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Scintille tra due cuori

Titolo originale: Those Endearing Young Charms
  • 1945
  • Approved
  • 1h 21min
VALUTAZIONE IMDb
5,9/10
206
LA TUA VALUTAZIONE
Robert Young and Laraine Day in Scintille tra due cuori (1945)
AvventuraCommediaDrammaRomanticismo

Aggiungi una trama nella tua linguaArmy private Jerry, on leave, soon regrets introducing his girl Helen to love-em-and-leave-em pal Lieut. Hank Travers. Helen is smart enough to see Hank for what he is, but falls hard for hi... Leggi tuttoArmy private Jerry, on leave, soon regrets introducing his girl Helen to love-em-and-leave-em pal Lieut. Hank Travers. Helen is smart enough to see Hank for what he is, but falls hard for him all the same. Can she turn Hank, who wants no strings, into an honest suitor?Army private Jerry, on leave, soon regrets introducing his girl Helen to love-em-and-leave-em pal Lieut. Hank Travers. Helen is smart enough to see Hank for what he is, but falls hard for him all the same. Can she turn Hank, who wants no strings, into an honest suitor?

  • Regia
    • Lewis Allen
  • Sceneggiatura
    • Edward Chodorov
    • Jerome Chodorov
  • Star
    • Robert Young
    • Laraine Day
    • Ann Harding
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,9/10
    206
    LA TUA VALUTAZIONE
    • Regia
      • Lewis Allen
    • Sceneggiatura
      • Edward Chodorov
      • Jerome Chodorov
    • Star
      • Robert Young
      • Laraine Day
      • Ann Harding
    • 6Recensioni degli utenti
    • 4Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto23

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    + 17
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    Interpreti principali36

    Modifica
    Robert Young
    Robert Young
    • Lt. Hurley 'Hank' Travers
    Laraine Day
    Laraine Day
    • Helen Brandt
    Ann Harding
    Ann Harding
    • Mrs. Brandt (Captain)
    Marc Cramer
    Marc Cramer
    • Capt. Larry Stowe
    Anne Jeffreys
    Anne Jeffreys
    • Suzibelle, Officer's Club Waitress
    Glen Vernon
    Glen Vernon
    • Radioman 1st Class William Zantifar
    Norma Varden
    Norma Varden
    • Mrs. Woods, Hall's Floor Lady
    Lawrence Tierney
    Lawrence Tierney
    • Lt. Ted Brewster
    Vera Marshe
    Vera Marshe
    • Dot
    Bill Williams
    Bill Williams
    • Jerry
    George Anderson
    • Doorman
    • (non citato nei titoli originali)
    Paul Brooks
    • Pilot
    • (non citato nei titoli originali)
    Larry Burke
    • Singer at St. Mark Hotel
    • (non citato nei titoli originali)
    Robert Clarke
    Robert Clarke
    • Pilot
    • (non citato nei titoli originali)
    Tom Coleman
    • Waiter
    • (non citato nei titoli originali)
    Aina Constant
    • Miss Glamour
    • (non citato nei titoli originali)
    Helen Dickson
    Helen Dickson
    • Woman
    • (non citato nei titoli originali)
    Tom Dillon
    Tom Dillon
    • Traffic Cop
    • (non citato nei titoli originali)
    • Regia
      • Lewis Allen
    • Sceneggiatura
      • Edward Chodorov
      • Jerome Chodorov
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti6

    5,9206
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    10

    Recensioni in evidenza

    Doylenf

    Slight war-time romance only fairly absorbing...

    The trouble with THOSE ENDEARING YOUNG CHARMS is that you never really are convinced that Laraine Day's choice of Robert Young as the man she wants as a husband is a sensible one--will he ever change his stripes? Young plays a smooth heel who takes Day away from would be suitor Jerry (Bill Williams in his first movie role). Williams was the real-life husband of Barbara Hale and just getting started in films.

