Little Miss Sunshine

Sheryl Hoover (Toni Collette) is trying hold this crazy family together. Her brother Frank Ginsberg (Steve Carell) is just released after his suicide attempt. Her husband Richard (Greg Kinnear) is a bad motivational speaker who is always talking about winning except he's a loser himself. Her son Dwayne (Paul Dano) is tired of his family, and has vow to be silent. Grandpa Hoover (Alan Arkin) was kicked out of his nursing home for misbehaving. Finally daughter Olive (Abigail Breslin) is so excited about getting into the Little Miss Sunshine pageant.

The reason this movie works is that I love these characters. I love everybody except for the dad. They are just so weirdly likable. They are the essence of an underdog story. I love this family, and it's not only for the cute little girl. I even love the VW van.

I am still shocked that this film wasn't nominated for direction at the Oscars and that it lost best picture to the overwrought The Departed. This is film captures far more of life as lived in single scenes than most films capture in their entire runtime. It is not just the great script that has great comedic bits and utterly real characters. It's not just the pitch perfect cast. This is a great *visual* film as well because of the traveling scenes and the quirky design sense.

The direction is extremely tight. Whether it is how the opening dinner sequence delineates character and their relationships-via clothing and seating arrangements-economically or how they kept the interior of the van visually fresh the film is filled with splendid and meaningful images. I think the script and the acting are so good that people just didn't notice the visual niceties the film captures. There's even a couple of hard jokes to land-i.e. Porn in the trunk-that the directors managed to make work far better than the story beat does on the page.

I think the film's theme around the cruelty of the rat race and the insane pressure we put on ourselves because of "competition" land better in 2022. Maybe I am just getting older but Richard is a bit of an jerk who did need to learn to chill. I like that the film isn't anti-competition per se but encourages us to keep things in perspective.

Conjuring endless joy & heartwarming feels by bringing together an array of flawed characters, piling them all up in a Volkswagen van and sending them on a road trip, Little Miss Sunshine is the story of a dysfunctional family rediscovering themselves & each other over the course of their journey as they learn the importance of being together through the thick n thin and reforge their relationships.

Directed by Jonathan Dayton & Valerie Faris in what's their directorial debut, this is a sensibly written tragicomedy that right away acknowledges the flaws of the family members yet provides ample room for all of them to help each other grow & evolve. Each one is intriguing in their own ways, and their interactions have an organic feel to it as well, which only makes the drama all the more effective & entertaining.

The tone & treatment may be lighthearted but the story & characters packs enough dramatic weight & depth respectively and the filmmakers make sure both individual & collective on-screen efforts move things in the same direction, and the balance is sustained from start to finish. Performances are top-notch from everyone, including the young Abigail Breslin. And the climax brings the ride full circle with an amusing, uplifting & cathartic sequence.

Overall, Little Miss Sunshine is a wonderful amalgamation of skilful direction, smart writing & heartfelt performances that promises a pleasant time to all its viewers and delivers it in spades. An impressive & promising debut for its directing duo, it is one hell of a roller-coaster ride that treats its characters' imperfections with compassion & understanding, and is effortlessly elevated by honest inputs from its committed & talented cast. Absolutely worth your time & money.

A quirky original comedy that works it's way towards a genuinely brilliant finale. Strong cast, sharp humour and good pacing contribute to a modern classic.

I get so disgusted with Indie films about deep characters that have no real personality. Everyone says that they're real because they suffer, when really it's the audience that suffers most. Movies are not supposed to take two hours of my life and leave me feeling vacant and hopeless. I want to spend those two hours with good people who are flawed, like those in my life I love most.

That's what Little Miss Sunshine has, and much more. In the beginning, you won't be sure whether you like anyone. By the end of the movie, you'll wish they were real so you could get to know them better. Their history and their dreams about the future. Bravo, Michael Arndt, for creating something truly memorable.