Attente ai marinai!

This is not especially well written. The songs are not memorable. The cast, however, squeezes a lot out of this Martin and Lewis in the Navy situation. They both look great as young sailors. They are believable. The scenes on the submarine show how cramped it must have been on those underwater missions in the 1950s and before.

Lots of sailors in many scenes. Hundreds perhaps, in a big outdoor exercise field, and again in a boxing arena.

You will see James Dean in his scene. He does stand out even though he is an extra here. In a scene where Jerry walks across a busy street we see some of his "almost accident" comedy which he would bring into play years later in The Patsy.

Dean giving Jerry boxing instructions is a good comedy skit to watch for. Jerry in the boxing ring shows his high energy that was his trademark in the late '40s and early '50s. Dean and Jerry dancing is a bit of a treat. Not great, but better than most non dancing movies.

Worth seeing if you don't mind black and white. Good ending.

Tom Willett

This B&W film reached the spartan movie house of my Frisian village about 18 months after its release. In those days much of our full-length comedy fare hailed from Denmark (Nils Poppe anyone?) so this movie struck like a thunderbolt -- it had me weeping with helpless mirth, ROTFL as we'd now put it. OK, so some of the sight gags were in fact recycled vaudeville 'schtick', but how was this 'barefoot boy with cheeks of brass' to know that at the time? In any case, my favorite scenes had Jerry's unique brand of frantic clowning, like that Hawaii boxing match.

Seeing "Sailor Beware" again fifty years later I still guffawed loudly at the goings-on. Granted, without the nostalgia component it would probably be just another fair-to-middling comedy. But then, another movie that once had me in stitches even more helplessly, the Spike Jones outing "Fireman Save My Child", now seems dated and stilted apart from some too-short orchestra bits and Doodles Weaver scenes. Must be some special ingredient that makes Martin & Lewis product stay fresher longer. To me this one at least rates eight out of ten.

This is another Martin & Lewis movie I watched on YouTube. In this one, they become sailors-Jerry because he needs a sea vacation to cure his ailments, Dean because having been rejected several times, the standards are now lowered. With this one, two previous leading ladies return-Marion Marshall, who was with Dean in That's My Boy, gets Jerry this time and Corinne Calvet, who had to compete with Diana Lynn in My Friend Irma Goes West, gets Dean to herself playing herself. Lewis is mostly funny when by himself though he and Dean have a hilarious conversation before a boxing scene. They also share a couple of funny numbers with the second one showcasing their tap dancing talents. There's also an appearance by then-big star Betty Hutton and one from upcoming star James Dean. And, since I like to mention whenever a player from my favorite movie It's a Wonderful Life appears, Mary Treen has a few amusing moments as Ms. Calvet's assistant. This was also the first time Lewis did an Asian stereotype which I didn't find funny though I did like it when he danced with those Hawaiian natives. Oh, and it's always nice to see Don Wilson outside of "The Jack Benny Program". So on that note, I highly recommend Sailor Beware.

Jerry and Dean serve again in the Armed Forces this time in the Navy. Jerry does his antics managing to sink a dinghy and disrupt a submarine. Dean sings a few numbers. Robert Strauss co stars as a hard boiled CPO. Look for a young Vince Edwards and Jack Benny's semi-sidekick Don Wilson. Corinne Calvet appears as herself. Betty Hutton has a quick scene as Deans girlfriend. If you look real close you'll catch a glimpse of screen cult legend James Dean.

When I see these old Martin and Lewis films again, I'm always amazed and curious. Curious as to why I found them so funny when I saw them at the time of their release and amazed that I enjoyed them so much. Martin was always the essence of Mr. Cool. Good looks, smooth with the chicks and that soft Italian voice. Lewis was always a loose cannon, with his goofy slapstick and sentimental shifts. This film is typical with an implausible story and lots of crazy situations but memorable mostly for (later-to-be) screen legend, James Dean's first film lines, "That man's a professional!"

You can't judge these films on the same level as today's comedy. Martin had a style of his own and showed he could act in later films. Lewis just kept being Lewis, which if you enjoyed him, you caught his later films (I'd outgrown him by then and thought Geisha boy was one of the silliest films I've ever seen). He could never do a prat-fall like Peter Sellers nor be as genuinely goofy as Robin Williams, but he could tickle your funny bone at times.