दोस्तों और पड़ोसियों के लिए मैचमेकिंग करते समय, 19वीं शताब्दी की एक युवा अंग्रेज महिला लगभग प्यार में अपना मौका खो देती है।दोस्तों और पड़ोसियों के लिए मैचमेकिंग करते समय, 19वीं शताब्दी की एक युवा अंग्रेज महिला लगभग प्यार में अपना मौका खो देती है।दोस्तों और पड़ोसियों के लिए मैचमेकिंग करते समय, 19वीं शताब्दी की एक युवा अंग्रेज महिला लगभग प्यार में अपना मौका खो देती है।
- 1 ऑस्कर जीते
- 3 जीत और कुल 7 नामांकन
फ़ीचर्ड समीक्षाएं
McGrath has crafted and delivered a delightful, feel-good film that is like a breath of fresh air in our often turbulent world. There may be an air of frivolity about it, but in retrospect, this story deals with something that is perhaps the most important thing there is-- in all honesty-- to just about anyone: Love. And with McGrath's impeccable sense of pace and timing, it all plays out here in a way that is entirely entertaining and enjoyable. It's a pleasant, affecting film, with a wonderful cast, that successfully transports the viewer to another time and another place. It's light fare, but absorbing; and the picturesque settings and proceedings offer a sense of well-being and calm that allows you to immerse yourself in it and simply go with the flow.
The winsome Paltrow, who won the Oscar for best actress for `Shakespeare In Love' two years after making this one, seems comfortable and right at home in this genre. She personifies all things British, and does it with such naturalness and facility that it's the kind of performance that is easily taken for granted or overlooked altogether. She's simply so good at what she does and makes it look so easy. She has a charismatic screen presence and an endearing manner, very reminiscent of Audrey Hepburn. Yet Paltrow is unique. As an actor, she has a wide range and style and has demonstrated-- with such films as `Hard Eight,' `Hush' and `A Perfect Murder'-- that she can play just about any part effectively, and with that personal touch that makes any role she plays her own. But it's with characters like Emma that she really shines. She is so expressive and open, and her personality is so engaging, that she is someone to whom it is easy to relate and just a joy to watch, regardless of the part she is playing. And for Emma, she is absolutely perfect.
Jeremy Northam also acquits himself extremely well in the role of Knightley, and like Paltrow, seems suited to the genre-- in the right role, that is; his performance in the more recent `The Golden Bowl,' in which he played an Italian Prince, was less than satisfying. Here, however, he is perfect; he is handsome, and carries himself in such a way that makes Knightley believable and very real. Like Colin Firth's Mr. Darcy in the miniseries `Pride and Prejudice,' Northam has created a memorable character with his own Mr. Knightley.
Also excellent in supporting roles and worthy of mention are Toni Collette, as Emma's friend Harriet Smith; and Alan Cumming, as the Reverend Elton. Respectively, Collette and Cumming create characters who are very real people, and as such become a vital asset to the overall success of this film. And it demonstrates just how invaluable the supporting players are in the world of the cinema, and to films of any genre.
The supporting cast includes Greta Scacchi (Mrs. Weston), Denys Hawthorne (Mr. Woodhouse), Sophie Thompson (Miss Bates), Kathleen Byron (Mrs. Goddard), Phyllida Law (Mrs. Bates), Polly Walker (Jane Fairfax) and Ewan McGregor (Frank Churchill). An uplifting, elegant film, `Emma' is a reminder of civilized behavior and the value of gentleness and grace in a world too often beset with unpleasantness. And even if it's only through the magic of the silver screen, it's nice to be able to escape to such a world as this, if only for a couple of hours, as it fulfills the need for that renewal of faith in the human spirit. And that's the magic of the movies. I rate this one 9/10.
But if you're willing to view Emma with the belief that this movie is loosely based on the novel, and enjoy it on its own merits, you'll truly enjoy yourself.
Emma (Gwyneth Paltrow) is the apple of her aged father's eye and spends her ample free time trying to play matchmaker. Having achieved some success by matching her own governess with the widowed Mr. Weston, Emma sets out to match easily persuaded, impoverished newcomer Harriet Smith (Toni Collete) with hilarious results.
