अपनी भाषा में प्लॉट जोड़ेंAn insurance investigator begins discovering that the impact a horror writer's books have on his fans is more than inspirational.An insurance investigator begins discovering that the impact a horror writer's books have on his fans is more than inspirational.An insurance investigator begins discovering that the impact a horror writer's books have on his fans is more than inspirational.
- पुरस्कार
- 1 जीत और कुल 4 नामांकन
Jürgen Prochnow
- Sutter Cane
- (as Jurgen Prochnow)
फ़ीचर्ड समीक्षाएं
I knew about this movie, and knew it was a movie heavily influenced by Lovecraft, but oddly enough I have never gotten around to watching it before now in 2023. Which is rather odd, given my fascination with Lovecraftian writing, horror movies and John Carpenter movies.
And boy, have I been missing out on a rather interesting and entertaining movie experience here. Writer Michael De Luca put together a very enjoyable and entertaining script, where the audience follows John Trent's (played by Sam Neill) descent into madness. And it is done in a very good way, where we as the audience feel like we are right there alongside him. And wow, this was indeed a very Lovecraftian themed movie.
There were lots of nice little details that were tributes and nods towards H. P. Lovecraft and his work throughout the movie, which was something I found very interesting and a nice touch for director John Carpenter to have in the movie.
The acting performances in "In the Mouth of Madness" were good, and Sam Neill really carried the movie quite well with his performance. But there are other familiar performers on the cast list as well, with the likes of Jürgen Prochnow, David Warner, John Glover, Bernie Casey, Peter Jason, Frances Bay, Wilhelm von Homburg and even Charlton Heston. So you are in capable hands here.
Visually then I found "In the Mouth of Madness" to be rather impressive. The movie starts out subtle and then John Carpenter gradually piles on the effects and reveals more and more of the monstrosities and otherworldly things that start to manifest and take form.
It was really a great mistake on my account that I never got around to watching "In the Mouth of Madness" before now in 2023. If you enjoy Lovecraftian-themed movies, then this is definitely a movie you don't want to miss out on.
My rating of "In the Mouth of Madness" lands on an eight out of ten stars.
And boy, have I been missing out on a rather interesting and entertaining movie experience here. Writer Michael De Luca put together a very enjoyable and entertaining script, where the audience follows John Trent's (played by Sam Neill) descent into madness. And it is done in a very good way, where we as the audience feel like we are right there alongside him. And wow, this was indeed a very Lovecraftian themed movie.
There were lots of nice little details that were tributes and nods towards H. P. Lovecraft and his work throughout the movie, which was something I found very interesting and a nice touch for director John Carpenter to have in the movie.
The acting performances in "In the Mouth of Madness" were good, and Sam Neill really carried the movie quite well with his performance. But there are other familiar performers on the cast list as well, with the likes of Jürgen Prochnow, David Warner, John Glover, Bernie Casey, Peter Jason, Frances Bay, Wilhelm von Homburg and even Charlton Heston. So you are in capable hands here.
Visually then I found "In the Mouth of Madness" to be rather impressive. The movie starts out subtle and then John Carpenter gradually piles on the effects and reveals more and more of the monstrosities and otherworldly things that start to manifest and take form.
It was really a great mistake on my account that I never got around to watching "In the Mouth of Madness" before now in 2023. If you enjoy Lovecraftian-themed movies, then this is definitely a movie you don't want to miss out on.
My rating of "In the Mouth of Madness" lands on an eight out of ten stars.
I found this film terrifying. Sure there is no man in a stripy jumper coming to 'stab you up' and no one is tied to a chair and worked on with an angle grinder.
This film makes excellent use of those iconic every day objects that become scary in the correct context. (E.G Clowns, mannequins, Victorian prams or a child's ball bouncing down a stair case.) People who have seen this will know what I mean when I say the word bicycle.
Rather than physical peril this film uses assaults on your grasp of reality. mine obviously isn't that great as I find this movie petrifying.
The production of the film isn't great and there are more exciting films out there. But if you have some imagination, are a little romantic and like being scared without having to sit through some poor soul forced to spectate live at their own autopsy, then this deserves every one of its eight stars.
This film makes excellent use of those iconic every day objects that become scary in the correct context. (E.G Clowns, mannequins, Victorian prams or a child's ball bouncing down a stair case.) People who have seen this will know what I mean when I say the word bicycle.
Rather than physical peril this film uses assaults on your grasp of reality. mine obviously isn't that great as I find this movie petrifying.
The production of the film isn't great and there are more exciting films out there. But if you have some imagination, are a little romantic and like being scared without having to sit through some poor soul forced to spectate live at their own autopsy, then this deserves every one of its eight stars.
"In The Mouth of Madness" is one of John Carpenter's better flicks. It features the usually bland Sam Neill in a surprisingly good and likable performance, and is packed with oodles of intriguing concepts and spiffy details. The music is good (it was cowritten by Carpenter) and the movie has a great look. There are also lots and lots of ginchy make-up effects, and while some are better than others (the kid who turns into an old man looks like a kid wearing a Spencer's Gifts Old Man mask and fright wig), but the sheer abundance of them make this unique.
