Frankenstein alla conquista della Terra
Titolo originale: Furankenshutain tai Chitei Kaijû Baragon
VALUTAZIONE IMDb
5,5/10
2572
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn American scientist and his Japanese colleagues study a feral boy born from the radiated heart of Frankenstein's monster, while a subterranean dinosaur ravages the Japanese countryside.An American scientist and his Japanese colleagues study a feral boy born from the radiated heart of Frankenstein's monster, while a subterranean dinosaur ravages the Japanese countryside.An American scientist and his Japanese colleagues study a feral boy born from the radiated heart of Frankenstein's monster, while a subterranean dinosaur ravages the Japanese countryside.
- Regia
- Sceneggiatura
- Star
Nick Adams
- Dr. James Bowen
- (as Nikku Adamusu)
Tadao Takashima
- Dr. Yuzo Kawaji
- (as Takao Takashima)
Kôzô Nomura
- Overzealous Reporter
- (as Terunobu Nomura)
Recensioni in evidenza
The legend of Frankenstein and his various adventures have been covered to a crazy degree over the years but right here we have horror legends Toho take a stab at it. Sadly it appears they weren't told very much before they wrote the screenplay.
Assisted once again by a US studio (Which has always been to their detriment) this tells the story of a young boy who is discovered and found to be growing at an incredible rate. Before they know it he's grown disastrously large and broken free of his constraints, just at the same time as a giant monster has appeared on a rampage as well.
You can immediately tell that it's a Toho film, from the sfx to the one bit of score they keep using or mildly remixing. Several of the usual faces are also present including Takashi Shimura who has a blink and you'll miss it role.
The storyline is actually more competently done than many of these Toho monster films but in its place the sfx are a tad worse. The creature effects and that of our Frankenstein are fine, but every once in a while you'll spot something so bad it should have got someones butt fired (I'm looking at you shifty Boar and awful Horse).
What drew the most ire from me were certain logistical issues. For example Frankenstein is of course the name of the Scientist who created the monster not the name of the monster itself. As the boy grows the clothes grow (Hulk style) and various other little things that bothered me more than they perhaps should.
It's more Toho monster cheese, if you like that stuff this will likely appeal otherwise you'll probably scratch your head in amazement just how ridiculous it all is.
The Good:
Fairly well made stuff
The Bad:
Takashi Shimura is wasted
Frequent logistical flaws
Some really poor sfx
Assisted once again by a US studio (Which has always been to their detriment) this tells the story of a young boy who is discovered and found to be growing at an incredible rate. Before they know it he's grown disastrously large and broken free of his constraints, just at the same time as a giant monster has appeared on a rampage as well.
You can immediately tell that it's a Toho film, from the sfx to the one bit of score they keep using or mildly remixing. Several of the usual faces are also present including Takashi Shimura who has a blink and you'll miss it role.
The storyline is actually more competently done than many of these Toho monster films but in its place the sfx are a tad worse. The creature effects and that of our Frankenstein are fine, but every once in a while you'll spot something so bad it should have got someones butt fired (I'm looking at you shifty Boar and awful Horse).
What drew the most ire from me were certain logistical issues. For example Frankenstein is of course the name of the Scientist who created the monster not the name of the monster itself. As the boy grows the clothes grow (Hulk style) and various other little things that bothered me more than they perhaps should.
It's more Toho monster cheese, if you like that stuff this will likely appeal otherwise you'll probably scratch your head in amazement just how ridiculous it all is.
The Good:
Fairly well made stuff
The Bad:
Takashi Shimura is wasted
Frequent logistical flaws
Some really poor sfx
I have seen this movie before and right away you know that it is a large man rampaging through a miniature city. But....who says the imagination has to florish on common every day stuff. I thought it was really funny and compared the flik to Attack of the 50 foot woman. It also borrowed some orchestration chords from my all time favorite child hood monster flik WAR OF THE GARGANTUAS. Every once in a while we all feel the need to see something cheezy and not common. This movie is that type of movie. We know it is not real and just a dream, but why knock it? I wish it would come to DVD. I am a collector of Cheezy horror movies from the 50's, 60's and other eras. Die hard Gozilla fans will get a kick out of this movie. I personally thought War of the Gargantuas really represented what a real hideous beast should look like. If the Studios in Japan ever read this comment, please put War of the Gargantuas on DVD!!!!
A weird film with Nazis storming Dr. Frankenstein's lab and taking the heart of Frankenstein's monster to Hiroshima in 1945. What could happen but the Hiroshima blast. 20 years later eats the radioactive heart and literally becomes Frankenstein's monster. He eats a dog, a classroom bunny, and lots of garbage. He then starts growing and growing intill he is a 100 foot tall caveman Frankenstein and deuls with this bunny-eared dinosaur named Baragon in a fight to the death. Weird and very Japanese.
