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The Last Picture Show

  • 1971
  • U
  • 1 घं 58 मि
IMDb रेटिंग
8.0/10
55 हज़ार
आपकी रेटिंग
लोकप्रियता
3,967
494
Jeff Bridges, Timothy Bottoms, Ellen Burstyn, Cloris Leachman, Cybill Shepherd, and Ben Johnson in The Last Picture Show (1971)
HV Trailer
trailer प्ले करें1:27
2 वीडियो
99+ फ़ोटो
Coming-of-AgeTeen DramaDramaRomance

1951 में, हाई स्कूलर्स का एक समूह एक अंधकारमय, अलग-थलग, एट्रोफिड उत्तरी टेक्सास शहर में उम्र का आता है जो धीरे-धीरे सांस्कृतिक और आर्थिक रूप से मर रहा है।1951 में, हाई स्कूलर्स का एक समूह एक अंधकारमय, अलग-थलग, एट्रोफिड उत्तरी टेक्सास शहर में उम्र का आता है जो धीरे-धीरे सांस्कृतिक और आर्थिक रूप से मर रहा है।1951 में, हाई स्कूलर्स का एक समूह एक अंधकारमय, अलग-थलग, एट्रोफिड उत्तरी टेक्सास शहर में उम्र का आता है जो धीरे-धीरे सांस्कृतिक और आर्थिक रूप से मर रहा है।

  • निर्देशक
    • Peter Bogdanovich
  • लेखक
    • Larry McMurtry
    • Peter Bogdanovich
  • स्टार
    • Timothy Bottoms
    • Jeff Bridges
    • Cybill Shepherd
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    8.0/10
    55 हज़ार
    आपकी रेटिंग
    लोकप्रियता
    3,967
    494
    • निर्देशक
      • Peter Bogdanovich
    • लेखक
      • Larry McMurtry
      • Peter Bogdanovich
    • स्टार
      • Timothy Bottoms
      • Jeff Bridges
      • Cybill Shepherd
    • 243यूज़र समीक्षाएं
    • 116आलोचक समीक्षाएं
    • 93मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 2 ऑस्कर जीते
      • 19 जीत और कुल 22 नामांकन

    वीडियो2

    The Last Picture Show
    Trailer 1:27
    The Last Picture Show
    The Last Picture Show
    Trailer 2:52
    The Last Picture Show
    The Last Picture Show
    Trailer 2:52
    The Last Picture Show

    फ़ोटो167

    पोस्टर देखें
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    + 160
    पोस्टर देखें

    टॉप कलाकार51

    बदलाव करें
    Timothy Bottoms
    Timothy Bottoms
    • Sonny Crawford
    Jeff Bridges
    Jeff Bridges
    • Duane Jackson
    Cybill Shepherd
    Cybill Shepherd
    • Jacy Farrow
    Ben Johnson
    Ben Johnson
    • Sam the Lion
    Cloris Leachman
    Cloris Leachman
    • Ruth Popper
    Ellen Burstyn
    Ellen Burstyn
    • Lois Farrow
    Eileen Brennan
    Eileen Brennan
    • Genevieve
    Clu Gulager
    Clu Gulager
    • Abilene
    Sam Bottoms
    Sam Bottoms
    • Billy
    Sharon Ullrick
    Sharon Ullrick
    • Charlene Duggs
    • (as Sharon Taggart)
    Randy Quaid
    Randy Quaid
    • Lester Marlow
    Joe Heathcock
    • The Sheriff
    Bill Thurman
    Bill Thurman
    • Coach Popper
    Barc Doyle
    • Joe Bob Blanton
    Jessie Lee Fulton
    Jessie Lee Fulton
    • Miss Mosey
    Gary Brockette
    Gary Brockette
    • Bobby Sheen
    Helena Humann
    • Jimmie Sue
    Loyd Catlett
    Loyd Catlett
    • Leroy
    • निर्देशक
      • Peter Bogdanovich
    • लेखक
      • Larry McMurtry
      • Peter Bogdanovich
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं243

    8.055.3K
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    फ़ीचर्ड समीक्षाएं

    csplus

    ... worthy of its place in the list of great films of the 1970s

    Perhaps the greatest tragedy to befall any artist is to have their life become more compelling than their work; such is the sad case with Peter Bogdanovich whose meteoric rise to fame was matched only by a truly famous fall from favor and a bewildering journey through tabloid hell. (Charles Shyer and Nancy Meyers mined the not inconsiderable drama of the first act of his life to sporadically great comic effect in 1984's Irreconcilable Differences. And his tragic love affair with Playboy model turned actress Dorothy Stratten is fictionalized in Bob Fosse's astonishing, horrifying Star 80 (1983). How many directors become characters in films?)