Neill plays John Trent, a no-nonsense insurance investigator who loves his job and has disdain for most of humanity- but with a sense of humor. He's sent to find a missing mega-selling author Sutter Caine (Jurgen Prochnow, in a role that would have been kick-ass if played by Stephen King), whose books are a nation-wide craze. Trent ends up in Hobb's End, a town right out of Caine's books (literally) where the morbid tales of fiction are becoming reality.
The movie, although muddled in places, too repetitive (on purpose), and too reliant on flash forwards, has lots of things to say about the perception of reality and it interesting and entertaining.
The supporting cast is good: John Glover and David Warner are psychiatrists, a subdued Charleton Heston is a publisher, and Bernie "Revenge of the Nerds" Casey is Trent's boss, but the highlight is Frances Bay as the sweet Mrs. Pickman. She provides the film's high points and ends up looking like something from the director's "The Thing". The weak link in the cast is the leading lady, Julie Carmen, who delivers every line like she just chugged a case of Nyquil. In addition to her lousy acting, she's dressed in ugly outfits and has a kind of "in-your-face" ugliness. In one scene there is a special effects dummy head in place of Carmen's and the dummy head out-acts her.
This is not as great as "The Thing" but better than "They Live" as far as John Carpenter's paranoid, reality-bending flicks go, and is worth checking out.
Neill plays John Trent, a no-nonsense insurance investigator who loves his job and has disdain for most of humanity- but with a sense of humor. He's sent to find a missing mega-selling author Sutter Caine (Jurgen Prochnow, in a role that would have been kick-ass if played by Stephen King), whose books are a nation-wide craze. Trent ends up in Hobb's End, a town right out of Caine's books (literally) where the morbid tales of fiction are becoming reality.
The movie, although muddled in places, too repetitive (on purpose), and too reliant on flash forwards, has lots of things to say about the perception of reality and it interesting and entertaining.
The supporting cast is good: John Glover and David Warner are psychiatrists, a subdued Charleton Heston is a publisher, and Bernie "Revenge of the Nerds" Casey is Trent's boss, but the highlight is Frances Bay as the sweet Mrs. Pickman. She provides the film's high points and ends up looking like something from the director's "The Thing". The weak link in the cast is the leading lady, Julie Carmen, who delivers every line like she just chugged a case of Nyquil. In addition to her lousy acting, she's dressed in ugly outfits and has a kind of "in-your-face" ugliness. In one scene there is a special effects dummy head in place of Carmen's and the dummy head out-acts her.
This is not as great as "The Thing" but better than "They Live" as far as John Carpenter's paranoid, reality-bending flicks go, and is worth checking out.
The efficient and skeptical freelance insurance investigator John Trent (Sam Neill) is hired by the publisher Jackson Harglow (Charlton Heston) to find where the famous writer Sutter Cane (Jürgen Prochnow) might be. After writing a series of best-sellers in the horror genre, affecting the reason and causing disorientation, memory loss and paranoia in the readers, Sutter has simply vanished near the release of his new novel, "Horror in Hobb's End". There is a mass hysteria of his anxious fans waiting for the new release, and John believes that his disappearance is a strategy of marketing. John follows his instincts and travels with Cane's editor, Linda Styles (Julie Carmen), to New Hampshire seeking for the apparently fictional town of Hobb's End. While driving along the night, Linda reaches the Hobb's End, and John discloses that Sutter Cane has unleashed a powerful evil force in the black church of the mysterious town, and his twisted imagination is changing the reality and perception of those that read his novels.
"In the Mouth of Madness" is a journey to fear and madness through the darkness of a twisted mind of a writer. This story follows the style of "Twilight Zone" and actually shows how a writer with the support of the media is able to manipulate hearts and minds. Further, there is a certain criticism in the values and standards of the society where those who think differently or have a different behavior are outcast or even considered crazy. John Carpenter is one of my favorite directors and Sam Neil is perfect in the role of a skeptical man, used to find schemes and con everywhere, having difficulties to accept what is happening. The conclusion is very dark and without perspective to mankind. My vote is seven.
Title (Brazil): "À Beira da Loucura" ("On the Edge of Madness")
Note: On 23 June 2015 I saw this movie again.
Note: On 20 September 2020 I saw this movie again.
Note: On 03 March 2025 I saw this movie again.
"In the Mouth of Madness" is a journey to fear and madness through the darkness of a twisted mind of a writer. This story follows the style of "Twilight Zone" and actually shows how a writer with the support of the media is able to manipulate hearts and minds. Further, there is a certain criticism in the values and standards of the society where those who think differently or have a different behavior are outcast or even considered crazy. John Carpenter is one of my favorite directors and Sam Neil is perfect in the role of a skeptical man, used to find schemes and con everywhere, having difficulties to accept what is happening. The conclusion is very dark and without perspective to mankind. My vote is seven.
Title (Brazil): "À Beira da Loucura" ("On the Edge of Madness")
Note: On 23 June 2015 I saw this movie again.
Note: On 20 September 2020 I saw this movie again.
Note: On 03 March 2025 I saw this movie again.
