Brain Damage

Largely ignored on its original release but subsequently gathering a loyal cult following over the years, Brain Damage will no doubt appease fans of director Frank Henenlotter's other darkly humorous and outrageously gory works Basket Case (1982) and Frankenhooker (1990). Bringing his trademark sense of humour and mixing it up with lashings of tongue-in-cheek blood-letting, Brain Damage also strives to deliver a message, and is admirable for the anti-drug theme running throughout. With America in the midst of an AIDS and crack panic at the time, Henenlotter paints a very bleak picture of a New York City in crisis, as a parasitic killer searches for unwitting victims.

Average Joe Brian (Rick Hearst) wakes up one morning feeling disorientated, finding his bed sheets soaked through with blood. He doesn't seem to be cut, but when he looks in the mirror he finds a strange parasitic creature on his person. Looking like a turd with eyes and big teeth, it also has a name, Aylmer, and speaks in a dignified foreign accent (voiced by John Zacherle). Injecting Brian through the back of the neck with a blue liquid that gives the unsuspecting goofball a drug-like sense of euphoria, Brian gets hooked on the stuff, and Aylmer exploits his addiction for food. Only Aylmer has a taste for human brains, and so Brian must spend his sober hours searching for human victims. Alienating himself from his girlfriend Barbara (Jennifer Lowry), Brian also faces the threat of the symbiote's former owners, who have been going cold turkey ever since it fled.

Cut to pieces on its original home video release but later restored, it isn't difficult to see why the ratings board demanded the removal of certain scenes. A wonderfully wince-inducing scene in which Brian pulls his own brain out of his ear for what seems like an eternity found itself on the cutting-room floor, as did the uncomfortable scene where a woman is eaten alive while appearing to be performing fellatio in an unnecessarily sexualised moment of pure exploitation that left me genuinely horrified, and not in a good way. The story and characters are engaging enough to keep the film interesting, while the obvious lack of budget means that the acting is sub-par and the special effects are often laughable, if not charming. The main strength is Brain Damage's depiction of a drug addict going to increasingly desperate measures in order to procure his fix, and Hearst is surprisingly good in the role. Fans of Henenlotter should keep their eyes peeled for the appearance of a certain man with a basket.

Frank Henenlotter's 'Brain Damage' (1987) is easily the director's best film, esp. when considering the solid performances, technical proficiency and fascinating storyline. Aylmer, a rather large, penis-shaped parasite, gives unsuspecting Brian brain damage by getting him hooked on an hallucinogenic, blue fluid that Aylmer himself produces. Oh, the colors! But the thousand-year-old worm-like parasite demands something in return for the buzz - human brains! Aylmer and his actions seem to be a metaphor for drug use and addiction and convey very graphically how substances foreign to our bodies can alter our own thoughts and actions.

Henenlotter adds context and meaning to the proceedings by creating a history for Aylmer. The parasite was sold and stolen over the centuries, until it finally ended up in the possession of Brian's neighbors. But the neighbors deprived Aylmer of his needs in order to keep him weak, and that's where the story begins. Henenlotter's films are never without heavy doses of sick humor, and the perverse highlight here is a sequence depicting a disco-whore getting her brains screwed out - literally - through her mouth. If that's not enough, the special effects in the restaurant scene, complete with spaghetti and brainballs, are particularly polished and satisfying. Ultimately, the director outplays his hand and is left with nowhere to go. Despite this weak ending, 'Brain Damage' is an odd, effective story and film, a major step up from the director's debut, 'Basket Case', but every bit as twisted. >

Are you tired of the sameness of Hollywood's over-priced commercialized dross? Check out Mr. Henenlotter's work today. This is a weird film, but in a good way. Elmer is a parasite who will get you high in exchange for brains. The problem was the old people was feeding him animals brain, so Elmer decide to find a new host. The young man was getting so high that he didn't know what Elmer was up to. Elmer didn't care just as he was getting human brains.

The film is also a moral warning about the effects of drugs - they make you feel great at first but before long you're addicted to them, you've screwed your life up and you'll do literally anything to get the fluids you're now dependent on. A very black form of comedy with a serious edge to it, and the inner-city locations provide an excellent atmosphere. Very original, with good writing, and neat visuals for such a low budget.

Overall rating: 7 out of 10.

you know, i just went to see House of Wax the other day, and ten years after scream came out why are the same boring plots with the same boring characters doing the same stupid mistakes our only option for horror these days.

i suggest going back 20 years to the 70's and 80's if you want to find some great horror. horror then was low budget but imaginative. the movies had interesting story lines and were not shy about blood and gore. a good stepping stone for this sub-genre is one of my current favorites, Brain Damage. It starts off on a very surreal note, but mixes its strangeness with an accurate portrayal of a young man hopelessly addicted to the mother of all drugs. his dealer is perhaps the most unique little monster in all of horror, Aylmer (pronounced "elmer").

Aylmer is a purple cucumber shaped alien with a tiny smiling face and a soft warm voice. he finds a host, and injects his host with a blue liquid that comes out of one of Aylmer's fangs. this "brain juice" jacks up its host into a hullucionary state. while the host is in la-la land, Aylmer makes a victim of whoever the host comes in contact with, eating the victims brains.

as vile as all that sounds, it is hard to see Aylmer as evil. he is just such a nice little guy. plus he is unique in his appearance, personality, and attacks, which all go a long way with me in a modern world of horror villains pushed off an assembly line.

this movie is not winning an Oscar. it is strange and campy and violent. but if that is what you desire in a film, this hidden gem may become one of your favorites!

The first 10 minutes of Brain Damage are awful and hard to watch, as an elderly couple are trashing their apartment looking for Alymer and then we get an overlong hallucination from our main character Brian. Then we are introduced to the Zacherle voiced parasitic Alymer, with a show stopping "hi" and the film just goes bonkers and never stops. There's nothing quite like Brain Damage, a tale of a young man who gets addicted to the intoxicant that a parasitic creature injects into his brain and while running about hallucinating, Alymer feeds on unsuspecting victims brains. It's hilariously gory and thanks to the uncut version finally on the market, the brain removing fellatio sequence is intact in its full ridiculous glory. Henenlotter was firing on all cylinders while making this classic B masterpiece.