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One of my two favorite Martin & Lewis films (the other being Artists and Models), this one was originally released in 3-D. I had the pleasure of seeing it that way a few years ago at the first 3-D fest held at the Egyptian Theater in Hollywood, but the added depth really didn't make that much difference in being able to enjoy it.

Based on material by Damon Runyon (Guys & Dolls), much of it is typical Martin & Lewis fare, re-teaming them with heavy Robert Strauss and with Sheldon Leonard thrown into the mix for good measure. This may not be their absolute best, but it would be worth seeing if only for the scene that spoofs Cyrano de Bergerac to hilarious effect as Dean croons "I Only Have Eyes For You" before things go off the rails for Jerry.

This one is a typical Martin/Lewis vehicle. They are cousins who have to manage a lot of troubles. Jerry gets his satirical performances, Dino gets his songs - they would manage their roles asleep and have a lot of self-ironic.

But there are still more positive aspects: It is the team´s first picture in color; George Marshall directs with sure hand and the supporting cast is very good although there are no big names in it; The first sequence in the movie where Dean is threaten by "Chambo Schneider" is a first class parody on gangster movie cliches of the Thirties;

To sum it up it is a pleasure for fans like me. 7/10.

Money From Home was Martin&Lewis's first film in color and it is set during the Roaring Twenties and based on a Damon Runyon story from that era. With such character players as Sheldon Leonard, Robert Strauss, and Jack Kruschen playing Runyon's classic gambler creations of the era you know that at least that part of the film is more than satisfying.

Dean Martin always casts well as that type and seeing Money From Home was a painful reminder of what a shame it was that Dino never got to play Sky Masterson in a planned TV special that never got off the ground in the middle Sixties. What a perfect part that would have been for him. His part in this film is a Sky Masterson type, a smooth talking lady's man who is dispatched to Maryland to fix a steeplechase race either by persuading owner Marjie Miller to scratch the horse or by having his dopey cousin, veterinarian trainee Jerry Lewis dope the horse.

Money From Home never quite gets off the ground in terms of comedy. Jerry has been far funnier in other films both with Dean and one his own. The steeplechase race climax where Jerry substitutes for perpetually inebriated jockey Richard Haydn is lifted straight from the Marx Brothers classic A Day At The Races. As for Dean's singing he gets some truly forgettable numbers which he never recorded for Capitol records and he also sings I Only Have Eyes For You for which Paramount must have ponied some big bucks to Warner Brothers for the rights. Sad Dino never recorded that one because it fits him well.

Not the team's best effort.

I am a huge fan of Martin and Lewis and this is one of their best movies ever. The chemistry between them was phenomenal, and will always be remembered with nothing but the greatest respect from me. The other reason I liked it was the music in it, Dean had such a sexy voice and Jerry provided the comedy behind it. The color detail was superb, and the entire ensemble cast was really good. The horse in the movie did a really good job too, it amazes me the way they can train animals to do the things they do. I enjoyed the scenes Jerry had with all the animals he took care of, it was just fun. All in all, I recommend this movie to anyone who likes Martin and Lewis, it's a must see.

This is an odd Martin & Lewis film because while it's pleasant enough viewing, it really didn't seem like a comedy. After all, isn't a comedy supposed to have some laughs? Well, this one didn't and sure could have used an infusion of humor. Now this is not to say it's a terrible film, but inserting a gimmicky 'funny' race at the end just was too little too late for the humor department.

The film begins with Dean playing his usual sort of role--a heal. He is in debt to gamblers who are ready to beat him senseless (or worse) but decide to give him one more chance. If he agrees to fix an upcoming horse race, they'll not beat him half to death! So, having little choice, he decides to enlist the help of his spastic cousin (Jerry). However, Jerry really is just a nice animal lover and wants nothing to do with Dean's dirty tricks. Why Jerry eventually agrees to help him seemed a bit confusing, but help him he did. Along the way, both meet pretty ladies and fall in love. Eventually, Jerry poses (badly) as an English rider--but near the end of the film, the mob and Dean's new girlfriend learn of this and the two guys will be lucky to get out of this alive.

The film is pleasant but not funny. Compared to most of their films, it's a bit flat...but at least it's in nice color! Not terrible...just one of their better films.