Alessandro Nevsky

Like many of Eisenstein's other works, "Aleksandr Nevsky" is a beautifully made and well-written propaganda piece. Even today, it stands on its own with a solid story and incredible action scenes. No one did an epic battle better than Eisenstein ("October" and "Ivan the Terrible"), and the giant battle on the frozen lake in "Nevsky" ranks up there as one of his best.

Just as important to the film as Eisenstein's script and visuals is the masterful score by Prokofiev. Fortunately, it has been rerecorded for the most recent video release and the new soundtrack adds incalcuable depth and power to the story on the screen. In my opinion, the film's score is simply the best ever composed for a film. It fits the film perfectly, both during the film's intense action scenes and the lingering moments of reflection. If for no other reason, one should see this film to hear one of the 20th century's greatest composer's best works.

The story is true (well, as true as events from the 1200s can be accurately recreated) and simple, but powerful. Despite its heavy-handed Russian/Soviet patriotism, the film succeeds in telling a compelling story. When one looks at the events unfolding when the film was made, it becomes even more of a masterpiece.

No, "Nevsky" doesn't have the flashy visuals or super-handsome stars of a modern war epic, but it still ranks of one of the most interesting films in my book. For fans of Eisenstein or classic cinema, it is an absolute must-see. And for people who want to see the Soviet propaganda machine firing on all cylinders, check it out as well.

I've loved this movie since the first time I saw it lo these many years ago. I'm not sure how many times I've seen it, perhaps 10, perhaps 20. This last time I watched it I was struck by a detail that I hadn't noticed before.

Toward the end of the picture, the slain heroes are conveyed back to the town via sled. There are a couple of closeups of the dead men. The one that struck me most was a shot of the blond youth. All you see on the screen is his profile from head to hands. His hands hold a flickering candle. The wind is blowing and his thick blond hair is dancing in the wind, in sync with the flicker of the candle flame. The contrast between death and the life he has lost is incredibly powerful. The moving hair and candle flame remind us of the life force that once inhabited his body.

Every time I revisit this film I see something new.

Eisenstein's "Alexander Nevsky" was made mostly for propaganda purposes in 1938. It was a reminder to all Russians of their dastardly neighbors (the Nazis) to their west. The film plays on this comparison and several others to a lesser degree. The evil Germanic Teutonic Knights just happen to be of the Christian faith and their religious leaders make for very effective villians. Although Nikolai Cherkasov as Nevsky and Nikolai Okhlopkov as his right-hand man, Vasili, are commanding in their roles, this movie is mainly noted for the final climactic battle between good (the Russians) and pure evil (the Germans). Eisenstein purposely covers the Germans with over-sized helmets so that they're totally devoid of any human facial expressions. On the contrary, the Russian peasants who comprise most of Nevsky's army are portrayed with a variety of emotions and their humanity is not only recognizable but refreshing and appealing to the viewer. When the Teutonic Knights make their charge on the Russian position, the action is fast and furious and it would be difficult to find any other film which stages its action scenes as well as Eisenstein does here. Although a bit dated in the print that I saw (the sound was certainly a bit off) this movie is a must-see for anyone interested in foreign films and especially the Russian cinema during the days of Stalin. The Germans might have thought twice about attacking Russia in 1941 if they had seen this film beforehand. The message was clear back then. In the words of Alexander Nevsky himself: "Do not enter Russia with a sword in your hand." Well, you can't say they weren't warned.

I think it's a superb cinematography experience, once again Einsenstein goes beyond the conventional visual elements of the movies, lets take an example, we are used to see the white color as a sign of purity, and the black color as the "bad" element. Here this visual elements are twisted, showing the enemy in white and the russians in dark uniforms. Certainly there is a propaganda tone in the whole story, but it's quite comprehensible for the time (previous to WWII) and the country. There is another element for which this movie is so touching, the excellent music by Serge Prokofiev, and specially the part of the battle. Alexander Nevsky is very much worth seeing not seeking for a conventional war movie, but as an alternative way of cinematic expression.

Sergei Eisenstein's "Alexander Nevsky" is a biopic of the famous prince, but when released it was seen as an expression of the growing suspicion of Nazi Germany. Indeed, the battle scenes make the Teutonic Knights - aka the Germans - get depicted as faceless goons who have no qualms about killing anyone. The epic battle scene is probably the most well remembered scene in the movie. It basically says "If you invade Russia, expect the same fate as befell the Teutonic Knights." Hitler didn't heed the warning, and his hoped-for thousand-year Reich only lasted twelve years (the harsh winters didn't help matters).

Understanding that it's a form of propaganda, it's an impressive movie. I wouldn't expect otherwise from Eisenstein. If you're going to teach a course on Russian cinema, you would have to include this one. Excellent movie.