अपनी भाषा में प्लॉट जोड़ेंA group of graduate students and scientists uncover an ancient canister in an abandoned church, but when they open the container, they inadvertently unleash a strange liquid and an evil forc... सभी पढ़ेंA group of graduate students and scientists uncover an ancient canister in an abandoned church, but when they open the container, they inadvertently unleash a strange liquid and an evil force on all humanity.A group of graduate students and scientists uncover an ancient canister in an abandoned church, but when they open the container, they inadvertently unleash a strange liquid and an evil force on all humanity.
- पुरस्कार
- 1 जीत और कुल 2 नामांकन
- Susan Cabot
- (as Anne Howard)
फ़ीचर्ड समीक्षाएं
A Physics Professor and his group (comprising both graduate students and technicians) accept the invitation of a priest to study an organic fluid that a secret (early Christian) book suggests it should not be tempered with since it has been made by the Prince of Darkness. The group also tries to decode this early Christian document as well.
Carpenter attempted to introduce some aspects of theological implications in this movie without 'hitting' at Christianity or other organized religion. His main concern was of metaphysical nature. My guess is that Carpenter's thoughts were as follows: if God exists and sent Christ (with his dualism: both spirit and flesh-human) then wouldn't one expect that anti-God (Evil-Devil) may also try to set foot on earth using a flesh-organic manifestation as well ? Beyond a certain point the film takes on a traditional horror approach but still it has Carpenter's touch with a very unexpected ending.
I also had a personal reason to like more this film having studied Physics as a graduate student and I thought Carpenter did a more than decent job of portraying believable characters. The romance between two of the students was also built convincingly. Donald Pleasence (another favorite actor of Carpenter) was again excellent as the cynical priest. My rating is a 7.5/10 for this film. One of the good Carpenter films.
Highlight: For me, the best concept in the film is the video-feed dream sequence. Oh man! It's creepy and exceedingly ominous and the shaky-cam newsreel quality gives it an extra punch.
The plot: You don't have to be a genius to understand what is going on in this film, but you do need to pay attention. The supernatural physics is a little nonsensical, of the "Popular science" variety, but the basic premise is explained in layman terms.
The characters: Actually, while the "science" is hocus-pocus, I really liked that the film's characters were mostly grad students. The actors do a great job of portraying annoyed, skeptical science grad students. Horror flicks are filled with numbskull undergrads, and it is nice to see the hidden sector of college life revealed in its nerdy glory.
The skinny: I'd describe it as a Biblical/Lovecraft horror film. It's got the whole "evil universe" theme running alongside an effective "Hell breaks loose" plot.
After a few films in the studio system, most notably "Big Trouble in Little China," which undeservedly flopped, Carpenter returned to his roots in small budgeted horror/thriller films. The result was this and it could have hardly been better. The infamous eerie music makes an especially profound effect in this film, which admittedly starts slow, but when it takes of it takes all of your nerves with it.
Unlike many horror popular films this film focuses very heavily on conversation. Atmosphere is of course put first, but the dialog is very interesting and makes for a film that is frightening on a thinking level. There are a well timed moments of violence, but it is on a intellectual level where this film scares the crap out of you. Carpenter must have done a good amount of research as the characters try to use various scientific concepts and terms to describe what they are slowly falling victim to. The dialog very heavily resembles H.P. Lovecraft's writing, who was unrelenting in providing the rational and thought-out narration of his protagonist. One can bet that it is this element that made it necessary for this film to be made independently. The shock isn't visceral, but no less effective.
The only downside are a few really goofy moments ("I said a rich doctor!"), but they are ultimately forgivable and are not as sorely out of place as you might think. 8/10
Rated R: horror violence
Prince of Darkness has all of the elements of a classic Carpenter flick. I think it's finally getting the recognition it deserves and is gaining a small cult following.
The acting for the most part is really good. There are some very memorable lines of dialog and I think the script is very well written. Again music is key here. The music helps with the feel of the movie which is very unsettling.
Also, Alice Cooper has a very small but memorable roll. His song 'Prince of Darkness' from the album 'Raise Your Fist and Yell' can be heard during an incredible suspense scene.
A must see for the Carpenter fan. In my opinion it's in his top five.
This is one of the most divisive John Carpenter films, even among his fans. Most people either seem to love it or hate it. I know when I first saw it back in the early '90s I hated it. I thought it didn't make a lick of sense and the male lead was one of the all-time great movie goobers. It left such a bad taste in my mouth that I refused to even try it again until about five years ago. But when I did, my opinion of it changed quite a bit. I'm not saying I'm now part of the "love it" crowd. I still believe it's flawed and has some elements than can only be enjoyed on a tongue-in-cheek basis. But I do like it a lot. I have watched it several times in the last few years and have grown to appreciate it more each time.
Some genuinely creepy moments, nice gross-out effects, and a very tense last 30 minutes that ranks among Carpenter's best work. Also, another terrific Carpenter score. I don't even mind the cheesy relationship between Lisa Blount and Jameson Parker or the terrible lines they both have to say to one another. Little bits of corn are kind of expected with Carpenter. It's part of his style. It's definitely a unique movie. I can't think of anything else quite like it.
क्या आपको पता है
- ट्रिवियाAlice Cooper used the bike impalement trick in his stage shows prior to this movie. The bike he uses was his own personal prop.
- गूफ़(at around 1h 29 mins) After Walter crawls through the hole in the closet with "possessed" Lisa in tow, they're both in the other room with Prof. Birak, all standing up. You can see the obvious doubling of "short Lisa" by a stuntman - she's suddenly much bigger and taller than the two other men.
- भाव
Voice: This is not a dream... not a dream. We are using your brain's electrical system as a receiver. We are unable to transmit through conscious neural interference. You are receiving this broadcast as a dream. We are transmitting from the year one, nine, nine, nine. You are receiving this broadcast in order to alter the events you are seeing. Our technology has not developed a transmitter strong enough to reach your conscious state of awareness, but this is not a dream. You are seeing what is actually occurring for the purpose of causality violation.
- क्रेज़ी क्रेडिटThe opening credits last for nine minutes.
- इसके अलावा अन्य वर्जनTelevision version is slightly reedited, suggesting that all that takes place in the film is just a dream that Jameson Parker's having:
- after the opening credits there a new shot showing Parker's house from the outside (the theatrical version opens with a shot of Parker trying to perform a card trick).
- at the beginning, after Parker watches on TV a program reporting the discovery of a new supernova, the narration goes on talking about the death of a millionaire and the discovery of a religious book in his library
- all mentions of the dead priest, member of the Brotherhood of Sleep who took care of the church where the evil liquid is kept hidden, are deleted;
- during the whole film, there are new inserted sequences showing Parker sleeping/dreaming in his bed
- साउंडट्रैकPrince of Darkness
Written by Alice Cooper and Kane Roberts
Performed by Alice Cooper
Produced by Michael Wagener
Courtesy of MCA Records
(C) 1987 Ensign Music Corporation, Ezra Music Inc.
Screen Gems Music - EMI Music Inc.
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Príncipe de las tinieblas
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $30,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,41,82,492
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $46,57,401
- 25 अक्टू॰ 1987
- दुनिया भर में सकल
- $1,41,82,579
- चलने की अवधि
- 1 घं 42 मि(102 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1