Un contadino del New Hampshire del diciannovesimo secolo fa un patto con Satana per il successo economico, quindi arruola il famoso oratore Daniel Webster per strapparlo dal suo contratto.Un contadino del New Hampshire del diciannovesimo secolo fa un patto con Satana per il successo economico, quindi arruola il famoso oratore Daniel Webster per strapparlo dal suo contratto.Un contadino del New Hampshire del diciannovesimo secolo fa un patto con Satana per il successo economico, quindi arruola il famoso oratore Daniel Webster per strapparlo dal suo contratto.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 2 vittorie e 1 candidatura in totale
- Spectator
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- Hank
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- Poker Player
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- Woman
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- Martin Van Buren Aldrich
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Recensioni in evidenza
Funny: Huston as ol' Mr. Scratch was SO good. Very funny, cynical wit. Lots of little things that stand out from him, all the odd places he turns up. He's everywhere, leading the band at the parade for Dan'l, in Washington whispering in the senator's ear, playing a mean fiddle at the barn dance. His insults to Jabez Stone were priceless. The bit at the end of him ravenously devouring this huge pie was a really funny demonstration of his greed, and the final moments of examining his book for the next target are priceless.
Creepy: Between all the funny stuff were the implications of hell and damnation, but especially terror and hopelessness (Stone and Miser Stevens). The visitors at Stone's new mansion really creeped me out good. Also creepy was the infamous scene where Miser Stevens recently harvested soul comes flying out of Scratch's jacket pocket screaming for help. This also counts as funny, at least when my five year old nephew and I go around effecting high-pitched squeals begging "Help me Neighbor Stone."
Sexy: Belle, the French nanny/whore that Scratch sent Jabez was hotter with her clothes on and no direct sexual behavior than the hookers making out in the elevator to entertain Al Pacino in "The Devil's Advocate." Note the exact tone and body language of her mocking rebuff to Stone at the barn dance saying "Oh, NO Mr. Stone- your place is with your WIFE."
The hottest thing in the movie (and one of the creepiest things) is the scene where she is singing some evil otherworldly lullaby to Stone's infant son. Rewind and watch it closely a couple of times. What was she singing?
Surely this is one of the greatest forgotten movies of the era. This should be making some of those AFI top 100 list thingeys.
"The Devil & Daniel Webster", a.k.a. "All That Money Can Buy", retells the timeless German classic story of Faust, a man that sells his soul to Mephistopheles. The film has not aged after more than seventy years. The dance of Belle with her guests is eerie and seems to be the source of inspiration of the dance in "Carnival of Souls". Walter Huston and Edward Arnold have great performances in the roles of Mr. Scratch and Edward Arnold respectively. My vote is seven.
Title (Brazil): Not available on Blu-Ray or DVD
This classic fantasy based upon the legend of Faust is adapted from the story by Stephen Vincent Benet. The movie is very persuasively made , usually rise to a crescendo of emotion.Entertaining fantasy is visually striking with Walter Huston in a rare and successful comic role as sympathetic Devil. Film contains marvelous performances by main cast and secondaries actors such as Gene Lockhart, John Qualen,HB Warner,Jane Darnwell Simone Simon as a witch ad Jeff Corey appears uncredited.This cult fantasy drama is a sometimes uneven, but throughly funny and amusing recounting of the Faustian tale.
This delicate fantasy about a farmer who gradually realizes that has been deceived by the Devil has very evocative black-and white cinematography by Joseph August, Dieterle's usual and he photographed 'Portrait of Jennie'.The film won Oscars 1941 for original dramatic score by Bernard Herrmann. The motion picture is well directed by William Dieterle as a classic example of drama/comedy/fantasy of the 40s. Dieterle is a German director who was in Hollywood by 1930s and directing dramas(Scarlet down,Fog over Frisco,Fashions), costumer(Hunchback of Notre Dame,Kismet,Omar Khayyan) and biopics experts(Life of Emile Zola,Dr Ehrlich, Juarez, Madame Curie,Reuter) that were a revelation at the box-office.