Some have complained that the casting is "all wrong" but I don't agree. I think for the comedic spirit of the film, the actors were well chosen. Sophie Thompson nearly steals the show as the muddled but happy Miss Bates. Her silent mother, Mrs. Bates (played by Sophie Thompson's real-life mother Phyllida Law), also steals a few scenes. In my humble opinion, anybody who prefers Mark Strong (the A&E version) over Jeremy Northam in the role of Mr. Knightley has to be "addled in the attic" as it were. Not tall enough? I'm sorry but I wasn't watching how tall he was but that mesmerizing smile. I'm sure I wasn't the only one swooning in my seat.
This is no literary classic (the movie NOT the book!) so let's not make it something it isn't. What Emma truly IS..is an enjoyable romp with a healthy dollop of romance. Viewed in this light, you're in for a good time.
And yes, Ewan McGregor's wig IS hideous. My friends compared it to a dead cat but that would do the cat an injustice.
Accompanied by Oscar-winning Composer RACHEL PORTMAN's lush, emotional and dreamy music, this film remains a pure delight worthy of viewing more than once a year.
Incredible casting...
Gwyneth Paltrow was perfect for the role of Emma. Toni Collette was great as Harriett Smith.
The character who stole the film was MISS BATES!!! She was mesmerizing to watch, one finds oneself on the edge of ones' seat just hanging on her every word and laughing hysterically WITH her. One of the most endearing characters I have come across in ages. From one of the opening scenes when she is thanking Mr. Woodhouse for sending "that lovely quarter-hind of pork... PORK, MOTHER!!!" she shouts into her daffy and clearly hearing impaired Mother, Mrs. Bates (played by Emma Thompson's mother, Phyllida Law) who looks forlorn and lost.
The comical ways that Emma would avoid the grating Miss Bates builds itself up for one truly gut-wrenching scene at the picnic when Emma insults Miss Bates who takes her cruel dig to her heart. We then see poor Miss Bates stammering and on the verge of tears and just so crushed one can not help but feel one's heart ripped out to her on her behalf. It is a classic scene, one to be rewound and played over & over...
The ending is right up there with "Sense & Sensibility" and provides one of life's greatest lessons about how one should marry one's best friend...
I hope that this film delights you all as much as it has myself.
I ADORED it!
If you're looking for a film that you can watch with the whole family, or looking for a romance for yourself, look no further. Emma is that movie. With a beautiful setting, wonderful costumes, and an outstanding cast (have I mentioned the gorgeous Jeremy Northam?), Emma is a perfect ten!
क्या आपको पता है
- ट्रिवियाToni Collette had to gain weight to portray "the Rubenesque Harriet" and she explained, "I think it's important for people to look real in films. There's a tendency to go Barbie doll and I don't agree with that at all."
- गूफ़Frank Churchill's hair changes length in the scenes when he says goodbye to Emma - shorter when he arrives and longer when he leaves.
- भाव
Mr. Knightley: Emma, how could you be so unfeeling to Miss Bates? How can you be so insolent to a woman of her age and situation? I had not thought it possible.
Emma: How could I help saying it? I daresay she did not understand me.
Mr. Knightley: I assure you, she felt your full meaning. She cannot stop mentioning it. I wish you could have heard her honour your forbearance in putting up with her when her society is so irksome.
Emma: I know there is no better creature in all the world, but you must allow that blended alongside the good, there is an equal amount of the ridiculous in her.
Mr. Knightley: Were she prosperous or a woman equal to you in situation, I would not quarrel with you about any liberties of manner. But she is poor, even more so than when she was born. And should she live to be an old lady, she will sink further still. Her situation being in every way below you should secure your compassion! Badly done, Emma. Badly done. She has watched you grow from a time when her notice of you was an honour to this, humbling her, laughing at her in front of people who would be guided by your treatment of her. It is not pleasant for me to say these things, but I must tell you the truth while I can, proving myself your friend by the most faithful counsel, trusting that sometime you will do my faith in you greater justice that you do it now.
- क्रेज़ी क्रेडिटThanks to ... the people of Evershot.
- कनेक्शनFeatured in Siskel & Ebert & the Movies: Chain Reaction/Matilda/Emma/Stonewall (1996)
- साउंडट्रैकDeck the Halls with Boughs of Holly
Traditional tune, lyrics by Thomas Oliphant (uncredited)
Arranged by Rachel Portman
टॉप पसंद
- How long is Emma?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Емма
- फ़िल्माने की जगहें
- Evershot, Dorset, इंग्लैंड, यूनाइटेड किंगडम(Highbury village)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $60,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,22,31,658
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,40,649
- 4 अग॰ 1996
- दुनिया भर में सकल
- $2,22,31,658
- चलने की अवधि2 घंटे
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1