    Young never seemed quite at home in these sort of roles--his suave manner is almost convincing but his character only reforms slightly toward the last reel, making Day's impulsive choice seem just a bit unreasonable. Ann Harding has an effective supporting role as Day's mom who cautions Day against the love'em and leave'em character played by Young.

    Not bad as these sort of things go--but don't expect anything deeper than a cushion. Laraine Day is lovely as always with her bright eyes and dimpled smile and makes an appealing heroine. But she seems too smart to really fall for Robert Young's playboy. Bill Williams plays a happy go lucky guy in an affable enough manner. Too bad he was only able to find a few other good roles in the '40s.

    The dialogue has a soap opera flavor to it--but the cast makes it worth watching.
    6SimonJack

    A very good cast in a much conflicted plot

    As with another occasional film promoted in part as a comedy, this one needs close attention to find any humor. "Those Endearing Young Charms," even in its title, may be having some sport with audiences. Is the "Young" a reference to the male star, Robert Young? The plot and screenplay would suggest that, with reference to his "charms." Or is to this guy's persona, as a young Army pilot, who sweeps the girls off their feet?

    I rate this film six stars just for the performances of the four principal cast members. They do very well with roles in a story that has a number of conflictions. Were Hank Travers (Robert Young) and Jerry (Bill Williams) buddies back in school together? Or, were they just from the same home town? Were they friends, or just acquaintances? Did they ever pal around together, or was Hank more of a loner who went with lots of girls and broke their hearts?

    Jerry loves Helen Brandt (Laraine Day), even though he knows Helen looks on him as a brother. Their families were close friends back in their hometown. Helen and her mother, Mrs. "Captain" Brandt (Ann Harding), are close and live together. Mother is concerned about Helen's future, after she is attracted to Hank. She tells Helen of her lost love of the past, and Helen was surprised to learn that it was Jerry's father. The "Captain" and he had met and were in love before the last war. She wouldn't marry him, and when he returned from the war he married Jerry's mother instead. Yet, Helen still loved him, even after she married Helen's father.

    Now, the Captain is worried about what Helen will do, regarding Hank. Will Helen let him go, as her mother had let her lover go before? Or would she hold onto him, and not have regrets later over lost love? But what never occurs to either woman, or is never mentioned at all, is an unspoken confliction. If mother had said "Yes" to her man before, and not married Helen's father, there would be no Helen today - she would not have been born. Nor would Jerry have been born to his father and mother.

    The conflictions with Hank's character alone, and with Helen and Hank are even more apparent. Was Hank always so cynical and self-centered? His seeming "charm" was mostly in a gentlemanly and polite manner. But then he would revert to a cynical comment or snide remark. Can anyone believe that such a persona would attract lots of girls, or women? Now, it's obvious that Helen is no fool, or floozie, or naive young woman who is easily swayed by a smooth operator. She's intelligent and smart about life. So, she's a good person for someone to do word play with. Hank discovers that right away. So they are able to converse and get along, each one trying to find the real person hidden within the core of the other. Helen is as much a mystery to Hank as he is an interesting man to her, because his dating and love life haven't been so selective.

    Now, Jerry becomes upset because Hank and Helen are getting close. He doesn't want to see Helen hurt by being dropped by Hank as just another of his love-em-and-leave-em girls. Or, perhaps Jerry is really worried that Hank and Helen will hit it off and get married? This is another confliction because one doesn't know what Jerry is really thinking or worried about.

    So, all of these portrayals are very good, in showing each person as he or she is - and conflicted. But then the plot becomes a little problematic. It moves swiftly toward the end. When Hank takes Helen to the airbase to watch the planes, they run into a couple of his fellow air officers. They kid with him and chide him and he is uncomfortable with them seeing Helen. So, he must be a real down-to-earth guy after all? At least with men, fellows he associates and works with. And Hank falls for Helen and tells her so; but to the audience it's so very hard to believe because he shows no signs of any kind of change - emotion, physical, demeaner, happiness, giddiness, etc.

    And, even though Helen shows some determination and a little excitement about going after her man at the end, there still doesn't seem to be a spark of romance or love. I guess the best way to describe their relationship is the old cliched term - that there never seems to be any chemistry between Hank and Helen.