    Bogdanovich's love affair with film is undeniable, though it has, in the past three decades, yielded far more perplexing misfires (The Cat's Meow, At Long Last Love, Nickelodeon) than unqualified successes. That said, The Last Picture Show is an extraordinary accomplishment and worthy of its place in the list of great films of the 1970s.

    1971's other important films (Friedkin's The French Connection, Pakula's Klute, Kubrick's Clockwork Orange) are loud, angry, violent and contemporary – in-your-face reflections of a society in which rage and nihilism, engendered by Vietnam and the growing discontent over government corruption, is the currency of communication. The uncertainty coursing through the veins of American pop culture also begat in equal, if not equally graphic, measure a palpable sense of sorrow at the destruction of a simpler way of life (no matter how "true" that memory may be).

    Like Jewison's Fiddler on the Roof and Altman's McCabe & Mrs. Miller, The Last Picture Show is a powerful and poignant evocation of the death of a community and a way of life. Thematically rich and imbued with Bogdanovich's remarkable knowledge and passion for film, the movie works on a dazzling number of levels; and Bogdanovich's use of nostalgia and traditional, archetypal genre conventions both enriches the movie and compounds the heartbreaking loss at the heart of the story.

    His deft handling of a cast comprised of then (largely) unknowns (Bridges, Bottoms, Shepherd) is first-rate and he draws forth superb, often sublime performances from everyone (in particular, Johnson, Burstyn and Leachman). There isn't a false note or a misstep in the movie and there is a naturalness here that is not easily achieved or earned. The great production design (by Bogdanovich's then wife and partner Polly Platt whose contributions to his work and her subsequent involvement in the best works of James L. Brooks should not go underestimated) and the achingly beautiful cinematography by the late Robert Surtees are vital to the success (emotionally, intellectually, thematically) of the film.

    The Last Picture Show is a truly rare work of surprising depth and emotional resonance; and the heartache for a time and place forever gone and the desperate and quiet struggles of its very real, very human denizens is matched only by the sorrow found in contemplation of Bogdanovich's Icarus-like fall from such exalted heights.
    10bandw

    There are few perfect movies and this is one

    Here is a movie that perfectly captures a time and place. The time is the year between November, 1951 and November, 1952 and the place is Anarene, Texas, a small town in north central Texas. The screenplay was written by Larry McMurtry, in collaboration with director Bogdanovich, based on McMurtry's novel of the same name. Anarene is just south of Archer City, McMurtry's home town where the movie was filmed. McMurtry knows whereof he speaks, the movie has the feeling of total authenticity.

    The story centers around two best friends, Sonny (Timothy Bottoms) and Duane (Jeff Bridges), as they pass from being high school seniors into adult life. Given their backgrounds, coming from broken homes and living in boarding houses, there is little idea that they will go to college. The movie details how the two handle this pivotal and bewildering time from being on the high school football team one year to being on their own without much of a safety net the next. In a wider context the movie is about larger transitions: from youth to adulthood for the young people, from a frustrated and bored middle age to an even less promising future for the older folks, and from a town with some social cohesiveness to a town dealing with the isolating effects of a bankrupt economy and the advent of television. The rather bleak prospects that Sonny and Duane face parallel the prospects of the town. You are made to think about transitions in your own life.

    The movie is populated with many finely drawn characters, all acted with supreme skill. There is not a false note struck in the entire movie. By the end we know the characters so well that they seem real. Jeff Bridges was nominated for an Oscar, and I don't understand why Timothy Bottoms was not nominated as well, since his performance is of equal quality. Bottoms plays Sonny with such genuine good-natured charm and honest sincerity that it is hard to believe he is acting. And Ben Johnson and Cloris Leachman both won well-deserved Oscars. Kudos all round to the entire cast.

    The movie is beautifully filmed in black and white befitting the stark settings and story, and the time period. It is filmed as if it were made in the period portrayed.

    If you have ever lived in a small town or if you grew up in the American heartland in the 1950s, this movie will evoke overwhelming nostalgia. But the story is so powerfully told that I think that for everyone it will evoke nostalgia for a time and place, even for that which they may never have known.

    The town, as well as the movie, is held together by Sam the Lion (Ben Johnson) who owns the movie theater, the café, and the pool hall. In fact he owns just about everything there is to do in Anarene, except for watching the hapless Anarene High football team ... and sex. It is no wonder then that sex, in its many faceted varieties, plays a big role in this town, and in this movie.

