Aggiungi una trama nella tua linguaA bored society woman invites scandal and heartache when she falls in love with her low-born chauffeur.A bored society woman invites scandal and heartache when she falls in love with her low-born chauffeur.A bored society woman invites scandal and heartache when she falls in love with her low-born chauffeur.
- Premi
- 1 vittoria in totale
Mary Carlisle
- Blonde Party Guest
- (non citato nei titoli originali)
Jay Eaton
- Dancing Party Guest
- (non citato nei titoli originali)
Ray Milland
- Party Guest with Letter
- (non citato nei titoli originali)
Herbert Prior
- Party Guest with Glasses
- (non citato nei titoli originali)
C. Aubrey Smith
- Man at Ferry Boat Pier
- (non citato nei titoli originali)
Jack Trent
- Dancing Party Guest
- (non citato nei titoli originali)
Ellinor Vanderveer
- Party Guest
- (non citato nei titoli originali)
Recensione in evidenza
This is technically a precode, although you never see anything happen that is precode, just some precode ideas.
I loved Charles Bickford and Kay Johnson in Dynamite, and I guess that's because there you had two people from different worlds thrown together while their feelings for one another slowly build. Here Bickford plays Dan Wallace, a chauffeur, who falls in love with the daughter of a wealthy man, Cassy Pringle (Kay Johnson). When the film opens they are already in love, so there goes the chance to see the chemistry build again. When Cassy's father finds out, he orders Dan out of his house, and Cassy goes with him, with them marrying the next day. Dan has no trade, so the entire family lives in a cheap attic apartment while Dan works as a stevedore and in five years only rises to assistant supervisor of the other stevedores. Meanwhile he and Cassy have had two children who have no place to play in their cramped apartment that has been their home for the entirety of their marriage. Then Dan loses his job at the beginning of the Great Depression. Cassy's cousin is Dulce (Kay Francis), who married a much older but wealthy man whom she does not love, played by Lewis Stone. Dan and family move to a farm that Dulce wanted to give to them five years before on their wedding day, but now Dan's pride is all gone and he accepts the gift for the sake of his family. Dan is a man feeling like a disappointment as a provider and needing a boost to his pride, Dulce is a woman who has plenty of money but no passion in her loveless marriage. Complications ensue. I'll let you watch and find out what happens.
Everybody does a splendid job in this film. Kay Francis is great as a spoiled brat who thinks she should get everything she wants without actually coming out and saying that. Charles Bickford effectively portrays a man who is torn and who feels like a disappointment to his family. He often acts because he feels he "owes" people, and in the end his actions just make everybody unhappy. He didn't want material charity, why would he think the women in his life would want emotional charity? Kay Johnson gives a very subtle portrayal as the rich girl just happy to give it all up and stand by the poor man she loves, come what may. Winter Hall plays Cassy's dad, and he doesn't have much time on screen, yet he is a perfect portrait of pre-Depression Calvinism - he believes that rich people are intrinsically better than working people, and looks down upon them. The Great Depression is about to teach them otherwise - for awhile. Zasu Pitts is the comic relief as first Dan and Cassy's landlady and then when they move to the farm, their housekeeper? That is a transition I could never figure out, but she is needed comic relief for what is almost completely a heavy melodrama.
Just some background, Charles Bickford hated this film, calling it "melodramatic claptrap" in his autobiography. He felt he had been somewhat baited and switched by MGM, starting with the interesting "Dynamite" and then being forced to make this film instead of being loaned out to RKO, where he was wanted to play the leading role in "Cimarron". Also, the director of this film, William de Mille, brother of the great Cecil B., did not like directing sound films and only did a couple more after this. Also, Kay Johnson had been and maybe still was infatuated with Kay Francis at the time this film was made. So if things seem a bit awkward between the players, and if the direction seems a bit stilted, there is probably good reason.
Still, it's a pretty good study in human nature, so I'd recommend it.
I loved Charles Bickford and Kay Johnson in Dynamite, and I guess that's because there you had two people from different worlds thrown together while their feelings for one another slowly build. Here Bickford plays Dan Wallace, a chauffeur, who falls in love with the daughter of a wealthy man, Cassy Pringle (Kay Johnson). When the film opens they are already in love, so there goes the chance to see the chemistry build again. When Cassy's father finds out, he orders Dan out of his house, and Cassy goes with him, with them marrying the next day. Dan has no trade, so the entire family lives in a cheap attic apartment while Dan works as a stevedore and in five years only rises to assistant supervisor of the other stevedores. Meanwhile he and Cassy have had two children who have no place to play in their cramped apartment that has been their home for the entirety of their marriage. Then Dan loses his job at the beginning of the Great Depression. Cassy's cousin is Dulce (Kay Francis), who married a much older but wealthy man whom she does not love, played by Lewis Stone. Dan and family move to a farm that Dulce wanted to give to them five years before on their wedding day, but now Dan's pride is all gone and he accepts the gift for the sake of his family. Dan is a man feeling like a disappointment as a provider and needing a boost to his pride, Dulce is a woman who has plenty of money but no passion in her loveless marriage. Complications ensue. I'll let you watch and find out what happens.
Everybody does a splendid job in this film. Kay Francis is great as a spoiled brat who thinks she should get everything she wants without actually coming out and saying that. Charles Bickford effectively portrays a man who is torn and who feels like a disappointment to his family. He often acts because he feels he "owes" people, and in the end his actions just make everybody unhappy. He didn't want material charity, why would he think the women in his life would want emotional charity? Kay Johnson gives a very subtle portrayal as the rich girl just happy to give it all up and stand by the poor man she loves, come what may. Winter Hall plays Cassy's dad, and he doesn't have much time on screen, yet he is a perfect portrait of pre-Depression Calvinism - he believes that rich people are intrinsically better than working people, and looks down upon them. The Great Depression is about to teach them otherwise - for awhile. Zasu Pitts is the comic relief as first Dan and Cassy's landlady and then when they move to the farm, their housekeeper? That is a transition I could never figure out, but she is needed comic relief for what is almost completely a heavy melodrama.
Just some background, Charles Bickford hated this film, calling it "melodramatic claptrap" in his autobiography. He felt he had been somewhat baited and switched by MGM, starting with the interesting "Dynamite" and then being forced to make this film instead of being loaned out to RKO, where he was wanted to play the leading role in "Cimarron". Also, the director of this film, William de Mille, brother of the great Cecil B., did not like directing sound films and only did a couple more after this. Also, Kay Johnson had been and maybe still was infatuated with Kay Francis at the time this film was made. So if things seem a bit awkward between the players, and if the direction seems a bit stilted, there is probably good reason.
Still, it's a pretty good study in human nature, so I'd recommend it.
Trama
Lo sapevi?
- QuizThe second and final film in which Charles Bickford and Kay Johnson appeared together after Dinamite (1929). Passion Flower and Dynamite share several of the same crew members, and the respective films were each directed by a deMille brother.
- BlooperAlthough there is a five-year gap in the narrative, the ladies' clothes / hats are in the same late 1920s / early 1930s fashions throughout. This is particularly noticeable with Kay Francis.
- Citazioni
Mrs. Harney: Of course it did seem kind of funny at first not having a man about the place. They're kinda handy in the daytime and they're sorta entertaining in the evening. But as far as I'm concerned, I'd just as soon have a good radio.
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Kathleen Norris' Passion Flower
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 19 minuti
- Colore
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was Passion Flower (1930) officially released in India in English?
Rispondi