Rodan il mostro alato

"Rodan" was one of the few Japanese monster movie classics that were not only heavily altered for its release into the United States, but was re-edited with respect and care for the original vision of its director Ishiro Honda. As a result, even though the Japanese and English versions are different, both are highly stimulating and tremendously enjoyable monster mashes and it's no surprise why "Rodan" was such a big hit in both countries. This is one of the most purely enjoyable, yet complex and captivating science-fiction films ever made and also boasts some surprisingly grand special effects sequences, a commendable music score, and fantastic directing by Ishiro Honda.

Rodan, a popular pterodactyl-like monster, had his debut in this 1956 film, although he does not even make an appearance until the movie is nearly over. The picture starts out with a local mining village being placed under attack by giant clawed insects crawling out of the caverns in which they harvest coal for a living. After the prehistoric arthropods brutally slaughter seven people, an investigation is conducted and a more horrifying truth is discovered. Something other than giant bugs may have resurfaced sometime after the testing of the H-bomb and at the same time, an object capable of flying at supersonic speed is spotted attacking aircraft all over the world.

It's the complexity of the story and the plot that I still find really captivating about "Rodan." If it weren't for the title, we would assume that Rodan is not even in the movie at all. We'd think it was about giant bugs. Sort of like a Japanese equivalent of "Them!" the great James Arness flick with giant ants. Rodan does not make a full-fledged appearance until the movie is nearly over and when he does show up, it's with tremendous awe and presence. The fact that Rodan is also created with some surprisingly grand special effects is another key element to his interesting qualities as a movie monster. Instead of plodding through miniature buildings like Godzilla, Rodan whips across the screen with dazzling speed and produces hurricane winds and shock waves to devastate his foes and victims. The audio track is pumped up with earsplitting shrieks as Rodan breaks the sound barrier and his trademark cry here is really a very disturbing and spine-tingling noise. Sequences such as Rodan attacking a plane (inspired by the infamous Thomas F. Mantell UFO incident) and fighting jets in a supersonic dogfight are truly exhilarating. Furthermore, we've got a cast of characters who are worth caring about. The great Japanese actor Kenji Sahara plays the titular role of Shigeru Kawamura, one of the miners who stumbles upon one horrifying event after another. And he has connections with the other characters, most notably with Yumi Shirakawa. Their relationship and chemistry is almost as fascinating as the monsters.

When the movie was distributed into the United States, like with the first Godzilla pictures, changes were made. Unlike however with that film, the changes here were more considerate and honorable. As long as you can forgive the hammy, sometimes irritating narration by Keye Luke, you can respect the distributors' decisions such as improving editing changes and addition or re-arrangement of musical cues. As an overall movie, the Japanese version feels more complete, more wholesome, and is a better picture. But its English counterpart is very nearly on par with its kinetic energy and confidence.

The cast is in terrific shape. Kenji Sahara is a truly talented actor and those who say otherwise (that no Japanese monster movie can have good acting) just look at his expression as he tries to overcome amnesia and try to say that again with a straight face. Yumi Shirakawa is also terrific as his love interest, Akhiko Hirata is once again convincing and commendable as the obligatory scientist wanting to learn the truth, and Akio Korobi not only has the physical appearance of a police chief, but plays one with presence.

"Rodan" is an unfortunately overlooked monster movie masterpiece. Most people who know it are only so because the Rodan character would later become affiliated with the Godzilla franchise. Now that the original Japanese version has been nicely given a DVD release in the U.S., I hope people can truly appreciate how great this genuinely spectacular science-fiction classic is. It is complex, well-written, drawn-out, and the ending of the picture is surprisingly moving.

This is a really well made movie. The colors are great and the effects are pretty coll for 50 years ago. I love to watch these sort of movies with my six year old. Todays kids cannot see horror movies anymore because of the gore. So I have introduced him to the classics and as such enjoy the hell out of watching these sort of movies with him. The modern world has really lost that special something that comes with engaging the imagination as many of us did in the sixties and even the seventies. Rodan is probably the best of all the old toho movies. At least I know it's my favorite. Now soon comes the last in the series this Christmas and it should prove to be waesome.