Well, he may not exactly conquer the world in this picture, but at least he gets off his usual home turf! In the very imaginative opening of "Frankenstein Conquers the World" (1965), you see, the living heart of the Frankenstein monster is taken from Germany at the end of World War II and transported by submarine to Japan, where it is promptly exposed to A-bomb radiation at Hiroshima and eventually grows, to become a giant, gap-toothed male waif. This lumbering doofus (who ultimately reveals himself to be the nimblest, most energetic Frankenstein ever shown on film) soon has a dukeout royale with Baragon, a sort of giant, spiny-backed, (heat?) ray-spewing, burrowing armadillo dinosaur, with no holds barred and no quarter given. Anyway, this picture strikes me as being several cuts above the usual kaiju eiga. It has been fairly handsomely produced, features very adequate FX (despite the Maltin book's claim to the contrary; well, that bucking horse excepted), and makes excellent use of its CinemaScope frame. Director Ishiro Honda, composer Akira Ifukube and the great actor Takashi Shimura, who all contributed so much to the original "Gojira" film in 1954, here bring their talents together again, with highly entertaining results, and American actor Nick Adams does his best playing Dr. James Bowen, a scientist working at the Hiroshima International Institute of Radiotherapentics (sic). The picture offers several striking visuals, none perhaps as impressive as the awesome spectacle of Franky and Baragon going at it with a flaming forest as a backdrop. The pristine-looking DVD from Media Blasters that I just watched offers both the "international" and the "theatrical" versions of the film, which differ only in the final five minutes. I much prefer the "international," if only because we get to see Franky (ridiculously) battle yet another monster in it. Either version, however, should provide an evening's worth of good mindless fun.
This movie seems like a silly project on paper but the eventual movie is nevertheless still quite fun to watch.
This movie is a Japanese attempt to blend in the Frankenstein creature with the Japanese monster movie-genre. It's like Frankenstein meets Gojira, only the creature in this movie is named Baragon, who looks like a giant armadillo, or of course better said a guy in a rubber suits that looks like a giant armadillo.
It's all quite silly of course but yet the movie works on a certain level of entertainment. You could basically say that this movie is just as good and fun to watch as basically any other Japanese monster movie from about the same time period.
You could tell that in the first halve of the movie they somewhat tried to remain faithful to the Frankenstein movie. They also tried to give the character a heart and let him struggle with the same emotions and difficulties the character has always struggled with in the Mary Shelley novel and all of the Frankenstein movies and tried to make the movie somewhat intelligent and scientific. It's not like it ever works out well enough or becomes believable but this is mostly because they did not go all the way with it. After all, it seemed more important for them to make a monster movie, so here we have a Frankenstein creature that suddenly starts to grow 4 times his normal size and battles Baragon, a prehistoric creature from the depths of the Earth, who has been awakened by oil drillers.
Therefore the lovers of these Japanese monster movies will be the ones to most likely enjoy this movie. It all builds up to its obvious ending, in which the Frankenstein creature battles the man in the rubber suit. The fight is literally laughable to watch but this is of course also part of the charm of movies such as this one.
It's all pretty silly but it was fun to watch!
6/10
http://bobafett1138.blogspot.com/
This movie is a Japanese attempt to blend in the Frankenstein creature with the Japanese monster movie-genre. It's like Frankenstein meets Gojira, only the creature in this movie is named Baragon, who looks like a giant armadillo, or of course better said a guy in a rubber suits that looks like a giant armadillo.
It's all quite silly of course but yet the movie works on a certain level of entertainment. You could basically say that this movie is just as good and fun to watch as basically any other Japanese monster movie from about the same time period.
You could tell that in the first halve of the movie they somewhat tried to remain faithful to the Frankenstein movie. They also tried to give the character a heart and let him struggle with the same emotions and difficulties the character has always struggled with in the Mary Shelley novel and all of the Frankenstein movies and tried to make the movie somewhat intelligent and scientific. It's not like it ever works out well enough or becomes believable but this is mostly because they did not go all the way with it. After all, it seemed more important for them to make a monster movie, so here we have a Frankenstein creature that suddenly starts to grow 4 times his normal size and battles Baragon, a prehistoric creature from the depths of the Earth, who has been awakened by oil drillers.
Therefore the lovers of these Japanese monster movies will be the ones to most likely enjoy this movie. It all builds up to its obvious ending, in which the Frankenstein creature battles the man in the rubber suit. The fight is literally laughable to watch but this is of course also part of the charm of movies such as this one.
It's all pretty silly but it was fun to watch!
6/10
http://bobafett1138.blogspot.com/
Lo sapevi?
- QuizWhen filming, the special effects crew was unaware which tree would be uprooted. Therefore, every single miniature tree seen on set was built with miniature roots and individually planted one by one.
- BlooperWhen Frankenstein tries to capture the wild boar, in the last shot of the boar running off, the tracks that the model is running on are visible.
- Citazioni
Dr. James Bowen: We must work to turn tragedy into eternal peace and happiness in the future.
- Curiosità sui creditiIn the version being distributed by U.P.A., the opening credits lists producer Tomoyuki Tanaka as "Tomoyuka Tanaka."
- Versioni alternativeFor Media Blaster's 2007 DVD release, a new copy of the American version was constructed using materials from Toho's original Japanese version. In 1966, American producer Henry Saperstein asked Toho for several new effects sequences following Frankenstein's initial escape. Since these scenes only appeared in AIP's theatrical release, the new DVD doesn't feature them.
- ConnessioniEdited into Adiyug (1978)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Frankenstein Conquers the World
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 30 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Frankenstein alla conquista della Terra (1965) officially released in India in English?
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