Ciapaiev

In the Soviet Union in 1934, this was a film about a popular war hero from a war that took place fewer than twenty years before. So I admit that, watching it in another country 2014 there may be quite a lot of context I'm missing. This is not a life of Chapev, whom everyone is presumed to know well, but a series of episodes from his career.

They are not all uninteresting or dull episodes, but the fact that it is so episodic rather than following a more complete story worked against it with me in this case.

It's inescapably hero-worship, and, commendably given that it is hero- worship, it does not try to portray its hero as immaculate. Chapaev is proud, short-tempered, and ignorant of politics and history. But this played against his advantages only serves to make him more of a hero.

It easy to see why this film became very popular -- it's good-humored, politically-correct for its political context, and appeals to existing conceptions of a popular hero. The battle scenes are staged on a big scale and are very impressive (though the ending seems quite abrupt). Taken out of its immediate context, though, it doesn't stand alone as well as a self-contained film for other audiences. But it remains a fascinating piece of history.

Chapayev was an illiterate war hero in the Russian Revolution. He is an interesting character. Completely illiterate, he was an inspiration to his men by being simple, brave, modest and honest. Think G.C. Scott's "Patton" or "Sharpe's Rifles," this is Chapayev! It rings vaguely of propaganda, like most war films of the 30's. The White Guard officers are portrayed as greedy, abusive dilletantes, whereas Red Chapayev and his Bolshevik comrade and assistant are honest, wholesome folk. This film is a good war flick, and one interesting thing about it was that the brothers Vasiliev attempted to film everything in the actual locations where the battles took place. Chapayev really died where he did in the movie. Good for history buffs, definitely.

According to Stephen Kotkin's near-definitive biography of Josef Stalin (vol 2, pages 192-3), he insisted his posse watch the film a second time immediately after viewing it the first time. Furthermore, since the Soviet Union had only 450 sound theaters at that time, he commissioned 30,000 sound theaters that night in order that the entire country could view this film with synched sound.

The film is based on the diaries of Commissioner Furmanov, Chapayev's right-hand man and one of the heroes of the film. It tells the story of Vassiliy Ivanovich Chapayev, a Red Army hero during the Russian Civil War (1918-1922). The illiterate chief of a gang of marauding cavalry men is portrayed as a noble protector of the common folk and a brave soldier, a menace to the evil White Army. Interestingly enough, this 1930s war epic is mostly famous not for its Communist propaganda (nothing else can really be expected from Soviet movies of that period) or its realistic portrayal of the Civil War battles, but for a countless number of jokes and anecdotes about the movie heroes. In that sense Chapayev has become a huge part of the Russian street folklore and one of the most famous Soviet movies ever made. Vassiliy Ivanovich, Petka, Anka (the last two's romance is an interesting subplot in the film) and even the stoic Furmanov are laughed at by millions and millions of Russians for God knows how long now. As for the movie itself, it is far from a comedy although there are some light-hearted moments, mainly dealing with Chapayev's illiteracy and Petka's flirt with Anka. It may not be 100% true to history or to Furmanov's accounts (for example, the real-life Petka died a much more gruesome death than his movie counterpart) but it is an interesting look at the Civil War and one of its most legendary figures.

Vasily Ivanovich Chapaev the legendary figure of the Civil war in Russia, the people's leader, the self-taught, who held high posts at the expense of its own abilities in the absence of special military education. The regiment is not a gang of marauders, dare I say. The film is based on a scenario of Anna Furmanovа, created based on the diaries of Dmitry Furmanov, his novel «Chapayev» and memoirs of veterans, who fought under the leadership of Chapaev. «Best foreign language film» according to the National Board of Review USA in 1935. According to a survey of film critics of the world (1978) film has been included in the list of the hundred best films of world cinema.