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Il circo

Titolo originale: Tsirk
  • 1936
  • T
  • 1h 30min
VALUTAZIONE IMDb
6,6/10
785
LA TUA VALUTAZIONE
Lyubov Orlova in Il circo (1936)
CommediaMusicale

Aggiungi una trama nella tua linguaIn the mid-1930s, circus actress Marion Dixon flees the United States with her young black son. Arriving with an original attraction in the USSR, she finds friends here and decides to stay f... Leggi tuttoIn the mid-1930s, circus actress Marion Dixon flees the United States with her young black son. Arriving with an original attraction in the USSR, she finds friends here and decides to stay forever.In the mid-1930s, circus actress Marion Dixon flees the United States with her young black son. Arriving with an original attraction in the USSR, she finds friends here and decides to stay forever.

  • Regia
    • Grigoriy Aleksandrov
    • Isidor Simkov
  • Sceneggiatura
    • Grigoriy Aleksandrov
    • Isaak Babel
    • Ilya Ilf
  • Star
    • Lyubov Orlova
    • Yevgeniya Melnikova
    • Vladimir Volodin
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    785
    LA TUA VALUTAZIONE
    • Regia
      • Grigoriy Aleksandrov
      • Isidor Simkov
    • Sceneggiatura
      • Grigoriy Aleksandrov
      • Isaak Babel
      • Ilya Ilf
    • Star
      • Lyubov Orlova
      • Yevgeniya Melnikova
      • Vladimir Volodin
    • 22Recensioni degli utenti
    • 2Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria in totale

    Foto36

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    Interpreti principali29

    Modifica
    Lyubov Orlova
    Lyubov Orlova
    • Marion Dixon
    • (as L.P. Orlova)
    Yevgeniya Melnikova
    Yevgeniya Melnikova
    • Rayechka, the director's daughter
    • (as E. Melnikova)
    Vladimir Volodin
    • Circus Director - Ludvig Osipovich
    • (as V. Volodin)
    Sergey Stolyarov
    Sergey Stolyarov
    • Martinov - Ivan Petrovich
    • (as S. Stolyarov)
    Pavel Massalsky
    Pavel Massalsky
    • Kneishitz - Entrepreneur
    • (as N. Massalskij)
    Aleksandr Komissarov
    • Skameykin - Amateur Designer
    • (as A. Komissarov)
    N. Otto
    • Chaplin
    Jim Patterson
    • Jimmy, Marion's son
    • (as Dzh. Patterson)
    Fyodor Kurikhin
    Fyodor Kurikhin
    • Captain Borneo, animal tamer
    • (as F. Kurikhin)
    Sergei Antimonov
    • Circus Presenter
    • (as S. Antimonov)
    Solomon Mikhoels
    • Lullaby Singer
    • (as S. Mikhoels)
    Pavel Geraga
    • Lullaby Singer
    • (as P. Geraga)
    Lev Sverdlin
    Lev Sverdlin
    • Lullaby Singer
    • (as L. Sverdlin)
    Vladimir Kandelaki
    • Lullaby Singer
    • (as V. Kandelaki)
    Robert Ross
    • Pilot - Lullaby Singer
    Coretti Arle-Titz
    • baby Jim's nanny
    • (non citato nei titoli originali)
    Vladimir Durov
    • Clown
    • (non citato nei titoli originali)
    Emmanuil Geller
    Emmanuil Geller
    • Circus Orchestra Conductor
    • (non citato nei titoli originali)
    • Regia
      • Grigoriy Aleksandrov
      • Isidor Simkov
    • Sceneggiatura
      • Grigoriy Aleksandrov
      • Isaak Babel
      • Ilya Ilf
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti22

    6,6785
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    Recensioni in evidenza

    silasbankhead

    Soviet Propaganda

    Grigori Aleksandrov's film Circus is an entertaining piece of Stalinist/Socialist propaganda that differs greatly from Eisenstein's historical, earlier film October. October mainly serves the purpose of commemorating and remembering the Bolshevik Revolution and to help reinstate the strength and effectiveness of socialism to the people. Eisenstein's documentary style not only celebrates the revolution, but also aims to help the public better understand the historical process of the political revolution. On the contrary, Circus is a film that touts the greatness of life under Stalin and the superiority of the Soviet state. It contains all the elements of a Socialist Realism film. Through a pro-socialist narrative, Aleksandrov manages to cover many aspects of the Soviet state and current life of the people.

