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This is certainly not one of Ishiro Honda's better efforts; but it does kind of work. Some would-be alien invaders hitch a ride on a probe returning to the Earth that lands on a Pacific atoll. They set about creating supersized monsters bent on humanity's destruction so they can take over the world. Nothing new so far, nor indeed anywhere really, as a team of human hoteliers and local islanders try to fight off this threat. The visual effects are OK - the monsters; explosions and acting are low budget, but together keep this fun yarn moving along fine. The dubbing actors are way over the top and the music grates but it's still just about worth watching - for some reason really bad Japanese films of this genre are not as bad as anyone else's!

When I rented this movie I thought this would be a low budget, rubber monster type, bad acting movie you would see on a late late late show. All of that is true, but the movie plot and situation was kind of interesting.

Yog changes into three different giant size monsters, but Yog is more of a blue mist that takes control of the host. The side story with the space mission is very interesting as well and merges well with the rest of the story. This story also has the cutest oriental woman I have ever seen which kept my attention. But without her, I would still be watching the movie finding out how it turns out.

This movie was a surprise to see and I did enjoy the film very much.

This is another alien-invasion movie from Toho studios. It features space alien (s) that invaded a tropical island, where it mutates a squid, crab, and turtle to the size of Godzilla. The aliens' main purpose: to conquer Earth. We have a group of explorers visiting an island to investigate the whereabouts of a lost space probe. There, they encounter the alien monsters, and try to stop them, with the help of some very courageous island natives. The hero of the film is portrayed by Akira Kubo. He has been portraying so many heroic roles by the time he filmed this movie that him being type-casted started to get annoying. Aside from that, we have monsters that were surprisingly very campy and rubber-ish looking.

Overall, an OK kaiju film that should have featured more monsters, providing that the aliens mentioned that they were trying to mutate a lot of animals to attack Earth. The film contains a pretty exciting "rescue-the-earth" mission, nonetheless.

Grade B

A sparkly-blue blob of light from outer space with the ability to take over and mutate/enlarge a host arrives on Earth. Soon, denizens of a tropical island are threatened by a stupendous squid, a colossal crab, and a titanic turtle. Eventually, the space creature takes over a human, allowing it to gloatingly communicate its nefarious plans of world conquest. An aversion to porpoises and bats yields a clue to the invader's weakness, and plans are made to fight back. Daikaiju-sized plot inconsistencies aside, this is a pretty good Toho monster opus. The tentacled monster ('Gezora') is a nicely done example of suit-mation - yes, we all know that there is an actor within, but the creature still looks good and, for an '60's film, is well integrated into the live footage. The turtle ('Kamoebas') is a little weaker in execution but the giant mutant crab ('Ganimes') is excellent - better (IMO) than the shrimp-based kaiju "Ebirah" ("Godzilla vs. The Sea Monster" 1966). I watched an adequately dubbed English version of the film, so can't comment on the acting or original script, but generally liked the portrayal of the characters (especially the 'natives', who, unlike most stereotypical peaceful islanders, were the ones who kept showing up with more and bigger guns). Directed by Toho's best known kaiju wrangler (Ishiro Honda) and with music by Akira Ifukube, the film has the look and sound of a Showa-era Godzilla outing and is an entertaining time-passer for anyone willing to suspend their disbelief long enough to fear for the lives of the intrepid islanders, who are all that stand between us and extinction. A must see for people concerned with their 'kaiju-life lists', as the three featured monsters are essentially one-offs in the Toho corral: ('Kamoebas' has a bit part as a washed-ashore corpse in "Godzilla: Tokyo S. O. S." (2003), 'Gezora' is briefly glimpsed in the opening montage of "Godzilla: Final Wars" (2004), and 'Ganimes' never again surfaces (despite being a nicely executed giant crab outfit)).

Also known as "Yog: The Space Amoeba" which sounds mor Japanese.

The director is Ishirô Honda of home we all know and love.

Samuel Z. Arkoff as producer (US version)

Salvatore Billitteri as producer (US version)

Fumio Tanaka as executive producer

Tomoyuki Tanaka as executive producer

The standard formula "stay out of the water" film. Well, maybe not formulas as we get to cross over stories of the greedy developer, burnt-out photographer, scientist, female interest, Japanese style monsters, and even space Amoebas.

Everyone's agenda conflicts with each other's agenda. I was rooting for the amoeba. However, they may use bats for sound trouncing.