Miss Potter

Only the most curmudgeonly won't delight in this tender, inventive movie -- Miss Potter.

There aren't many movies that one can recommend to all of his or her friends, but Miss Potter may be the rare exception.

It has flair, style, and humanity.

Rene Zellwegger -- not everyone's favorite -- only occasionally simpers in her sensitive, forceful performance as writer Beatrix Potter.

Ewan McGregor and Emily Watson fit perfectly into their very likable characters.

The direction, screenplay, and art direction are all first-rate. And the sparing use of animation is wonderful. Peter Rabbit never looked so charming.

One would like to think that the most prolific children's author of all time was a fun-loving, happy, cheerful person, and yet this movie certainly shatters that image. Beatrix Potter (creator of Peter Rabbit among others) is depicted here as a shy, lonely, isolated and socially awkward woman who sometimes seems to live in an imagined world of her own and whose only friends are the animals she creates for her stories (her friendship with the animals being depicted by them becoming - to Beatrix only - animated creatures rather than still drawings.) All her relationships - save two - are problematic. Her original publishers don't take her work seriously, her father is loving but patronizing, her mother never appreciates her talent (at one point her father says to her mother "our daughter is famous, my dear, and you seem to be the only one who doesn't realize that!") The two exceptions are important though. Norman - who eventually is given responsibility for publishing her books (Potter is "fobbed off" onto him by his older brothers who actually run the firm) - believes in her and eventually falls madly in love with her and his sister Millie becomes her best friend. Still, though, the relationships turn tragic when Beatrix and Norman are engaged but can't tell anyone because her parents insist on keeping it a secret (they felt Beatrix was marrying beneath herself) and Norman then dies before the marriage takes place.

Renee Zellweger (my favourite actress who can take any role of any kind it seems and make it work brilliantly) was - well - brilliant as Beatrix Potter. The rest of the cast were quite solid - especially Barbara Flynn as Beatrix' mother, and Ewan McGregor as Norman. The strict moral standards of the early 20th century were portrayed well (it's shocking today to realize that a 32 year old unmarried woman would still have had to be chaperoned everywhere she went in that era) and the movie even manages some light humour now and then. Ultimately - one might say finally, because there's a point in the movie at which you desperately want Beatrix to break out of the stifling environment of her parents' home - the movie becomes uplifting, as Beatrix uses her newfound wealth to buy a farm where she can be on her own, becomes a bit of a social champion by buying surrounding properties to protect them from development and - finally - manages to fall in love and get married, although that's only told in the postscript.

This is, indeed, a movie both sad and touching. 7/10

Every time I see a book or a character of Beatrix Potter, it brings a nostalgic feeling that takes me back to when I was 7-10 years old, the time when I discovered her books and fell in love with them. I still love all the characters. Her paintings always amuse me with the delicacy, detail and creativity behind it and the books remain a favourite children's book to me.

Noonan does a a meritorious job of his presentation of Miss Potter. Though it's not exactly an accurate portrayal, the storytelling is commendable. He already has shown what an excellent storyteller he is in 'Babe' and 'Miss Potter' is an equally story that isn't overly saccharine-filled. He has a talent of showing spirited characters and relationships. The animation is used wonderfully giving us a glimpse of Beatrix's fantasy world. I also liked how her works were effectively introduced (without looking like a booksale promotion). Furthermore, it is gratifying that he shows Beatrix's contribution to conservation. He beautifully captures the dazzling English countryside, particularly the Lake District. So spectacular is Lake District that I immediately wanted to be there.

I could not picture anyone else other than Renee Zellweger who could have fitted the title role so well. Her touching portrayal of a extraordinary woman ahead of her time who manages to stay strong and dignified through her ups and downs is admirable to say the least. She's already mastered the British accent as has been evident in 'Bridget Jones's Diary' but here she also manages to adjust her English accordingly with the time period, sounding very natural.

Ewan McGregor and Emily Watson shine in their roles. McGregor as the slightly naive publisher, who believes in Potter and eventually falls in love, is a fine match for Zellweger's Potter while Emily Watson, who hardly ever disappoints, is outstanding. The rest of the cast that include Bill Paterson, Barbara Flynn, Matyelok Gibbs and Lloyd Owens are great.