The first of the Toho "Dai Kaiju" series in colour and some of Eiji Tsuburaya's best special effects. Although shorn to a miserly 69 minutes of the original Japanese footage (plus nearly 4 minutes of actual H-Bomb test footage stuck to the beginning by the American distributors, The King Brothers) it is a fabulously made picture.

Coal miners discover gigantic insects, known as Meganurons in the original version, which attack the local village. As if that were not bad enough a monstrous flying reptile soon hatches from an egg which has also been unearthed. Rodan's appearance is a "good news/bad news" thing because he eats the giant insects, but he also causes more damage than they ever could have!

The King Brothers, who would also give us GORGO a few years later, saved money by simply repeating certain scenes and "flopping" the image on the screen so it would look (slightly) different. Rodan and its mate appear out of the same crater in the American version. In the original version the second Rodan appears with no explanation as the first one is destroying the city of Sasebo. The narration probably saved time and allowed them to use less of the Japanese footage but having seen the original version I prefer the visual aspects of it (the end sequence is just as poignant and memorable without any dialogue).

Lovers of dubbed movies will recognise the voices of Paul Frees and Marvin Miller doing almost every voice in the picture! Keye Luke, a former Number One Son in Charlie Chan movies, provides the voice of the hero and a teenaged George Takei (later Mr. Sulu on "Star Trek") can be heard also. Look carefully during the destruction of the city and you will notice one building, a camera company, is called "The Tsuburaya Company"!

In todays genres where every movie is over-laden with CGI people should pause long enough to watch this movie and see what could be done with miniatures, imagination, and heart. Eiji Tsuburaya really loved the genre and gave his best to every assignment but THIS will always be one of his best.

Oh and about the monsters name. It was originally RADON but a British toy company had a doll on the market with that name so when the movie went abroad they simply switched the vowels in the monster's name and Radon became Rodan.

So the other night I watched a film that I had not seen more than once since I was a kid, the 1956 Japanese classic "Rodan." I had seen this movie at NYC's Film Forum around 25+ years back but had very little recollection of it still. And what a fun film it is, as I was reminded again just recently. In it, miners in a small Japanese village are being killed off by a mysterious something, and that something turns out to be giant bugs that have hatched deep underground. But the community's problems grow even worse when two prehistoric eggs in the mine shaft suddenly burst open, to reveal two monstrous flying reptile creatures, which promptly do what all self-respecting Japanese kaiju do in situations like this: lay waste to the countryside and a neighboring city! This film was helmed by "Gojira" director Ishiro Honda, of course, and like that earlier film, features awesome FX by the great Eija Tsuburaya and music by Akira Ifukube. The FX range from cheesy (the two rodans look pretty silly) to spectacular (one of the bridges that gets destroyed looks so lifelike that I would swear the producers knocked down an actual bridge in the making of this film). The film's final image, of the two rodans going up in flame near an erupting volcano, choosing death together rather than fighting separately, is actually kind of sweet and lovely. Adding to the fun: the presence of "Gojira"'s Dr. Serizawa himself, actor Akihiko Hirata, minus the eyepatch here. In all, very entertaining stuff, and very nice to reacquaint myself with this childhood favorite again....

This film is one of the best of the kaiju eigas that Toho ever made. The reason for this is that it is played much like the movie that in a way inspired it, "Them". The way the film begins plays almost like them did, the police and mine workers wondering who, or what, is responsible for the deaths of four men. The tension builds and builds from the first appearance of the giant insects to the destruction of Fukuoka (for some reason called Sasebo in the American version). Even though Rodan the monster did not become as successful as Godzilla, the film is more of a thrill ride and definitely should be hailed as a great science fiction film.