    Circus tells the story of an American named Marion who is banished from the US because a black man impregnates her. Marion escapes to Russia to start a new life in the circus and joins up with lustful, anti-Russian ringmaster who happens to be in love with her. The ringmaster knows her secret about the black baby and threatens to reveal it unless she marries him. The problem is that Marion has fallen in love with a Russian acrobat and later out of sheer jealousy, the ringmaster reveals the identity of the woman's child in front of the circus audience. Rather than ostracize the woman, the Soviet audience embraces the child and sings him to sleep. Next we see Marion and the acrobat as a couple leading a huge parade through Red Square singing about the freedoms that Soviet Russia provides. Circus displays the elements of ethnic equality, new and productive construction, and the glory of life under Stalin many times in the film. Ethnic equality is evidently portrayed during the acceptance of the black baby and his talented, but flawed American mother Marion. At the beginning of the film, Marion retreats to Russian as some sort of free land of acceptance, far more tolerable than her native America. The message is clear that socialism is a society of acceptance and capitalism (or the United States in this case) cannot tolerate diversity.

    When the non-Russian reveals the black baby, Marion finds great comfort in the fact that she is welcome among Soviets. The crowd proves this emotion when they embrace and protect the child from the ringleader while singing him a lullaby in several different languages. The lyrics of the song include lines that say the baby has a bright future awaiting him in Russia. Also, Marion's acrobatic lover says to her, "I always considered you to be a socialist." The message is that good people are all socialists. Concerning new construction and soviet productivity, there is a scene towards the end that shows the brand new underground subway system. It is obvious that the system is new and it is a symbol of the work and rewards of socialism. We see many people using the transportation system and a shot of the mammoth escalator leading to the subway points out the difficulty in building the system.

    Perhaps the most absurd and blatant form of propaganda comes and the end during the massive parade that is lead by Marion and her acrobatic lover. They are marching with a giant banner of Stalin and Marion is asked, "Do you understand? (the socialist system)" and she replies, "Now I do." I think it is amusing that it takes a huge march through Red Square singing about freedoms to the backdrop of their leader and claiming to be the "most democratic of democratic constitutions" to understand the Soviet system. Perhaps this was put in the film so the viewers would walk out of the film thinking they too "understand" the system.
    sunlion

    Propaganda, but talented

    It`s funny to see Americans so picky about this movie, when Russians at than time and still are portrayed much worse in Hollywood productions. It`s either gangsters or drunk "comrades". Also I have to add that the famous singer Paul Robson was living some time in Soviet Russia and sent his son to Soviet high school. In later interview the son told BBC that it was the only time when he didn`t felt subhuman in his entire life. There`s the racism for you ! As for the Stalin - people didn`t know anything at that time and were just rebuilding the country that was finally theirs, so the jubilant scenes are absolutely rightful,they were supposed to gratify people for their immensely hard work and show what they have already achieved. Plus the march scenes are not a bit more silly than for example "water games" shot in Hollywood and featuring just diving, swimming an endless liters of colored water and smoke. I have to mention the actress in lead role - Orlova. She was a prime dancer of the Soviet cinema. Film features one shot that shows just how great her talent as an actress was. When she dances on the cannon, it`s closed with a thick glass and lit up from inside. The glass during the dance heated up, and when she sits down she actually sits on something like an oven ring. But she continues to sing !! You can only note the slight trepidation in her voice if you know about the accident, otherwise it`s seamless !

    Overall, this movie has to be taken along with the context and ability to be fair both ways. After all, Stalins face was used by filmmakers as a means to get their films through,so you can just peel that away as an ugly wrapping.
    5amikal

    The purpose of this film is clearly propaganda.

    Circus which was written by Brigori Aleksandrov and was directed by Aleksandrov and I. Simkov was released in 1936. The movie which is a comedy/musical centers on a U.S.-Vaudeville dancer Marion Dixon on tour with her German manager Von Kneischitz in Mosocow. The woman's act entails her being shot from a canon and is a crowd favorite. When Marion begins to fall in love with the handsome Ivan Petrovich Martynov(Sergei Stolvarov) she falls in love with Moscow as well. When Marion decides she wants to remain in Moscow this does not make her German manager happy. Her manager insists that if she tries to stay in Moscow she will never be accepted after he tells everyone about her son who is half black. As the film progresses and comes to a close Marion confesses her love to Martynov and Kneischitz shows Marion's black child to the circus audience. While Kneischitz thinks he is going to ruin Marion, the opposite occurs. The Russian people accept the child. In the final scene they all march off in unity and happiness.

