The Whole Wide World

Before I saw this movie a few years ago, I had never heard of "Robert E Howard". Since then, I've educated myself on who Robert E Howard was...and who Novalynn was. He was extraordinary and she drank him up. It's incredible that someone took her book and made a movie out of the story. Even more incredible is how perfectly it was all orchestrated. The characters were fantastic (Especially Vincent DiOnofrio). The script was great, the filmwork was beautiful, the timing was right on. I will never grow tired of this movie. And I'll continue to turn it onto whoever comes over to my house and hasn't seen it yet. The Whole Wide World is a masterpiece!

This is an easy vote. A real, well acted old time story of star crossed loves. Cutting edge acting by Vincent D'Onofrio as Robert and his girl Rene Z. An emotional, tender, and heartbreaking story. Both actors pull out your emotions and put them through the wringer. Beautifully filmed and the music fits the mood. Vincent was perfect. His intense face, which he uses as an emotional barometer, captures and relays the tortures Robert E Howard experienced. It is how films used to be - memorable. This was Rene Z's first serious work, and I will say she has never come close again in touch the emotional triggers although she is big box office. Her thanks to Vincent on receiving her first Academy awards speaks volumes " Thank you Vincent for teaching me how to work." They were a lovely team together with a special bond both actors created together. I did not want to leave the characters and return to reality. In closing, this "little movie" budget wise and distribution wise, is actually a far greater achievement then it's modest budget could foresee. This film should have been dubbed as one of the greats instead of shelved and forgotten.

I was thrilled to read the (almost) unanimous praise for this FANTASTIC little movie by fellow viewers, and I must chime in with my wholehearted agreement. Every once in a while you blunder across an under-financed and straight-to-video movie that just absolutely flattens you with that rare convergence of talent, story & production, and you're reminded anew of just how powerful a film can be.

Most of the previous postings give a good outline of the plot, so I won't recap it here. "The Whole Wide World" is remarkable in all sorts of ways, but I must use my space here to further celebrate the masterful acting of the leads, Vincent D'Onfrio (as Bob Howard) and Renee (as Novalyne Price). Indeed, the skill of the portrayals completely conveys the sense of time, place and emotional temperament necessary to draw us into their worlds--and break our hearts. And yeah, you're just absolutely made of stone if you're not weeping just a little as the credits roll(or trying hard not to). It's testament to D'Onfrio's amazing talent that we can clearly see Bob's misanthropic shortcomings, but still we hope this tragic misfit of a guy can (as another fan wrote here)"meet her half way." A DEEP, insightful performance by Vincent who has quietly been doing the same in lesser roles for decades now.

And I gotta give Renee her full due as well. She was EXCELLENT, fully credible, spiky, tender, flirtatious, frustrated, and ultimately emotionally exhausted trying to figure out this neurotic but strangely charming man she tried to get close to. Seeing this movie reminds me of "Casablanca" in the sense that you can't imagine anyone else in the Bogart & Bergman roles; no doubt other actors would have given their all, but I can't see how anyone other than Vincent & Renee could have spiked our hearts so fiercely.

Who would have ever thought that such a GREAT movie could be made of the abortive love life of Robert E. Howard? Of course that's not really what makes the movie great--as Flaubert said when asked to identify Madame Bovary, he replied "I am;" and so it is with "The Whole Wide World," where we are poignantly reminded of our own failures to engage with life and love in the ways we believe they should play out.

Again, I'm THRILLED to see how many other fans recognize the unique quality of this movie. I encountered it obliquely, noting its synopsis in the New Yorker back in '96 and thinking "what a curious thing to base a movie on." For some reason my sister tracked it down and loaned me a dubbed-from-TV video cassette; crummy video and sound, but the movie still BLEW ME AWAY (and it still does--thankfully it's now available on DVD). Given Renee's star power I don't think it will ever vanish completely, but we can only hope others will take a chance on this little masterpiece so it can one day receive the acclaim its excellence deserves.

I'd also be remiss if I didn't put in a small plug here for Robert E. Howard the pulp fictioneer; it wasn't complete hyperbole for Novalyne to dub him "the best pulp fiction writer..." His writing stands up well today; plenty of brawny page-turning adventure that still delivers fabulous escapist thrills for guys. But if some of us guys can watch this movie and worship it, I'd bet at least a few of the girls can read some Robert E. Howard today and get a sense of the tough-but-hurting guy depicted in the movie. But one certainly need not read Howard to appreciate this amazing movie on its own stellar merits.

It's a good film, but it's absolutely painful to watch, as you repeatedly wish they'd put aside their insecurities and get together. The best screen kiss in recent memory is in this film and it gives you a taste of the power they would've had if they would've always stayed together, instead of straying alone. One of the most emotionally abusive films of the last year, it's more of a realistic romance instead of the perfect one featured in films such as "You've Got Mail". This and many other films serve as a reminder that most great romances are not without torturous actions from both halves.

Set in 1930's small town Texas are two unlikely characters: one who is an accomplished writer and one who "wants to be". Their journey is a rare story these days (writing this in 2009) in writing or on the screen. Not since watching "84 Charring Cross Road" have I applauded such realism. Bob Howard, famed author of "Conan the Barbarian" is seen as he was in real life through the eyes of an unusually brave woman, Novalyne Price (the story taken directly from her book "One Who Walked Alone").

Howard (played by Vincent D'Onofrio) was a real loner who found himself in love; an impossible situation for any recluse, let alone a perhaps misunderstood misanthropic one. Price (played by Rene Zellweger), carries the other hard end of the bargain, a sociable yet independent single woman in 1930's Texas who's burden of loving him is even more unimaginable to bear, but not in any of the trite ways one might think. Most of us cower from those who do not "behave" as society dictates, or to be more blunt, as our loved ones dictate; Price does and doesn't, in a classy yet grounded blend of grace. Both characters are surprising and totally human. Shot in only 24 days, this "little" movie is a buy-to-own keeper. No wonder Zellweger went on to movie stardom after this role.

To quote Rene, her performance is in part "Many thanks to Vincent". An amazing portrait of the best of both actor's range of talent. Recommended highly.