अपनी भाषा में प्लॉट जोड़ेंAfter 13 years in prison, the mad scientist from री-एनिमेटर (1985) gets a new chance to experiment with the arrival of a young prison doctor, who secretly hopes to learn to reanimate dead pe... सभी पढ़ेंAfter 13 years in prison, the mad scientist from री-एनिमेटर (1985) gets a new chance to experiment with the arrival of a young prison doctor, who secretly hopes to learn to reanimate dead people. Good intentions turn to horror.After 13 years in prison, the mad scientist from री-एनिमेटर (1985) gets a new chance to experiment with the arrival of a young prison doctor, who secretly hopes to learn to reanimate dead people. Good intentions turn to horror.
- पुरस्कार
- 1 जीत और कुल 4 नामांकन
फ़ीचर्ड समीक्षाएं
1- The effects in this film are top notch.
2- Jeffrey Combs again shows his acting chops playing Herbert West.
3- There is a new twist to the re-animation process that shows some promise in `clinical trials'.
There are some really convincing effects throughout the film. Makeup and effects are more than window dressing in a film of this nature. Inadequate attention to either would have dropped the value of this film immediately. You believe that these guys have been dead and now no longer are. They are much more believable than JarJar Binks.
Herbert West is over a decade older in this film. Combs takes this maturity and adds it to the character he molded in the previous efforts. It's obvious that he is the same Dr. West yet it is also obvious that time has added to the character. Even more interesting, at the beginning of the film is a flashback where Combs plays the younger West. It's an opportunity to compare the two portrayals almost side by side. The essence of West remains, the speech pattern, the physicality remain. What Combs added to West's character is a veil to the intensity. What was once a roaring fire is now under control. He is no less determined, just a bit more subdued in expressing it.
The addition to the re-animation process, which I will not discuss in particular, adds another moral dimension to the question of the correctness of bringing back the dead. Although this moral dimension is directly addressed in the film, Medical Ethics 101 it is not. The ethical question is covered briefly and in the context of the fate of West's nemesis. As with all Re-animator activity conducted by West time is valuable and little of it is wasted. Events are happening rapidly and under less than ideal circumstances.
The DVD version has an music video on it, which was a surprise. It also has a `making of' short that should have had about another five or six days of work done to it before including it. It does have interviews with the principle actors and with the director. Have your subtitles turned on, the actors, with two exceptions speak Spanish even during the clips from the movie included in the short.
As any good sequel will, this one leaves open the possibility of yet another Re-animator movie. Hopefully the production quality will continue its improvement. Maybe Bruce Abbott and Barbara Crampton can be re-animated for the fourth film.
Which it does, up to a certain time. The opening scene is quite unexpected if not remarkably brilliant and although the movie seems to lag off during its middle sections, encompassing a completely unnecessary and mostly painful romance, it gains strength as it marches towards a complete onslaught of mangled bodies re-animated, a sinister warden now possessed with the spirit of a nasty rodent, an exploding junkie and a forest of not quite-dead bodies merrily twitching away.
Obviously, there is no plot worth mentioning, and only West's zeal to proceed through the insanity and protect his work manages to cause some impact in terms of psychologically rendering a character above a simple stereotype.
As it has already been mentioned, in this movie insanity reigns supreme, until it seems clear the director was more interesting to enjoying the pandemonium than anything else.
***Spoiler***
A perfect example of this is the rat-fighting-penis scene, perhaps one of the most hilarious and strangely concocted images to have surfaced the big screen ***Spoiler****
Also, a few scenes are reminiscent of some horror cult icons, which further stress that Beyond Re-Animator, like the whole series, is a product to and for the genre that fostered it, without trying to reward any viewer not in sync with the dictates of horror from the gory kind.
***Spoiler***
I found it most satisfying that West makes it through it all simply to walk away at the end of the movie, clearly all other characters were somewhat perfunctory and it would seem too much anti-climax to dispatch the good doctor or not grant him his liberty ***Spoiler***
Overall, a very amusing piece of horror that is not the work of a genius but is far from being completely without worth.
Title (Brazil): "Re-Animator Fase Terminal" ("Re-Animator Terminal Phase")
Oh and continue watching during the end credits.
क्या आपको पता है
- ट्रिवियाThe only installment of the Re-Animator series not filmed in the United States. It was entirely shot in Spain.
- गूफ़When Emily searches the house for the strange noise right before being surprised by her brother, she crosses the living room. A cameraman is visible in the large wall mirror for the entire tracking shot.
- भाव
Howard Phillips: God damn you!
Herbert West: Religion has nothing to do with this.
- क्रेज़ी क्रेडिटThe end credits are accompanied by a fight between a rat and the warden's severed penis.
- इसके अलावा अन्य वर्जनUS premiere of the film, other than isolated festival screenings, was on Sci-Fi channel, which heavily trimmed gore and sex. Several scenes were cut out entirely.
- कनेक्शनFeatured in The Kill Count: Beyond Re-Animator (2003) Kill Count (2019)
- साउंडट्रैकRe-Animator Theme
Composed by Richard Band
Published by Re-Animator Music
Main Title Music by Reyn Ouwehand
टॉप पसंद
विवरण
बॉक्स ऑफ़िस
- बजट
- $30,00,000(अनुमानित)
- दुनिया भर में सकल
- $3,02,586
- चलने की अवधि1 घंटा 36 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1