Lo chiamavano Trinità...

I am Italian and I have seen many spaghetti-western productions in my life. This movie is by far the best ever produced. The sequel is comparatively poor and not recommended. The two main characters work astoundingly well together and play at their fullest potential. A special mention to the "Mayor", for once a very likable "bad guy", and its irony. The movie is much stronger in the first half when it builds up tension and expectations. The first few minutes when Trinità is eating beans are simply legendary. The ending is. on the opposite of all other movies made by the couple, not really "happy" and I did like it. This movie mixes many ingredients together and the result is a wonderful and tasty juice. Recommended! 9/10

I LOVE this movie! Probably the most epic with Bud & Terence. Super-funny spaghetti western. All the typical elements of their films are present: lots of bar fights, people flying everywhere, the usual, wonderful cheap jokes... legendary the final mega-fight between the mormons and the bad guys! A Must-see for every age! :D

Action! Laughs! Beans! Filth! Flies! Sweat! B.O.!...It's all here in this terrific film about two half brothers (Hill and Spencer) who team up to save a helpless group of mormon farmers from marauding mexican banditos and a ruthless gang of ranchers. the entire cast is outstanding and never disappoints in keeping the viewers interested and entertained. the sound effects crew deserved an academy award, as one can practically feel the pain with every punch and slap! The climactic fight scene is the one which all fight scenes should be measured by (poor Mezcal!). It is absolutely hilarious! Tobias would be honored if you'd share their meager meal with them. Buy this title, "Trinity is still my name" and "My name is Nobody." All are classics for the archives.

I first saw this Trinity movie in the mid-seventies and laughed and snickered through it. Recently, I watched it again, and found that it held up well over the past decades, and recommend it highly. The humor in this movie is both subtle and broad. The lead actors, Terence Hill and Bud Spencer, slyly parody spaghetti western stereotypes without hamming it up. They do a masterful job at underplaying their characters' brotherly dislike of each other. There is plenty of broad humor too. Trinity is so scruffy and dirty that when he sits down to eat, puffs of dust fly up. The production values are generally pretty high; this doesn't look like a cheap movie. But the dubbing, as in any dubbed movie, is very obvious. Still, this is a highly enjoyable movie.

I am by no means an expert on the 19 or so Terence Hill / Bud Spencer films. But of the handful I have been able to see, They Call Me Trinity just might be my favorite. I distinctly remember watching this movie over 30 years ago and thinking it was one of funniest, most enjoyable movies I had ever seen. Re-watching it last night, I realized that, although my opinion isn't quite as high as it once was, I still enjoyed They Call Me Trinity immensely. It's not perfect, but it sure it fun. Hill and Spencer play off each other as well as any of the better known Hollywood duos. They complement each other in both style and appearance. There are a few moments that had me laughing out loud. Their first meeting with the Mexican bandits while unintentionally disguised as Mormons is one of these moments. Hill also has some particularly funny scenes on his own. One that I remembered from my first viewing three decades ago was the scene where Hill eats the entire plate of beans. Good stuff! And who doesn't get a kick out of the dust-covered Hill being pulled along behind his horse. It's a classic image right up there with Django dragging the coffin through the mud. There's just something about both of these scenes that I find very funny.

But what I really enjoy the most is the way They Call Me Trinity makes fun of some of the better known Spaghetti Western clichés. There are several examples I could use, but I'll just cite one. In most Spaghetti Westerns, the main character is usually an expert shot. So expert, in fact, that they almost never miss. Look at Lee Van Cleef in Sabata or Clint Eastwood in The Good, the Bad, and the Ugly for example. Van Cleef's Sabata is able to his any target at any distance and Eastwood's Blondie has no problem hitting the rope about to hang Tuco. Trinity takes this already exaggerated ability to the absurd. As seen in the one of the bar fights, Trinity can hit targets behind his back - without looking. If you're a fan of these movies, you'll enjoy They Call Me Trinity's poke at Spaghetti Western conventions.