A very minor quibble is that some important aspects of Beatrix's life were left out of the film, such as, the ignorance by the of her work by the officials (due to her gender) in the field of botany. Yet, even though it's not an accurate depiction, like Marc Forster's magical 'Finding Neverland' it remains charming, lovely and entertaining. It works as a slice of life and a character study.

This film is about the life of Beatrix Potter, who was a famous author of children's books.

The portrayal of Beatrix's love for drawing and for animals was remarkable and heartwarming. The pure and untainted love was refreshing. Her struggle for recognition and independence was inspirational. Renee Zellweger did a good British accent in the film, and she successfully made Miss Potter alive and vivid. Her depressive phase after the tragic loss was well depicted by both her acting and the imagery on the cartoons. The lavish sets and the breathtaking scenery add to the entertainment value of the film.

It's 1902 and Beatrix Potter is being stifled by her social-ladder-climbing parents. Always a teller and writer of stories, Beatrix breaks free from her suffocation and takes her tale of Peter Rabbit to the Warne publishers. Where she is pleasantly surprised to find a deal offered and young Norman Warne assigned personally to aid her in her first publishing venture. But as the pair start to fall in love, and the book takes off, the pressure from home threatens to derail her chance of happiness.

Before it was even released, Miss Potter was being tagged Oscar Bait by lazy and uninformed movie fans. It seems that any film that falls into this ilk, is considered to be folly and destined to be rubbish. Why that is I don't know, since film's like Miss Potter, Seabiscuit, Cinderella Man and Finding Neverland are technically great movies that tell amazingly impacting stories. Amazingly impacting stories backed up by fine acting I might add. Things further hindered Miss Potter by those decrying the casting of Renée Zellweger in the title role, it was Bridget Jones madness all over again. Once again Zellwegger took up the challenge and proved it to be an inspired choice to put her into the prim and proper corset of our dear Beatrix. Then there was the historical inaccuracies argument {like it has stopped so many millions of film's in the past doing it!}, none of which are really worth listing. So finally the last big negative put forward to kick Miss Potter is the age old chestnut of it not being a fully formed bio-picture. Please, do me a favour. It's got a running time of 90 minutes and primarily focuses on the most telling time in her life.

What Miss Potter is guilty of is not affording more time to her wonderful artistic achievements. Director Chris Noonan {Babe} and writer Richard Maltby, Jr. choose to enforce the whimsy and romanticism rather than showcase what a unique talent she was. In fact Miss Potter for the most part makes Beatrix comes off as a kooky dreamer. Something she most probably was when she dived into her work. Thankfully tho, in the last quarter of the piece, Beatrix is shown to be the strong, ahead of her time, woman that she was. Her conservationism and blow striking from the gorgeous Lake District she called home, is given weight and rounds the film out nicely. Prior to this we are treated to a magical world where Beatrix's creations come to life on the page, only to her you understand, but the impact as she converses with the likes of Peter Rabbit is uplifting and keeps us focused on what great work she achieved in the world of children's books. Conversely, when things do go bleak, as most Potter fans know as regards her real life story, the animation sequences are brilliant at portraying Beatrix's emotional state. Great work from Noonan and his animation team. While a special mention for Andrew Dunn is due because his cinematography around the Lake District is truly sumptuous.

In support of Zellwegger {who was nominated for Golden Globe} is Ewan McGregor {delightful and believable} as love interest Norman Warne, Emily Watson {terrific} as Norman's sister Millie, an early feminist and confidante of Beatrix. While Bill Paterson and Barbara Flynn as the Potter parents involve and infuriate to the right levels of story enhancement. Yes it's charming, yes it's sweet, but Miss Potter is far more than just a movie made to please a certain demographic, or Oscar, as the silly people say. Expect a film about a period in her life and accept that at 90 minutes long it's never going to be a fully formed Beatrix Potter film. And you may just be as beguiled as I was. Not as classy as Finding Neverland, but a most worthy accompaniment to that picture it be. 8/10