Il film è incentrato su una caccia all'uomo indetta a livello nazionale, volta al ritrovamento di un ragazzino ribelle e dello zio adottivo scomparsi nei selvaggi boschi della Nuova Zelanda.Il film è incentrato su una caccia all'uomo indetta a livello nazionale, volta al ritrovamento di un ragazzino ribelle e dello zio adottivo scomparsi nei selvaggi boschi della Nuova Zelanda.Il film è incentrato su una caccia all'uomo indetta a livello nazionale, volta al ritrovamento di un ragazzino ribelle e dello zio adottivo scomparsi nei selvaggi boschi della Nuova Zelanda.
- Regia
- Sceneggiatura
- Star
- Premi
- 24 vittorie e 26 candidature totali
Recensioni in evidenza
10fleable
I saw this movie last night in Hokitika. There was a queue outside, which caused comment enough amongst the locals, as this never happens. The cinema was packed with an amazing demographic of people, for example, on one side of me were toddlers with their Mums, on the other a lone hunter-type and behind me a group of retired farmer ladies. I think this speaks volumes on the draw of this film. To put it simply, it ticks all the right boxes. Everyone in Aotearoa (NZ) will know these characters in some form or another; from the gruff old bushman, to the earthy mother figure and the chillaxed cop. It is that familiarity that makes it more engrossing and funny. But not just here, its mix of subtle bathos and pathos will make it universally appealing, of that I am certain. In short: Good on ya, Taika! 'Marvellous' film!
Oak Cliff Film Festival 2016 Greetings again from the darkness. It just doesn't seem very many movies are designed to be funny to a wide range of viewers. There are raunchy comedies for taboo lovers. There are comedies for young kids. There are even Nicolas Cage movies for unintentional laughs. But writer/director Taika Waititi actually delivers a thoroughly entertaining movie that will generate laughs across multiple generations
it's quite simply, a fun time at the theatre.
It's based on the 1986 book "Wild Pork and Watercress" by Barry Crump, who himself is a bit of a legendary figure in New Zealand. The film begins with Child Protective Services (or whatever it's called in New Zealand) dropping off 12 year old Ricky Baker to his new foster family. Paula, the CPS agent, considers Ricky a lost cause and describes him as "a very bad egg" as she rattles off his list of previous rebellions to new foster mom Bella, who takes note of Ricky's heft with a couple of wisecracks – delivered with a well-meaning smile.
In a terrific screen introduction, "Uncle" Hec slowly comes into frame flashing a world class scowl and a wild boar slung over his shoulder. Ricky continues his habit of running away at night, but Bella slowly wins him over with her kindness, understanding and breakfast offerings. A tragic occurrence and fear of being shipped back to the juvenile center, has Ricky disappearing into the New Zealand bush. Soon enough Hec catches up and the two begin a relationship that is the core of the film.
Rima Te Wiata plays Bella as a perpetually optimistic woman with a sincere drive to help Ricky adjust and find some joy in life. Sam Neill plays Hec in full grumpy curmudgeon mode a nice compliment to the extraordinary presence of Julian Dennison (Paper Planes) as Ricky. Ricky and Hec together are a hoot to watch. It's not simply the generational differences, but also a clash of one man who wants little more than to be left alone and a young boy who wants little more than to be noticed and cared about. It's not so much the direction of their relationship that surprises, but rather the manner in which it develops.
Director Waititi's next film is Thor: Ragnarok, so this makes us appreciate even more his pleasant little indie film that features not just colorful and interesting characters, but the beautiful landscape of the New Zealand bush much of which we see during the humorous manhunt for Hec and Ricky. It's a farcical comedy with a dose of profundity and loads of adventure for two social misfits. Rachel House is pretty funny as the obsessed CPS worker, and Rhys Darby ("Flight of the Conchords") is downright hilarious as Psycho Sam. Watching criminial-wannabe Ricky literally count off his Haiku, leaves little doubt as to why this one has been such an "audience favorite" at multiple film festivals.
It's based on the 1986 book "Wild Pork and Watercress" by Barry Crump, who himself is a bit of a legendary figure in New Zealand. The film begins with Child Protective Services (or whatever it's called in New Zealand) dropping off 12 year old Ricky Baker to his new foster family. Paula, the CPS agent, considers Ricky a lost cause and describes him as "a very bad egg" as she rattles off his list of previous rebellions to new foster mom Bella, who takes note of Ricky's heft with a couple of wisecracks – delivered with a well-meaning smile.
In a terrific screen introduction, "Uncle" Hec slowly comes into frame flashing a world class scowl and a wild boar slung over his shoulder. Ricky continues his habit of running away at night, but Bella slowly wins him over with her kindness, understanding and breakfast offerings. A tragic occurrence and fear of being shipped back to the juvenile center, has Ricky disappearing into the New Zealand bush. Soon enough Hec catches up and the two begin a relationship that is the core of the film.
Rima Te Wiata plays Bella as a perpetually optimistic woman with a sincere drive to help Ricky adjust and find some joy in life. Sam Neill plays Hec in full grumpy curmudgeon mode a nice compliment to the extraordinary presence of Julian Dennison (Paper Planes) as Ricky. Ricky and Hec together are a hoot to watch. It's not simply the generational differences, but also a clash of one man who wants little more than to be left alone and a young boy who wants little more than to be noticed and cared about. It's not so much the direction of their relationship that surprises, but rather the manner in which it develops.
