Quel fenomeno di mio figlio

This is a somewhat funny movie with one serious flaw in it....Jerry Lewis's voice!....it was so irritating I had to turn the volume down....he talks with a half baby boy half nerd voice that gets under your skin....in his next few movies he had the same voice but not quite as bad,but in this one its so over the top it ruins any humor in that scene....and many times when he is talking he sounds like he is about to cry...I kept wishing Dean Martin would just land one clean punch when he started his whining....his next movie Sailors Beware was much better...simply too much Junior....and of course its always fun to see Jerry Lewis before he greased up his hair and transformed himself into Dean Martin.

I think it's a real shame that this movie has never been made available on tape or disc - it's hysterical!! Sure, not all of the hysterics are intentional (e.g., Dean Martin, who was 34 when this was made, and looking every year of it, playing a high school senior. The only thing missing from his prom scene are the smokes & martinis...although they're certainly present in spirit. Classic). They even allow Deano a couple of songs: the funny "Ball & a Jack" sequence is intercut with Lewis ineptly trying to match Martin's suave moves from the sidelines, but a backseat seranade of "I'm in the Mood for Love" is so out of place and arbitrary that it's priceless! Nonetheless, the comedy that was intended comes off quite well, especially the great Eddie Mayhoff ("How to Murder Your Wife") as Lewis's hilariously overbearing & macho father (unintended comedic moment II: Mayhoff doing pushups at the beginning of the film, proclaiming to be the epitome of health. He looks, however, to be in awful shape!). This film is certainly dated, but it really adds to its charm. Imagine a time when butter, pancakes and syrup were considered good for you (as is sleeping with your window open)! People didn't question the "correctness" of hunting. Doctors smoked. Men shaved with straight razors. College students didn't wear baseball caps and baggy pants. Dean Martin attends your high school!! It's all here! I must have gone through about 10 different copies of this over the years (it showed up quite often on the old "late, late movie" shows that used to be on network television. I always screwed up the commercial edits). AMC shows this sometimes, so check it out!

That's My Boy (1951)

** 1/2 (out of 4)

Junior Jackson (Jerry Lewis) is a weak nerd who just happens to be the son of Jarring Jackson (Eddie Mayehoff) who was a star football player. The father knows his boy is a weak loser but he makes him get on a college football team and he pays for Bill Baker (Dean Martin) to go in hopes that he can turn his boy into a real man.

THAT'S MY BOY isn't the greatest comedy that you're going to see but there are enough good moments in it to make it worth watching. It's funny going through these Martin & Lewis comedies because their films were pretty much like several famous comedy duos before them. One film would deal with college. Another film might deal with Hollywood. Other subjects would include horror elements and of course they would feature both music and laughs. This film isn't among the better Martin & Lewis pictures but it's worth watching if you're a fan of theirs.

I think the highlight of the picture happens with the songs that Martin is allowed to do. Martin gets two different songs but "I'm in the Mood for Love" was certainly the best and also the highlight of the picture. As for Martin, that's pretty much all he has to do as his character doesn't appear that much in the film. He does get to do a drunken spill towards the end and of course he would master this later in his career. Lewis is pretty much what you'd expect as he plays that weak, dimwitted character like very few could. Ruth Hussey adds some nice support as does Polly Bergen and John McIntire in their small roles. Mayehoff is also very good in his role as the strong father.

THAT'S MY BOY doesn't contain enough laughs to make it what I'd consider a "good" movie but at the same time there's no question that fans of the duo will enjoy it.

"That's My Boy" is among the earliest films of either Jerry Lewis or Dean Martin, and also of their pairing. Lewis hadn't yet developed - or "polished" his over-the-top slapstick and goofiness. Although a comedy, this film has a touch of drama and resembles any number of similar films centered around college sports. The aspect of a star football player helping out another kid who's lacking in talent will be familiar to most who have watched many movies from the mid-20tdh century.

As would be expected, Dean Martin is the grid iron star, Bill Baker. His dad is a poor guy, in poor health, who works for a wealthy, former Ridgeville College star, Jarring Jack Jackson. He is still the picture of health and healthy living in middle age and is a successful big businessman. Now he's a big benefactor for the college. And, as long-time movie buffs will know or be able to imagine, it's he who has the weak son, physically. Naturally, that's Jerry Lewis. But, his Junior Jackson likes football and would like to play. So, with Bill's help (and dad's money) he makes the team.

The best comedy in this film comes from Eddie Mayehoff who plays Jarring Jack Jackson. He does the blustery, "they don't make 'em like me anymore" character superbly. Naturally there's a girl or two - Marion Marshall plays Terry Howard and Polly Bergen is Babs Hunter. I really didn't recognize Bergen as a 21-year-old in this film. This was just her fifth film.

There aren't many laughs in this film. Football fans will get a kick out of the action scenes on the field, including Junior's goofs and glory. This doesn't have the depth of a real sports drama such as "Brian's Song," or "The Pride of the Yankees" or any number of other mostly bio-pic sports films. Without that, it needed more comedy than it has to put it over as a very good film. It's one of the lesser Dean Martina and Jerry Lewis efforts.

But for the performances of Mayehoff as Junior's dad, and Ruth Hussey as his mother, Ann Jackson, this film would rate one star fewer. Jackson has a slogan sign in his office that reads, ""Guts is what counts." Here are the better lines in the film.

Jarring Jack Jackson, "Since when does the former Olympic women's swimming champ get out of breath?" Ann Jackson, "As of now."

Jarring Jack, "And don't call me sir. It sounds like I'm training you to be an English butler."

Bill Baker, "Cyrano de Bergerac? Didn't he play end for Cornell?"

Jarring Jack, "Is there anything worse?" Ann Jackson, "Yes. He could've been a criminal." Jarring Jack, "That wouldn't have been so bad. Then at least we could've sent him away and no one would know."

Jarring Jack, "Ann, are you sure he's our son?" Ann Jackson, "Oh, stop it, Jack. He was born at home."

Jarring Jack, "Of course, you can't pass like me, or run like me. You don't hit the line like I used to, but you remind me a little of me." Bill Baker, "Well, there'll never be another you, sir." Jackson, "Thank you, son."

I'm not a big fan of Martin and Lewis movies, though I think I saw all of them over the years. When I was a kid, I was a bit of a fan so I tried to see the films whenever they came on television. Of all their films together, this one is my favorite. It may not be hilarious from start to finish, but for this comedy team it is awfully good.

Lewis is very funny as the extremely clumsy and nerdy son of the rugged Eddie Mayehoff. Martin plays a football-playing student who Mayehoff WISHES were his son--in order to carry on the legacy. You see, because MANY years earlier Mayehoff had been a big college football star and he was beside himself having an embarrassment for a son. So, he makes Martin a proposition--take Lewis under his wing and make him a real man. In exchange, Mayehoff will bankroll Martin's college expenses.

What ultimately happens is a bit predictable but worth watching. The scene I particularly enjoyed watching was when Mayehoff took Lewis hunting! Good work by Martin & Lewis and a film that deserves to be seen a bit more often.

By the way, I am not sure if I'd consider this to be the team's best film or "The Stooge". "That's My Boy" is certainly a lot funnier but there's something likable about the oddly realistic "The Stooge".