The devil then uncovers a buried treasure of Hessian gold and from that moment on, Stone prospers (to the detriment of his friends and neighbors). Local politician Daniel Webster (Edward Arnold) is godfather to Stone's new baby and passes thru town regularly to socialize and imbibe with the locals. When the due date for reaping his soul arrives, it's to Webster that Stone turns to argue his way out of going to Hades for all eternity in a supernatural courtroom scene with famous disgraced and dishonored Americans - themselves in Hades - as the jury.
William Dieterle's nearly surrealistic settings and camera work (by Joseph August) add just the right touch of menace and fantasy to the stark New Hampshire settings. Simone Simon plays a seductive assistant of the devil whose purpose is to keep Stone's heart and attention away from his timid yet insightful wife who might somehow set him back on the right path.
Walter Huston was Oscar nominated for his performance as the devil and Edward Arnold plays Webster as big as all outdoors - a man with appetites and a love of life to match his girth. New England is portrayed as a rural place not too far from its Puritan roots.
Made in 1941, and dealing in themes of religion and patriotism, it might have been a shrill production had it been made any later once the war years had lots of films getting heavy handed when dealing with either of those subjects.
Lo sapevi?
- QuizWilliam Dieterle had a habit of directing with white gloves on. Robert Wise said that everyone thought it was because he had a germ or dirt phobia. During shooting of one scene, Dieterle noticed there wasn't enough mud on a carriage wheel. He pulled off his gloves, grabbed some mud, rubbed it onto the wheel, then wiped his hands on his pants and put the gloves back on to continue directing.
- BlooperCharacters in this film set in pre-Civil War America routinely use the phrase "loan shark" despite the fact that it came into the English language between 1900 and 1905.
- Citazioni
Mr. Scratch: You shall have your trial, Mr. Webster. But I'm sure you'll agree, this is hardly the case for an ordinary jury.
Daniel Webster: Let it be the quick or the dead, so long as it is an American judge and an American jury!
Mr. Scratch: 'The quick or the dead!' You have said it.
[he stomps on the barn floor; a door opens]
Mr. Scratch: You must pardon the leathery toughness of one or two.
Jabez Stone: [afraid] Mr. Webster!
[a line of ghosts begin entering from the trapdoor]
Mr. Scratch: Captain Kidd - he killed men for gold. Simon Girty, the renegade - he burned men for gold. Governor Dale - he broke men on the wheel. Asa, the Black Monk - he choked them to death. Floyd Ireson and Stede Bonnet, the fiendish butchers. Walter Butler, King of the Massacre. Big and Little Harp, robbers and murderers. Teach, the Cutthroat. Morton, the vicious lawyer... and General Benedict Arnold. You remember him, no doubt.
Daniel Webster: A jury of the damned...
Mr. Scratch: [laughs] Dastards, liars, traitors, knaves. Your suggestion, Mr. Webster - 'the quick or the dead.'
Daniel Webster: This is outrageous, I asked for a fair trial...
Mr. Scratch: Americans, all.
- Curiosità sui creditiFor some prints released under the title "The Devil and Daniel Webster", the opening credits start with the phrase "in front of the camera..." followed by a list of names only of the primary cast (no character names) and then the phrase "in back of the camera..." followed by a list of names only of the primary production crew, without their job roles, ending with the phase "all collaborated on the picture...." Then the title card is shown, with a story credit to Stephen Vincent Benet, and the note "this picture was originally shown with the title 'all that money can buy'." The title card is all in lower case. Finally, the opening prologue is shown as noted in another crazy credit item.
- Versioni alternativeOver the years, this film was re-released more than once, partly because of its poor box office, and gradually cut down to 85 minutes. It remained in this form for many years, until it was recently restored to its full length. When this was done in the 1990s, it was unfortunately all too easy to tell which sections are restored... all the footage from the 85 minute version was in absolutely pristine, mint condition, while the long-lost, formerly missing footage has less than perfect sound and picture quality. However, the quality has been considerably improved on the DVD and on recent TV showings.
- Colonne sonoreCome, Ye Thankful People, Come
(uncredited)
Music by George J. Elvey
Lyrics by Henry Alford
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- Tempo di esecuzione1 ora 47 minuti
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