as the cunning, wisecracking, sadistic, backstabbing bandit who fakes his own death to make it easier for him to continue his crimes. San Antonio is one of those funny, over-the-top characters that make these movies so much fun to watch. Frank Wolff is so great in this role that he steals the show completely, and makes this movie way more enjoyable than it would have been otherwise.
Overall, this is a pretty decent spaghetti western that is worth watching for fans of the genre.
One saving grace for this film is that it is not one of their irritating attempts at comedy. It is a serious story with bloody violence, double-crosses, revenge, and gold. And it's told in good spaghetti western fashion. This film keeps the viewer intrigued from beginning to end, and it is accompanied by an interesting music score from Angel Oliver Pina.
The highlight of this movie is the performance of Frank Wolff, as Bill San Antonio. Wolff has appeared in a lot of spaghetti westerns playing all sorts of characters, and is one of the finest supporting actors of the genre. He really outdoes himself in this movie as the cunning, wisecracking, sadistic, backstabbing bandit who fakes his own death to make it easier for him to continue his crimes. San Antonio is one of those funny, over-the-top characters that make these movies so much fun to watch. Frank Wolff is so great in this role that he steals the show completely, and makes this movie way more enjoyable than it would have been otherwise.
Overall, this is a pretty decent spaghetti western that is worth watching for fans of the genre.
Their first official movie Spencer and Hill stared in together, a classic spaghetti western. Ironically it was Hill who started out as the harsher character while Bud played the more amicable guy.
It was an entertaining enough movie, but if you're looking for the humourous slapstick comedy we have come to expect from these guys, you won't get it. Unlike "They call me Trinity", it's a very serious Western with little in the way of humour, although I do find the shoot outs amusing as the guns seem to fire off more like cap guns than real guns.
What intrigues me here is the voice dubbing. Bud was dubbed by the man who was to do his voice in most of his movies; Glauco Onorato. Hill usually did his own English voice dubbing, but in this one he has someone else doing his voice, a much colder and harsher voice to match his character. I guess it's not surprising that they needed to do that, otherwise his character, Cat would just not have the same menacing aura to him. Perhaps for the same reasons Bud is normally voiced by Glauco.
This was the first in a series of three movies using these two characters.
It was an entertaining enough movie, but if you're looking for the humourous slapstick comedy we have come to expect from these guys, you won't get it. Unlike "They call me Trinity", it's a very serious Western with little in the way of humour, although I do find the shoot outs amusing as the guns seem to fire off more like cap guns than real guns.
What intrigues me here is the voice dubbing. Bud was dubbed by the man who was to do his voice in most of his movies; Glauco Onorato. Hill usually did his own English voice dubbing, but in this one he has someone else doing his voice, a much colder and harsher voice to match his character. I guess it's not surprising that they needed to do that, otherwise his character, Cat would just not have the same menacing aura to him. Perhaps for the same reasons Bud is normally voiced by Glauco.
This was the first in a series of three movies using these two characters.
Among all the spaghetti-westerns I have seen(maybe 50) this one belongs to the better ones. It has in fact a pretty complex story line with revenge, false accusation, treasure-hunt and buddy relationship elements which cannot be told in one sentence. There is even a twist and some well placed flashbacks. Terence Hill showed his talents and the "chemistry" with Bud Spencer worked so well that it wasn't their last pairing, to say the least. And I liked to see them as serious actors.
No special score and overall regular cinematography.
Noteworthy: Sandra Brennan from Allmovie Guide rated it with only 1 star, the lowest rating I found. ;)
6 / 10.
No special score and overall regular cinematography.
Noteworthy: Sandra Brennan from Allmovie Guide rated it with only 1 star, the lowest rating I found. ;)
6 / 10.
Lo sapevi?
- QuizPeter Martell was cast as Cat Stevens but broke his foot at the beginning of the shooting and was replaced by Terence Hill, who met Bud Spencer for the first time.
- BlooperKid plays with a plastic ball at the beginning of the movie.
- Versioni alternativeThis film was released in three different versions in Germany. First in 1968 the original theatrical release which had a "Not under 18" rating and ran 95 minutes (ca. 12 minutes were cut). This version was released in 2001 on home video by Screenpower (re-rated "Not under 16"). In the 80s, due to the popularity of the Spencer/Hill comedies, the film was re-released by Tobis in a spaghetti-western-like "comedy version" (this version was re-dubbed and missed about an additional 14 minutes) with a "Not under 12" rating. It was often shown on TV and released on home video by various companies. In 2003 the original uncut version of the film was released, again by Screenpower (also with a "Not under 16" rating).
- ConnessioniFeatured in Kino kolossal - Herkules, Maciste & Co (2000)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Il gatto, il cane e la volpe
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 53 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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