Insurance claims expert John Trent (Sam Neill) Goes off on a search for missing horror author Sutter Cane (Jürgen Prochnow), convinced his disappearance is a hoax. Once Trent goes looking for the missing author, he's lead to Hobb's End, a supposedly fictional New England town, to discover that something very wrong is going on
and Sutter Cane is responsible. "In the Mouth of Madness" came as a delightful surprise to me.
I rented the DVD solely because I'd been wandering the video store shelves for close to 45 minutes (I have a little too much free time) and figured I'd be kicked out so I grabbed a handful of movies. This was one of them, and let me tell you I'm sure glad I did, because this is a damn fine flick!
To start, Sam Neill is excellent, as is Mr. Prochnow. The only bad performer here is Julie Carmen (Regina from Fright Night 2), who gives a wooden and thoroughly unconvincing "when-the-hell-do-I-get-my-paycheck?" performance.
Michael De Luca's script is sharp enough to never takes itself too seriously, while at the same time it can be very scary and dark. John Carpenter's direction was top-notch. Some of the guy's recent films have been disappointing, to say the least, but here he delivers the gore, suspense and action like a pro.
The special effects are great. The boys over at KNB effects studios cook up lots of monsters, gore and slime, delivering the goods as usual. The creatures here are indeed reminiscent of Carpenter's "The Thing", their creative and all look very lovecraftian in design.
At times the film can be extremely scary. The old trick of using darkness and shadows to convey creepiness that Carpenter's so good at are present and good as ever.
"In the mouth of madness" pulled all the right strings and I thoroughly enjoyed it. Highly recommended.
8/10.
Oh, and great ending.
I rented the DVD solely because I'd been wandering the video store shelves for close to 45 minutes (I have a little too much free time) and figured I'd be kicked out so I grabbed a handful of movies. This was one of them, and let me tell you I'm sure glad I did, because this is a damn fine flick!
To start, Sam Neill is excellent, as is Mr. Prochnow. The only bad performer here is Julie Carmen (Regina from Fright Night 2), who gives a wooden and thoroughly unconvincing "when-the-hell-do-I-get-my-paycheck?" performance.
Michael De Luca's script is sharp enough to never takes itself too seriously, while at the same time it can be very scary and dark. John Carpenter's direction was top-notch. Some of the guy's recent films have been disappointing, to say the least, but here he delivers the gore, suspense and action like a pro.
The special effects are great. The boys over at KNB effects studios cook up lots of monsters, gore and slime, delivering the goods as usual. The creatures here are indeed reminiscent of Carpenter's "The Thing", their creative and all look very lovecraftian in design.
At times the film can be extremely scary. The old trick of using darkness and shadows to convey creepiness that Carpenter's so good at are present and good as ever.
"In the mouth of madness" pulled all the right strings and I thoroughly enjoyed it. Highly recommended.
8/10.
Oh, and great ending.
क्या आपको पता है
- ट्रिवियाIn the film, the works of Sutter Cane are occasionally quoted. Most if not all of these quotes are actually taken directly from several H.P. Lovecraft short stories with some adaptations to fit them into the film story. Most notably, in the scene where Styles reads to Trent as he gazes into the abyss--her speech lifts much of its description, including such elements as "the illimitable gulf of the unknown" from the last few paragraphs of Lovecraft's "The Rats in the Walls." In an earlier scene as well, Trent reads a line verbatim from Lovecraft's "The Haunter of the Dark," in reference to the black church being "the seat of an evil older than mankind and wider than the known universe."
- गूफ़It is highly unlikely that Trent could draw on his padded cell wall's with all the crosses with a single crayon and no ladder.
- भाव
John Trent: This shit really sells doesn't it?
Linda Styles: More than you'd think. Surprised?
John Trent: Lady, nothing surprises me anymore. We fucked up the air, the water, we fucked up each other. Why don't we just finish the job by flushing our brains down the toilet?
- क्रेज़ी क्रेडिटAnimal action was monitored by the American Humane Association with on set supervision by the Toronto Humane Society. No animal was harmed in the making of this film.
Human interaction was monitored by the Inter Planetary Psychiatric Association. The body count was high, the casualties are heavy.
- इसके अलावा अन्य वर्जनThe original theatrical release had the 1987-1994 New Line Cinema logo at the opening. The 2013 Blu-ray from Warner Bros. plasters it with the modern New Line logo. But the 2018 Blu-ray release from Shout! Factory restores the original logo.
- कनेक्शनFeatured in Masters of Illusion: The Wizards of Special Effects (1994)
- साउंडट्रैकWe've Only Just Begun
Written by Roger Nichols and Paul Williams
Performed by The Carpenters
Published by Irving Music Inc. (BMI)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is In the Mouth of Madness?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- En la boca del terror
- फ़िल्माने की जगहें
- Cathedral of the Transfiguration, Markham, ओंटेरियो, कनाडा(the black church - exterior)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $80,00,000(अनुमानित)
- US और कनाडा में सकल
- $89,24,549
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $34,41,807
- 5 फ़र॰ 1995
- दुनिया भर में सकल
- $89,26,413
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