From Beyond

Stuart Gordon's debut 'Re-Animator' is a horror classic, and 'From Beyond' is an attempt to get lightning to strike twice. Once again Gordon and producer/co-writer Brian Yuzna make a gory horror/black comedy loosely inspired by a H.P. Lovecraft story, and get cult hero Jeffrey Combs and scream queen Barbara Crampton to star. And you know what? It's actually as great in its own way as 'Re-Animator'. They really pulled it off! Combs isn't quite as outrageous this time round, but he's still excellent, and Crampton has a more important role, which includes her memorably dressing up in bondage gear. Another 'Re-Animator' actor Carolyn Purdy-Gordon also appears in the supporting cast, as does Ken Foree, one of the stars of Romero's zombie classic 'Dawn Of The Dead', and Ted Sorel plays Dr. Pretorious (a deliberate reference to 'Bride Of Frankenstein'), in a role one could almost imagine was written specifically for the late David Gale ('Re-Animator's Dr. Hill). The story is original and unpredictable, the humour dark and surprisingly subtle, and the special effects are excellent and very effective. For me this movie is extremely underrated and gets better with each subsequent viewing. If you enjoyed 'Re-Animator' you'll love 'From Beyond'. Gordon and Yuzna's subsequent careers, both separately and together, have been extremely uneven, but give credit where credit is due, this one's a winner! Highly recommended.

There's Jeffrey Combs doing his bit! "The Resonator, it's working! We know that, 'cos weird worms pop out of the air and try to eat your face! Love a doctor called Pretorius complete with mad laugh! Acting dialled up to 11 - "I want to see more than any man has ever seen!" Lovely makeup and gore effects - only Gordon does Lovecraft like this and has so much fun doing it - but it just gets silly as they totally lose it at the end!

From the team that brought us the horror classic; Re-Animator comes From Beyond; a tale of a mad scientist and his search for the ultimate pleasure.

Like Re-Animator, From Beyond is based on a story by the fantastic horror writer H.P. Lovecraft. The acting here comes courtesy of two of Re-Animator's best actors; Jeffrey Combs, a man that is well known in the world of B-Movie, and Barbara Crampton; the scream queen that we all remember from the infamous 'head' sequence in Re-Animator. There is also a role in this movie for Ken Foree, whom horror fans will instantly recognize from the classic film, Dawn of the Dead. I didn't know he was in this movie, so it was a nice surprise for me. From Beyond is also brought to the screen by the same team that brought Re-Animator to the screen; Stuart Gordon in the director's chair and Brian Yuzna producing. With a group of people as accomplished in the horror genre as this fine bunch, what could possibly go wrong?

The plot of this movie is good because it very much plunges into the unknown, and as well all know; it is that which makes horror frightening. This movie is also made good by the fact that once the horror starts, it doesn't stop and that's always a good thing for a horror movie as nobody likes waiting for the next horror sequence to turn up. The team of Gordon and Yuzna obviously knows that relentlessness makes a good horror movie as it is evident in all horror movies that they have worked on, together or separately. The idea behind it is also an original one, as ever with H.P. Lovecraft and it leaves a lot open for creativity, which is capitalized upon very well by Stuart Gordon with his interesting and effective creatures that are brought into the film as a result of the scientist's foray into 'the beyond'. The story, it could be said, is unrealistic, which is true of most horror films. However, the way it is brought to life seems realistic and as there is some explanation to the point of the machine and that which it does, so the audience can somewhat believe it; much to the film's credit.

In the 80's, horror reached a new point; gone was the creativity of the 60's and 70's, and a new area of over the top and extremely gory horror was opened up. From Beyond very much capitalizes on this 'new wave', but unlike a lot of the 80's films that did, From Beyond manages to pull it off so it is both interesting and creative and therefore it is a cut above the majority of other 80's films of the same ilk. From Beyond is not a masterpiece, but it is very good and fans of the horror genre will certainly find something to like about it. Recommended.

Scientists create a resonator to stimulate the pineal gland (sixth sense), and open up a door to a parallel (and hostile) universe. Based on a story by H. P. Lovecraft.

I first saw this film a few years ago (maybe 2009) at a film festival in Chicago, but it apparently did not stick with me well. I neither wrote a review at the time (which is a rarity) nor did I remember much beyond the very skeleton of a plot when I revisited it again (2013). Perhaps because, sadly, it is not among the better films out there.

This is the sort of movie a horror fan wants to love: based on Lovecraft, directed by Stuart Gordon, starring Jeffrey Combs, Barbara Crampton and Ken Foree. Even the producers are noteworthy -- Brian Yuzna and the Band family when they were till in their prime. The opening credits are a veritable horror hall of fame. And seeing Combs interact with Foree is timeless fun and entertainment.

John Carl Buechler's effects need to be praised. They have been compared to Rob Bottin's "The Thing", which I think is fair. But Buechler often gets the short shrift, perhaps considered inferior to Bottin, Robert Hall, John Vulich, KNB and others... look at these effects and tell me he is not among the greatest effects artists out there. Ted Sorel, not typically associated with horror, did extremely well, too, and should be recognized -- horror fans can also check him out in "Basket Case 2".

But the film leaves something to be desired. While the concept of opening another dimension is very cool (and classic Lovecraft), and the focus on the pineal gland is a good way to address that (as one character remarks, the gland has been a metaphysical mystery at least since the days of Descartes), it seems like screenwriter Dennis Paoli did not adequately find the right way to adapt a seven-page story into an 85-minute film.

The film remains strong for the first half, but after that the audience (or at least me) grows weary, wondering how many times the group can return to the attic, or how many times a machine can be destroyed and still work. And then the story spirals off in a very strange direction, as if it suddenly picked up another script to get directions from. If this could have been condensed to 60 minutes, it probably would be a masterpiece, but instead it sort of lingers as Stuart Gordon's red-headed stepchild.

So, in short, die-hard horror fans are going to love (or at least enjoy) this film, seeing their favorite stars on screen (sort of a sequel to "Re-Animator" -- with three cast members, a director, producers, writers and even Miskatonic University returning). For the rest of the viewing public, this is not going to be a top pick...

This seminal film by Stuart Gordon reeks pure 80's. Following the success of the far superior Re-Animator, Gordon experiments with one of the works of his favourite literary sources: HP Lovecraft. The film tackles the popular sci-fiction theme of the sixth dimension -- and considering the small-budget limitations placed upon the director, it is a reasonable treatment of the multi-dimension theme. The resonator depicted in the film demonstrates strong Lovecraftian imagery . . . not easy to achieve. What strengthens the film are the grotesque F/X and Jeffery Combs/Barbara Crampton: both of these elements are excellent (for the genre and budget). Some of the F/X are really stomach churning -- try eating jello or fried liver and Chianti when watching the film . . . If your are a HPL, Gordon, Combs or Crampton fan, this film is an essential viewing for you.