Aggiungi una trama nella tua linguaWomen from various backgrounds volunteer as nurses in France at the outbreak of World War I.Women from various backgrounds volunteer as nurses in France at the outbreak of World War I.Women from various backgrounds volunteer as nurses in France at the outbreak of World War I.
- Regia
- Sceneggiatura
- Star
- Frank
- (as Edward Nugent)
- French Surgeon
- (non citato nei titoli originali)
- Frank and Wally's Buddy
- (non citato nei titoli originali)
- Nurse in VA Hospital
- (non citato nei titoli originali)
- Wounded French Soldier
- (non citato nei titoli originali)
- French Medical Officer
- (non citato nei titoli originali)
- French Chanteuse
- (non citato nei titoli originali)
Recensioni in evidenza
This fine film from MGM illustrates the horrors of World War One by celebrating the American military nurses in France. The horrendous conditions they work under, the very real dangers they face, and the lives they sacrifice for their devotion to service, both gives emphasis to their tremendous dedication, and provides some fine entertainment for the viewer. While the focus remains on the hospital drama the film is at its best; it starts going soft when the romantic escapades of two of the nurses begin to absorb considerable screen time.
Anita Page gives a commendable performance as a convent schoolgirl who quickly loses her innocence to war's terrible reality, and her heart to airman Robert Ames, who also scores as her conflicted lover. June Walker, on the other hand, provides rather colorless appeal when compared to flashy flyer Robert Montgomery, who shows some of the star power that was so soon to make him one of the top draws at MGM.
It's great to see the marvelous ZaSu Pitts, playing a rather downbeat, plain-talking nurse, but the role does not give her enough to do. Actually taking the movie's top acting honors is supporting actress Helen Jerome Eddy, portraying a starchy Kansas schoolmarm who slowly reveals her beautiful heart after joining the medical services.
Hedda Hopper is a tower of strength in her rather small role as the nurses' matron. Marie Prevost is on hand as a brazen Brooklyn babe who also is one of the Ladies in White.
If you're a shallow voyeur who watched this just to see Anita Page bouncing around in her undies you'll feel very guilty and a little soiled because this is proper film. It's a hard hitting condemnation of war. It's a life affirming story of how amazing the human spirit is.
Veteran director Edgar Selwyn wasn't one of those experimental filmmakers pushing boundaries in the late twenties but neither was he one to make those appalling stodgy static filmed stage play types of thing. By focusing on how it affects real people, Selwyn evokes the never ending relentless horror and despair of war by making it personal.
It's based on a notorious anonymously written autobiography of an actual war nurse which caused quite a scandal with its no holds barred revelations of what life was like for those young amazing heroines. Although this was made in 'the pre-code era' the saucy story was heavily censored and sanitised - in terms of any sexual shenanigans anyway. The true mental and physical brutality of conflict however was left undiluted.
Like all the best stories this tells its tale through the eyes and experiences of real people. The acting style is a bit more 1920s than 1930s but once you acclimatise, the characters do feel authentic, like real people. It's a story about how war doesn't just change people but society. These volunteer girls, hundreds and in the case of the Americans, thousands of miles from home, like the men there, realise that have to live as though each day might be their last. Consequences and convention have no role in a world without a future. The only way to survive was to pretend it's just a nightmare and live in a sphere of self deception.
Overall it's a clever and engaging fast-moving film. It's professionally made and a lot more entertaining than you might imagine... and if you're still wondering, yes Anita Page does bounce around in her undies!
In this film, Anita loses her heart to an American soldier she meets, only to find herself bitterly disappointed later. Suave, sexy Robert Montgomery provides the love interest for a nurse named Babs. Look also for Edward Neugent, playing another of his many "best buddy" roles, as a friend of Montgomery. This movie looks like it's used stock WWI war footage to document the war, but that only adds to the realism. Things look dark, dirty and, well, like a war is going on! Contrast these scenes with one later in the picture of the wild party at the nightclub, and I imagine you have some idea of what things were like at some point during WWI.
Like WATERLOO BRIDGE (1930), this movie provides viewers of today with a look back at the WWI era--it's conventions, morals, worries, and fascinating stories. If you can find this movie, it's worth the time it takes to see it.
War Nurse follows a group of women who volunteer for nursing duties in France at the outbreak of the First World War. The film is a perfect companion piece to All Quiet on the Western Front, released the same year. Similar to how the young army recruits in All Quiet... have a distorted, glamorised view of what war will be like, so do the nurses at the beginning of War Nurse (some of them are barely into adulthood) expecting to be "holding hands all night with good looking sick officers" and to spend "Moonlight nights up on no man's land, with a general in each arm". Little do they expect the extremely strenuous work, horrendous conditions, the lack of supplies and the near insanity caused by the constant firing of shells.
One scene in which the nurses retreat to bed for the night only to be woken up shortly afterward by the arrival of injured troops during the middle of the night, I can feel just how tired and physically exhausted these people must be. War Nurse is full of powerful moments both big and subtle such as when a soldier played Robert Montgomery asks a nurse played by Anita Page out on a date, literally seconds after she told him one of his close comrades just died; death is that common of an occurrence
The copy of War Nurse I watched was not of the greatest of quality so I couldn't always distinguish the cast members apart. Yet I was still fully engaged and can say the production values are superb. I don't have any information on the filmmaking locations for War Nurse but the exteriors feature lush countryside backdrops to large-scale recreations of baron no man's land with shells constantly exploding.
Get this baby onto the Warner Achieve Collection!
Lo sapevi?
- QuizLoretta Young was replaced by Anita Page midway through filming, which led to her scenes being deleted and re-shot. Young can briefly be seen in a long shot.
- BlooperSet during World War I (1914 - 1918), at about 30 minutes into the movie, there is a scene where Robert Montgomery lands his plane and approaches some fellow pilots who are talking nearby. As they talk, contemporary 1920s vehicles can be seen passing on a distant road (at the upper left of the screen, over Robert Montgomery's shoulder).
- Citazioni
Cushie: Funny the way the men have changed. They used to talk about what they'd do when the war was over and things like that.
Rosalie: Yeah, now all they talk about is women.
Babs: Yes, women. It seems to be the only thing the men are interested in. Why even the youngsters are so afraid they'll die before they've ever lived.
Joy: Well, it makes me awfully nervous the way they always want to look at you and touch you. Why, even the doctors are getting so...
Cushie: Well, even the doctors are human, I suppose.
- ConnessioniReferences Three Weeks (1914)
- Colonne sonoreWhen I Saw Sweet Nelly Home
(1859) (uncredited)
Music and Lyric by John Fletcher
Sung a cappella by Robert Ames and Anita Page
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- Enfermeras de guerra
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- Tempo di esecuzione1 ora 21 minuti
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