Labbra avvelenate

George Raft plays Gannin, a bookie who is, despite this, basically an honest guy. His pal, Hal (Harry Morgan) approaches him to say that some mobsters want in on his own bookmaking business. Well, these creeps turn out to mean business and when Hal refuses to cooperate, they murder him in a very vivid and brutal scene (one of the best in the film). Naturally, Gannin isn't happy but things are about to get rough for him as well, as the mobsters soon approach him as well. Now he could work with the detective (William Bendix) to expose these rats but, naturally, Gannin only likes to handle things alone. Does he possibly stand a chance?! Well, since it's George Raft, you certainly assume so!

This film turned out to be a lot better than I expected. No, George Raft was just as stiff and unbelievable as he usually was in films. However, the plot offered some nice twists and kept me guessing. Plus the ending came as a HUGE surprise to me! Well worth seeing...almost deserving an 8...but not quite making it due to Raft's very ordinary sort of performance.

Ironically, later Harry Morgan would play Bill Gannon on "Dragnet"...the show that helped make him a household name.

From 1948, Race Street, starring George Raft and directed by Edwin L. Marin.

Slower moving than an iceberg with two tuneless musical numbers to boot.

Raft plays bookie Dan Gannin, who is leaving the racket and has opened his own nightclub featuring his sister (Gale Robbins). When his buddy (Harry Morgan) is killed after refusing mob protection, Dan goes after the killers. This doesn't sit well with Runson (William Bendix) a cop and friend, who feels Dan is putting himself in danger.

Race Street has no zip, no pace, and the plot just meanders along. It seemed as if the same scenes were repeated over and over - Runson asking Dan if he had any info, Gannin's friends discussing the problem, Gannin being threatened.

Marilyn Maxwell as a brunette is Gannin's girlfriend. Charles Lane, who died at 102, is a switchboard operator - his last credit was in 1995 after a 65-year career. Jason Robards Sr. Is uncredited as a hotel clerk. Frank Faylen plays a bad guy.

You can skip this.

George Raft is a well respected bookie in San Francisco. He's got a cute girlfriend in Marilyn Maxwell, a sister who's a lounge singer in Gale Robbins, and a cop friend in Lieutenant William Bendix. Raft doesn't play ball with him, but Bendix figures so long as things are quiet, he's doing his job. But when a mysterious stranger played by Frank Faylen decides to set up a protection racket for bookies, they resist. Harry Morgan winds up dead. Bendix investigates because it's his job. Raft, because Morgan is his friend.

The most interesting part of Raft's last film for RKO is the handsome shots of San Francisco shot by DP Roy Hunt. Miss Robbins' musical numbers are good, and Bendix is interesting in a straightforward, amiably corrupt role. Meanwhile, Raft continues to fail to impress me with his minimal performance, although he does manage to grit his teeth when he has been shot. With Russell Hicks, Tom Keene, Franklyn Farnum, and Charles Lane.

From RKO, William Bendix is Barney, the cop (and narrator!). His buddy Dan Gannin is a bookie, played by George Raft. Dan's partner is Hal (Harry Morgan, from MASH) The love interest here is Marilyn Maxwell, as Robbie. Maxwell moved into television in the 1950s, but died quite young at 51, of a heart attack. it's a murder noir, and of course, the mob moves in and wants protection money, just as they are opening a club downtown. Barney is determined to lean on Dan to get to the mob. they even manage to show an RKO theater about an hour in. Gale Robbins is Dan's sister Elaine. Robbins ALSO died young at 58. Some fun scenery of san francisco... if they really did film scenes there. and Charles Lane is the desk clerk... for a time, he held the record for the most un-credited, minor, and supporting roles; lived to 102 ! Directed by Ed Marin.he made SIX films with Raft. also died young at 52. film is pretty good. your typical murder noir. in this one, they keep waiting for the bad guys to move in, but not a lot of suspense, or solving clues.

George Raft and director Edwin Marin made several films together: JOHNNY ANGEL, INTERIGUE; NOCTURNE and this very one, which is for me the best of them all, also showing William Bendix in an unusual cop character. Bendix should have made more films like this one, he had the face and charisma for it. This crime noir is excellent for me, a pretty exciting RKO feature which I watch regularely with great pleasure. Fast paced, not too long, the ending is also in the line of the story and far better than other movies from this era; Good directing and camera work emphasize the power of this story. I recommend it;