    One last observation about the screenplay. It's a very "talkie" script, and that further makes this film very closely resemble a soap opera. But, again, the acting and performances of the leads here clearly raise it above that level. So, it's an interesting, somewhat mysterious slice of life film about the time and place and meeting of people during World War II. The humor is very subtle and below the surface, and the romance isn't anything like the usual, out in the open between boy and girl, man and woman. It's a more sophisticated type of love story without very much romance at all.

    Some may like it for all or some of these aspects and reasons. But for others, it may just be too unusual and not very entertaining at all. I saved what I think is the one very funny line in the film for last. When Hank takes Helen to the Dipsy-Doodle for dining and dancing, the waiter (Tom Dugan) shakes his head when Hank mentions food. So, Hank orders two high balls, and he and Helen start talking while the waiter stays and listens. Hank turns to him and says, "We'll tell you what happens when you come back." The waiter says, "Oh, will ya - thanks?" and leaves as he gets the message.
    Delly

    Subversive and sour little romance.

    If you're looking for the antidote to Since You Went Away-style hankiefests, or musicals about squeaky-clean GIs and their even squeakier cleaner girls, Those Endearing Young Charms fits the bill. Imagine a World War II romance with a lunchtime on-set rewrite by Louis-Ferdinand Celine ( "Women love war; it goes straight to their ovaries" ) and you might come up with something like this film, which lays on the syrupy romance and the goggle eyes while secretly brimming with misanthropy that would make Kubrick proud.

    Lower middle-class Laraine Day is seduced by the wealthy officer played by Robert Young, while being chased by idealistic cadet Bill Williams. Young makes no bones about being a skirt-chaser with a heart of purest copper. The spectacle of the film is in Day's self-mutilating puppy dog devotion to a lost cause, and what it says about female masochism and love itself in a world of organized murder. The director plays it totally straight so that the sentimental target audience would be satisfied, while transmitting his message in code, as it were, to future generations who can read between the lines.

    The film has many touches to make the concept plausible, such as when Day is taken to Young's base and immediately begins cooing over a phallic B-12. Soon afterwards, the waitress comes over to the table and the jests of the soldiers suggest that she has been a lazy Susan that all of them fed off of at least once, and then -- judging by her bitter hardness -- discarded. The idea of these being "good soldiers fighting a just war" doesn't seem very plausible in this instance. It seems all wars bring with them certain personal motivations.

    The script locates the epicenter of innocence and true romance not in the woman but in Bill Williams, a kind of fetal Parsifal. He reminds you of the guy in The Canterbury Tales whose dream girl, who he unknowingly catches in bed with another man, tells him to close his eyes before sticking her butt out the window for him to kiss, followed by the raucous laughter of her and her real boyfriend -- Chaucer then says succinctly of the young man "For woman's love he cared no more." Williams goes through a similarly elaborate process of inoculation with Laraine Day. He proceeds through all the stages of devotion and its aftermath: puppy love, courtly wooing, brotherly support, then noble renunciation, none of which she notices.

    But at the end, after giving up what he never had, he says, looking visibly exalted "Why do I feel so good?" That's the question that stays with you from this film.

    P.S. The title seems to be sarcastic not only about the allure of youth but about its lead actor!

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    • Quiz
      "The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on October 1, 1945 with Virginia Bruce, Robert Young and Bill Williams reprising their film roles.
    • Citazioni

      Helen Brandt: That woman just bought a quart of this stuff at forty-five dollars a molecule!

      Dot: Why does anyone who looks like that want to smell good?

      Helen Brandt: Dot, where do all these women get all the money they have clutched in their hot little hands?

      Dot: I could tell you, but a sweet kid like you wouldn't believe it.

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    Dettagli

    Modifica
    • Data di uscita
      • 19 giugno 1945 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Those Endearing Young Charms
    • Luoghi delle riprese
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, California, Stati Uniti(Studio)
    • Azienda produttrice
      • RKO Radio Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 21 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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