    The purpose of this film is clearly propaganda. The author seems to try and convey multiple messages in this film for that purpose. One message the author tries to convey in this film is that the Russian people are good and the German people are bad. This message is used as propaganda in order to create and increase nationalism amongst the Russian people during a time of conflict between Russia and Germany. Another message which the author tries to convey is not apparent until the end of the movie. This message is the portrayal of the Russian way of living, during the time of the Soviet Union, as the best way of living. The author conveys this message of equality and bliss amongst the Russian people for the purpose of propaganda in the final scenes.

    In my opinion the author and the Committee of Cinema Affairs want to portray Stalin and Lenin as Gods and Communism as a type of religion. This is reflected in what I believe to be the theme of the film; The Soviet way of living is the best way of living because all Russian people are equal and happy. This theme reflects the author's purpose of the film as propaganda.

    I liked some aspects of the film and some aspects I did not necessarily like but in a way I understood. The parts of the film that I did like were: the love story of Marion and Martynov, the humor associated with the acts of the circus clowns, and the conveyed message of equality and bliss. However some parts of the film may rub certain individuals the wrong way. For example: the way the black child is hidden from the public until the very end of the film. Although I understood that part of this use of a black child was to portray the existence of slavery in the United States during this time period. Another aspect of the film that may be offensive to some is the way that Americans(through the image of Marion) are portrayed as dumb and Russians superior. I would suggest this film to a friend because the film captures a person's interest, is controversial, and is funny. However this film is not for everyone, and I would mostly recommend it for the purpose of study in film or history, not pleasure.
    7psbarlo-1

    Good, Fun Propaganda

    If you are going to make a movie endorsing the actions of one of history's greatest villains, in this case Stalin, at least make it fun to watch! "Tsirk" is a funny, melodramatic, accessible movie that features several entertaining acts, such as the impromptu Lion Tamer, the dance on the cannon, and the communal ending. It is heartwarming to see an entire country represented as they sing a child to sleep, until you realize that the Yiddish Representatives were executed after the production. The running theme of confusion, over translation and ideologies, provided the movie with several humorous moments of error, and provided the movie with an honest subtext.

    Also, worth pointing out, is the movie's fearless attitude towards racism. Hollywood would hint at the problem, but rarely delve into it as much as "Tsirk" has.
    7americanmovie3000

    Circus

    Circus is about an American dancer, who is touring through Moscow – as a dancer in the circus. She falls in love with a soldier in Russia. It's discovered that she is the mother of an interracial child, which displeases her manager. She comes under attack from him, but she is ultimately accepted into the loving embrace of the Soviet people.

    The director of Circus – Grigori Aleksandrov – had a specific purpose when making this film - to show that the unity of the people could rise above any opposing force. The film serves as a propaganda piece for Russia, Stalin, and socialism. At the end of the film, when our main character is under attack from the villain, everyone in the circus audience quickly comes to her aid and hides the baby from hard. This represents the unity and equality of the Russian people. Everyone is equal and everyone is accepted.

    The film takes place in the 1930s, in Russia. Most of the action takes place within the walls of the circus. Although, at the end of the film, the whole group of performers and friends march through the streets of Moscow in praise of unity, communism, and Russia.

    I thought the movie was very interesting and thought provoking. Not only did it contain musical elements, but it also proclaimed an intense social message. I especially liked the story line, because it seemed unique and interesting - how many movies about American dancers in the Russian circus are there?

    I would definitely recommend this film to a friend because of the unique story, the 30s-era musical numbers, and the interesting social message. Not many movies usually spell out their message in such a way as Circus did. Imagine if every movie with an important social message had its characters run through the streets at the end, proclaiming the lesson learned!

    It's interesting to see a moment in time, in a country where the people are so passionate about unity. You know things were not this perfect in real life, but its fun to see a glossed over version of history - if only to recognize its weirdness.

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    Trama

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    Lo sapevi?

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    • Quiz
      In the scene where people sing a lullaby in various languages to the black child, the bit sung in Yiddish by Solomon Mikhoels was cut out of the film for distribution in the USSR, for a time when a state-backed anti-Semitism campaign was unleashed.
    • Versioni alternative
      A colorized version was released on Blu-ray in Russia in 2012.
    • Connessioni
      Featured in Komediya davno minuvshikh dney (1980)
    • Colonne sonore
      Vykhodnoy marsh
      Music by Isaak Dunaevskiy

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    Dettagli

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    • Data di uscita
      • 1947 (Italia)
    • Paese di origine
      • Unione Sovietica
    • Lingue
      • Russo
      • Inglese
      • Tedesco
    • Celebre anche come
      • Circo
    • Azienda produttrice
      • Mosfilm
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 30min(90 min)
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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