The Wrong Road

The Wrong Road is an outlandish film which lacks a shred of realism. The leads are attractive and do their best - Helen Mack is appealing and Richard Cromwell does his stalwart best (even though those of us who saw "Lives of a Bengal Lancer" remember him as the jerk who got Gary Cooper killed). And, playing against type, Lionel Atwill's character is cheerful and avuncular, which is a jolt.

But the plot itself is chock-full of holes and non-sequiturs and takes turns that rail against logic. Try as you might to give it a chance it defies you to suspend your disbelief. For instance, they get sent away to ADJOINING PRISONS and meet each other? After a while, another question arises; did they hire 10 year old screenwriters in Hollywood during the 30's?

This is a mildly entertaining crime drama about two rich spoil young 20-somethings who learn they won't inherit their parents money and they decide they can't rough it in life, they want to take a short cut by stealing money from the bank the boy worked at. They turn themselves in and figured after a few years in prison they would get the hidden money and live happily ever after. But they didn't figure for the police to like them and want to teach the two a lesson about how "crime doesn't pay". Oh they did their prison time where the boy met a guy (a cell mate) and he would get out of prison first and follow the two young adults to get his cut of the money. The insurance agent and the police follow the two as well to uncover the hidden money.

Well it's funny in the beginning where the young couple are at dinner and she say that she "can't do her own laundry because she wasn't raised up that way"... I almost turned the film off then but I had to watch this one until the end to find out how this one played out. It's funny to see the two in prison doing labor when they wanted the easy but wrong road - she had to scrub floors and he worked in a factory during their prison time.

It turned out to be an okay film - nothing outstanding by any means but it's alright, nothing to brag about. It held my interest until the very end so it wasn't all that bad. The film does have a few intense moments that kept it enjoyable.

5/10

I believe a film ought to have at least a modicum of credibility. This is preposterous. It has a pair of spoiled, previously rich kids, stealing a hundred thousand dollars from a bank where the young man works. First of all, how could people running such a business be so stupid. Secondly, they pull the whole thing off and then turn themselves in. You see, they are going to do their time and then return for the money at a later time. Of course, they put the money in a music box which is shipped to Chicago. Why didn't they just hide it somewhere nearby. Since they weren't going to turn themselves in for a while, why not find a good hiding place. It couldn't be that hard. They do a couple of quick years in the joint, then are paroled because of the intervention of a police detective who is chasing the money. He is willing to pardon them if they return the money (more stupidity) because they seem like nice kids. I wonder what he would have done for some poor sap on the street. Anyway, it gets hokier and hokier. An acquaintance of the young man from prison gets into the act. Despite repeated offers to get off the hook, the young man flights to the bloody end to keep the money. It's too much to even respond to. It's like a training film for idiots.

When they graduated from college, they had high hopes, but now Richard Cromwell and Helen Mack are disillusioned. He's just been fired from his teller's position, so he stole $100,000. The two of them figure they'll spend some time in jail, then collect the money. Kindly insurance investigator Lionel Atwill tries to talk them into returning the money, but they're stubborn. Two years later, at the urging of Atwill, they're granted parole and go for the money.... with Atwill and bad man Horace MacMahon after them.

It's a well-meaning story with a strong moral component, and Atwill is excellent, as is Miss Mack. Cromwell's line readings are a bit droning. Director James Cruze does a competent job here, with some fine performances in the supporting cast. He was near the end of his rope, though. He had been a leading director in the 1910s and 1920s, but had stumbled at the coming of sound. His brief renaissance of a few years earlier had dribbled away. The following year, he would direct three more movies, all of them Bs verging on exploitation, then nothing. He would die in 1942.

When jimmy and ruth are scraping by, they agree to rob the bank where jimmy worked, until he got laid off. They are ready to go to jail, knowing they will have plenty of cash when they get out. As robert burns told us, "the best laid schemes o' mice an' men gang aft agley." finding the money when they get out turns out to be harder than they planned. Keep an eye out for chester clute, as the auctioneer. Clute and lionel atwill (the insurance man) were supporting actors in so many films. And of course, the awesome marjorie main is in here... one of her seven films, released in 1937! This was ten years before main was ma kettle. My favorite role of hers is in "the women", the 1939 version. Wrong road's story itself is no big deal... even gets kind of preachy by the end. But it's fun to see all these actors just getting started in h-wood. Directed by james cruze. He only directed a couple more after this, and died young at 58. Richard cromwell and helen mack had both been around for a few years when they made this. Mack had done mostly uncredited silent roles, but their careers took off in the talkies.