Director Waititi's next film is Thor: Ragnarok, so this makes us appreciate even more his pleasant little indie film that features not just colorful and interesting characters, but the beautiful landscape of the New Zealand bush much of which we see during the humorous manhunt for Hec and Ricky. It's a farcical comedy with a dose of profundity and loads of adventure for two social misfits. Rachel House is pretty funny as the obsessed CPS worker, and Rhys Darby ("Flight of the Conchords") is downright hilarious as Psycho Sam. Watching criminial-wannabe Ricky literally count off his Haiku, leaves little doubt as to why this one has been such an "audience favorite" at multiple film festivals.
While 'The Hunt For The Wilderpeople (2016)' is suitably quirky, slightly absurdist and extremely funny (refreshingly so), it only packs as much punch as it does because it is surprisingly emotionally resonant. Its endearing and relatively realistic central relationship thankfully always comes first. The film is just an entertaining time throughout, an eclectic amalgamation of farcical comedy and character growth, and it's an incredibly unique experience that never takes the easy or expected route, in terms of neither its plot nor its laughs. This makes every weird, oddly cohesive moment all the sweeter, especially when it collates into an end result as fantastic as it is. 8/10
10benedwar
A brilliant funny movie that still respects the sadness that happens in life but tries to show you that fun and laughter can still be our main focus.
I think this is the best so far of Taika Waititi's films and recommend it to anyone to see. I saw it after a long-tiring week at work and I half expected to nod off in the cinema theatre because I was so tired. But I didn't. I laughed and chuckled most of the way through the film and came away re-energized and very happy I had gone.
Would see again if the opportunity came up, which is likely as most of my friends are raving about it and a few are wanting me to go with them to see it again!
I think this is the best so far of Taika Waititi's films and recommend it to anyone to see. I saw it after a long-tiring week at work and I half expected to nod off in the cinema theatre because I was so tired. But I didn't. I laughed and chuckled most of the way through the film and came away re-energized and very happy I had gone.
Would see again if the opportunity came up, which is likely as most of my friends are raving about it and a few are wanting me to go with them to see it again!
New Wes Anderson?/ Live action Pixar's Up?/ Herzog road trip flick?/
All these things and more/ Hunt for the Wilderpeople/ Is one of a kind/
Taika Waititi/ Blends Conchords' quirky humour/ With blunt honesty/
It's an oft-told plot/ Here, stripped of (most) cliché, and/ Adorably sharp/
No adoption tale/ Treats its heartwarming heartbreak/ With such frank sweetness/
In Waititi's world/ Rude haikus voice real trauma/ Death is nonchalant/
He finds poignant joy/ In the saddest images/ Peace in a barn fire/
But lost in the woods/ With a brave dog named Tupac/ Old man and boy heal/
Learning life lessons/ In New Zealand's lush splendour/ As they hide their poop/
Good ol' grumps Sam Neill/ And Julian Dennison/ Are pricelessly cute/
Wry, no-nonsense laughs/ Battling boar and Rachel House/ Gleeful cartoon foe/
As the pace ramps up/ Tender character beats meet/ Thelma and Louise/
And a denouement/ So crisply wholesome there'll be/ Something in your eye/
A tiny triumph/ Mighty but unpretentious/ With humongous charm/
One of the year's best/ Don't miss these Wilderpeople/ The skux life chose you!
-9/10
All these things and more/ Hunt for the Wilderpeople/ Is one of a kind/
Taika Waititi/ Blends Conchords' quirky humour/ With blunt honesty/
It's an oft-told plot/ Here, stripped of (most) cliché, and/ Adorably sharp/
No adoption tale/ Treats its heartwarming heartbreak/ With such frank sweetness/
In Waititi's world/ Rude haikus voice real trauma/ Death is nonchalant/
He finds poignant joy/ In the saddest images/ Peace in a barn fire/
But lost in the woods/ With a brave dog named Tupac/ Old man and boy heal/
Learning life lessons/ In New Zealand's lush splendour/ As they hide their poop/
Good ol' grumps Sam Neill/ And Julian Dennison/ Are pricelessly cute/
Wry, no-nonsense laughs/ Battling boar and Rachel House/ Gleeful cartoon foe/
As the pace ramps up/ Tender character beats meet/ Thelma and Louise/
And a denouement/ So crisply wholesome there'll be/ Something in your eye/
A tiny triumph/ Mighty but unpretentious/ With humongous charm/
One of the year's best/ Don't miss these Wilderpeople/ The skux life chose you!
-9/10
Lo sapevi?
- QuizThe film was the first local feature to gross more than NZ$1 million in its opening weekend at the New Zealand box office.
- BlooperNo kiwi Hunter worth his salt would kill a pukeko for eating - they are notoriously bad eating birds, hence the cooking joke: boil a pukeko with a shoe and when the shoe is soft, throw away the bird and eat the shoe.
- Citazioni
Ricky Baker: [reading wanted poster] "Faulkner is cauc-asian" - well, they got that wrong because you're obviously white.
- Curiosità sui creditiThe credits include sections headed "Wildercrew" and "Wildercast", with the latter including the subheading "Wilderdogs".
- Colonne sonoreMakutekahu
Written by Lukasz Pawel Buda (as L. Buda), Samuel Scott (as S. Scott), and Conrad Wedde (as C. Wedde)
Native Tongue Music Publishing
Arranged by Hamish McKeich
Performed by Pepe Becker, Anna Sedcole, Phillip Collins, and Robert Oliver
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Hunt for the Wilderpeople
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 5.205.468 USD
- Fine settimana di apertura Stati Uniti e Canada
- 78.439 USD
- 26 giu 2016
- Lordo in tutto il mondo
- 38.560.308 USD
- Tempo di esecuzione1 ora 41 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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