Tre sconosciuti, una spogliarellista, una moglie alcolizzata e un venditore ambulante intraprendono un viaggio che cambia la vita. La strada presenta delle sfide, dove ognuno affronta i prop... Leggi tuttoTre sconosciuti, una spogliarellista, una moglie alcolizzata e un venditore ambulante intraprendono un viaggio che cambia la vita. La strada presenta delle sfide, dove ognuno affronta i propri difetti non sapendo dove porterà la vita dopo.Tre sconosciuti, una spogliarellista, una moglie alcolizzata e un venditore ambulante intraprendono un viaggio che cambia la vita. La strada presenta delle sfide, dove ognuno affronta i propri difetti non sapendo dove porterà la vita dopo.
- Premi
- 1 candidatura in totale
- Ed 'Pimples' Carson
- (as Dee Pollack)
- Commuter at Terminal
- (non citato nei titoli originali)
- Andrews
- (non citato nei titoli originali)
- Mrs. Breed
- (non citato nei titoli originali)
- Bus Driver
- (non citato nei titoli originali)
- Bus Dispatcher
- (non citato nei titoli originali)
- Commuter at Terminal
- (non citato nei titoli originali)
- Stanton
- (non citato nei titoli originali)
Recensioni in evidenza
At one time this had been planned as a prestige production, with names like Marlon Brando, Anthony Quinn, Susan Hayward, and Gene Tierney mentioned for the role. By the time it came to the screen, the cast consisted of lesser-regarded players like Dan Dailey, Joan Collins, Jayne Mansfield, and Larry Keating in the roles. Although on paper it looks like a low-rent version of GRAND HOTEL, the characters are well drawn from a Steinbeck story, and the performers offer much stronger performances than the usual work they are noted for.
Credit producer Charles Brackett. He started as a writer, and in the mid-1930s, he hooked up with Billy Wilder. When they grew tired of directorial interference with their scripts, Wilder began to direct regularly, with Brackett as the producer. After 1950, they went on their own ways. Brackett continued to produce, occasionally taking writing credit, through 1962. Along the way, he picked up three Oscars, including one honorary one, amidst a baker's dozen nominations. He died in 1969, aged 76.
RICK JASON is the ruggedly handsome driver (whatever happened to him?), JOAN COLLINS is his unhappy wife tipping the bottle, JAYNE MANSFIELD is a showgirl riding to her next strip assignment, DAN DAILEY is a stock character as a traveling salesman with an eye for a pretty girl, and others are strictly cardboard creations.
But it's strikingly photographed in B&W and CinemaScope, briskly directed by Victor Vikas (who won a directing award for this at the Berlin Film Festival), and not as bad as it might seem for all of its obscurity in the realm of classic films.
Probably lacks the punch of the Steinbeck novel in transferring his characters to the screen in accordance with the code of the '50s.
Catch that bus. No wonder it's "wayward". Looks like it was bought at a junk yard sale, but, hey, it proves to be a real trouper. Chicoy (Jason) is the driver and he's got to get his assorted passengers to their destination, come heck or high water, both of which make a scary appearance. Meanwhile, the passengers have to pair up or straighten out, meaning the bus journey is not just literal but symbolic of personal discoveries. That may not be an original plot device, but the road effects are really well done. One thing for sure, except for Mansfield the film has a really drab look to it. Even the usually glamorous Collins is dressed down. Speaking of Collins, she's the only one to go over- the-top amongst a generally well-acted storyline. Going in, I thought this would be a Mansfield showcase, but it's not. She's just one of the passengers with her own personal difficulties to get straight. In fact, her budding romance with an aging Dailey is rather poignant. All in all, the movie adds up a decent time-passer with a few thrills and some non-sappy soap opera to carry the narrative.
Lo sapevi?
- QuizThis movie was made as a Jayne Mansfield vehicle in hopes of replicating the box office success of the previous year's similar film Fermata d'autobus (1956), which had starred Mansfield's main rival as a platinum blonde bombshell, Marilyn Monroe.
- BlooperThe interior of the bus obviously is a built set as one can tell by the outside dimensions that do not match up.
- Citazioni
Ed 'Pimples' Carson: Piece of chocolate cake, please
Norma , the counter girl: Cake for breakfast? I bet Mr Robert Wagner doesn't start his day wolfing down chocolate cake.
- Curiosità sui creditiThe film's title card reads: "John Steinbeck's The Wayward Bus."
- Versioni alternativeUnited Press International wrote in a review of the film that Dolores Michaels' "torrid" scene, a seduction scene in a barn where she makes a pass at the bus driver (Rick Jason), "manages to steal the sexiest scene in the picture," over better known actresses Jayne Mansfield and Joan Collins, and wrote that Hollywood had not had a scene like it since Jane Russell in The Outlaw. Director Victor Vicas shot two versions, an "A" scene and a "B" scene (only implied sex in barn) because of the censors.
- ConnessioniFeatured in Jayne Mansfield: La tragédie d'une blonde (2013)
- Colonne sonoreSomethin's Gotta Give
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Dettagli
- Tempo di esecuzione1 ora 27 minuti
- Colore
- Proporzioni
- 2.35 : 1