L'inseguita

"The Hunted" starts off very well and showed tons of promise as a film noir picture. However, by the time it ends, I found myself incredibly disappointed.....as the movie seemed afraid to really allow itself to be tough and cynical like most noir pictures. Plus, the happy ending just seemed stupid and like a wimp out!

This movie stars Belita, a one-namer who was a skating star and appeared in just a few movies. Much of it might be because although she IS pretty, she's not traditionally pretty and her looks are a tad tough...which is a plus for noir. It seems that Laura Mead (Belita) just got out of prison, where she'd been for four years after being convicted of robbery. However, to complicate things, her old boyfriend, the Lieutenant (Preston Foster), is the man who arrested her! Now that she's out, he is interested in re-starting their relationship...though he's not sure if she can be trusted. See the movie to find out the answer.

Belita was excellent--mostly because they gave her some amazingly snappy dialog. But the ending....it was as if they'd lost the ending and just EXPLAINED the ending...a terrible way to wrap up any film. Plus, the upbeat ending just didn't seem to fit...hence me score of only 6. I really wanted to like this movie more than I did.

One of those very good, but forgotten film-noirs, it's a relatively strong story, of a girl who spent 4 years in prison for a crime she may or may not have done, and a cop who loved her and turned her in. It has good, tight execution and it's a film for film-lovers. The female lead is excellent in her portrayal, and it's too bad she only got used in several films, mostly for her skating and dancing abilities; and you should keep an eye out for the name of Jack Bernhard, the director, as he has other great noirs, such as The Decoy.

...because cop Johnny Saxon (Preston Foster) is literally haunted by his old relationship with recently released ex con Laura Mead (Belita). Four years ago she was his girl, but then the jewels from a robbery showed up in her apartment, and her brother was involved, but before he could say anything about Laura's involvement he was murdered. Laura went up the river for four years, vowing to kill her attorney and Johnny when she got out. This either means she was very guilty or very innocent.

So one minute Johnny is acting cold towards Laura because he thinks she played him for a fool by acting the good girl when she was actually a thief, and the next minute he is getting her a job at an ice rink(???). Yes I said ice rink, and there is even about a 5-10 minute number with Laura (Belita) figure skating in all of this in the middle that has nothing to do with the plot. But I'll get to this later.

So after Johnny spends a significant amount of time wandering around tormented about Laura, trying to get back to where he was emotionally in a way that reminds me of James Stewart in Vertigo, wandering the streets of San Francisco looking for a lost love he knows is gone, suddenly Johnny is OK with Laura. He believes her. Surprisingly Laura accepts Johnny's acceptance and seems to return this double minded man's love.

But then over one hour into this 84 minute film Laura's lawyer is found shot to death in his apartment with one of Laura's personal belongings lying close to the body. So has Johnny been made a fool of by this woman AGAIN, or is she really that unlucky? Watch and find out.

This is not one of those non stop action noirs. It is mainly just Johnny and Laura and their verbal dance of regret and attraction combined with some great cinematography and some classic noir scenes - the 40's diner, the bus stops, the long haul truckers, the line ups and inquisitions under hot lights. And there are a couple of LOL moments that are probably because this came from poverty row. Why is it every time there is a break in one of Johnny's cases the entire police force comes to a stop while he recovers from a punch or a wound or whatever? Can they not go after the suspect themselves? Then there is the case of X-Ray eyes Johnny has where he enters a room and goes straight to the place where a gun is hidden! Make this guy officer of the year!

Earlier I said I would explain the ice skating. Belita was a championship figure skater before her short acting career. I think her uncertain and untrained acting style worked for her in the films in which I've seen her, because you really don't know where she is coming from, and that adds to the suspense. I recommend it, especially if you've seen or heard Eddie Muller's comments on the film.

Internet Rule 34 says if there's a subject on the Web, there's porn about it. Maybe we need something like that for Film Noir: if it exists in the movies, there's a Film Noir about it. I suppose that's why this one has Belita as a femme fatale who does ice dancing routines.

Four years ago, cop Preston Foster arrested his girlfriend Belita for a jewelry robbery. Now she's out on parole, and he's gotten her a job at a hockey rink, teaching and performing. She says she was framed. He yearns for her and drinks. Eventually they reconcile, but then the defense attorney she claims threw her case is murdered.... and Belita's ring is found at the murder site.

Foster was at the end of his starring days. He was in his late 40s, and had been mature-looking when he entered the movies in the early days of sound. Fortunately, his solid presence would keep him working in star character roles. Belita is all right, but awkward off the ice. Longtime B cinematographer Harry Neumann (more than 300 films from 1918 through 1959) offers a lot of night-time shots, particularly a carnival midway sequence, for shadowy film noir lighting.

It's not a great movie -- Monogram didn't distribute those -- but it is a solid film noir for fans of the genre.

Towards the end, you get the idea this was on a deadline and / or budget cap expecting, but good little movie carried by good performances by all cast members. A real effort put in by each actor to not ham it up nor plod through the lines. It's film, we won't know for days what was in the can! Pretty solid in that respect, and no great stunts, just a story line to push it along. This movie could be done in a modern setting and fill in the holes, but I'm not sure Hollywood has the discipline to keep all characters humble and sublime. It would really need to be done with obscure but top flight actors to pull it off. Belita's character would be more realistic if she's not an ice skating star on probation. That was a bit silly, but you read about Belita, that's probably the driver that got this film made in the first place. But probably a sales clerk in a jewelry store profession would match the script a bit more realistically. The heist she was accused of isn't so well explained at the beginning nor at the end, where the audience is tasked to read a newspaper headline to tie everything together (not going to spoil it, but you can't be looking away from screen for a split second!). It's definitely worth the watch, and an interesting piece of period magic. Did anyone look up Belita's actual bio? I got the impression she was probably an actual resistance operative of some type(?); Born in England, trained for ballet in Russia, performed in skating & ballet in France, actress & skater in USA...all of this during WWII era?! That's really her skating in this movie, so obviously that was the money driver and how it got added hamfisted into the script that would do better without any tinges of glamour. It doesn't fit for ideal movie result, but in historical sense, Belita such a very interesting woman with immense talent. How does that international background not come out in her lines at all with any accent? How could she have such stellar talents on the ice and be such a committed actress? I find it interesting she competed in 1936 Olympics. Traveling itself was dicey stuff her entire young professional career, and this comes out as European friction is still high in post WWII reparations and fragile political climate. Really great movie in the context of the times.