    There are so many wonderful and memorable scenes that it would simply require a small volume to recount them. One scene that grabbed me was when Sam and Sonny are at a lake outside of town, ostensibly fishing, and Sam reminiscences about old times, about when he came to the lake twenty years earlier with a lover. Sam makes the comment, "You wouldn't believe how this land has changed." The camera pans the surroundings and it is hard to see how this area could have changed much in the last thousand years, but Sam is clearly attuned to the subtle changes, since memories were impressed on him in a time of strong emotion. We all have clear memories from when and where we have been happy, even if it is a small lake in a desolate flat land. And Sam's specific comment can be taken to apply more generally to the basic theme of the movie. This incredible scene ends with Sam's saying, "Being a decrepit old bag of bones, that's what's ridiculous," and anyone who is not close to tears at that point will never truly appreciate the beauty of this movie.

    Seemingly this movie should be depressing, but the effect is more of a melancholic look into the lives of ordinary people who are just trying to play the hands they have been dealt in life.

    It wasn't until the movie was over and I was reading the credits that I realized how cleverly the music had been woven into the film. All of the music is from the time period and is a part of the action and not background music. It is played on home radios, car radios, truck radios, 45 rpm players, jukeboxes, and at a community Christmas dance. The Hank Williams song, heard on the radio in Sonny's old truck in the opening scene, "Why Don't You Love Me Like You Used to Do?" sets the tone for the music as well as the movie. There are great songs taken from over a dozen country and western classics from the era. Ruth (Cloris Leachman) is listening to Johnny Standley's quirky, "It's in the Book," (a unique and strangely satirical offering to be popular at any time, let alone reach the pop charts and sell a million records in 1952) during the final scene between her and Sonny.

    Why is this movie so special? That's kind of like asking why one likes a certain piece of music or a painting. Everything comes together here in one of those magic moments - the acting, the filming, the story, the music, the editing - to create a simply-told and remarkably affecting work of art.
    10dennis-219

    No doubt one of the top 10 best movies ever made.

    A beautiful and heart wrenching movie that gets better and better as the years go by. I saw this when it came out in 1971, I knew it was good, but I didn't really understand how good or why. Over the years I have gone back and watched it again, and as my life changed I began to relate deeper each time I saw it. Bogdonovich was WAY ahead of the game on this one.

    This is one of those rare movies that you can go back every five years and watch for the first time. Myself having been raised in Del Rio, Texas in the late 50's and early sixties, I can attest that this is a totally accurate picture of what coming of age in west Texas was really like for most of us.
    10Hitchcoc

    It Makes You Sweat

    This is a really outstanding film. It is a director's movie, with every nuance strictly controlled by Bogdonavich. It's a sweaty, sad, depressing sort of film. The vitality of the town has been drained by decades of malaise. The kids feel hopeless. The adults go from person to person and have affairs and experience emptiness. There's some depressing football team that can't tackle. But mostly there is a street with dirt on it and a mentally challenged boy who likes to sweep. It is rife with symbols. This boy is trying to sweep away the dirt that is infesting the town, but he has no effect. As a matter of fact, he is victimized by the other boys in the town--part of their fun. We have the contrast of the rich family in town with the Ellen Burstyn character and, of course, her daughter played by Cybill Shepherd. The boys who are in a hopeless prison of the town's making are like a bunch of horny bulldogs. She is the queen in the town, but that's not much of an honor. These guys are going nowhere and she might just be there, like her mother, 20 years from now. The director builds a world that isn't pleasant, but it's certainly a total depiction of a place without a future. The movie theater represents a last connection with excitement and enjoyment. But nobody goes anymore.
    10Lechuguilla

    A Sense Of Realism

    This is a character study wherein the main character is a small West Texas town, circa 1951. In the U.S., the early 1950s symbolized a transition from nineteenth century agrarian values to twentieth century urbanism. In the film, various people who live in the town must confront the reality that time moves on. Things change. Assumptions of previous generations give way to the untested assumptions of the future. The film's theme is thus American cultural change, and the personal disillusionment that such change can bring. It is a powerful theme, and the film imparts that theme with logical clarity and emotional frankness.

    In the hands of lesser talents, the subject matter of unimportant people doing unimportant things might have yielded a tiresome soap opera. But the film's script is poetic, the direction is skillful, the B&W cinematography is artistic, the casting is perfect, and the performances are superlative.

    The story draws heavily from early American individualism. Life here is mostly physical, not mental. Human relationships are direct, immediate, one-on-one. Except for schools, which are given some prominence, cultural institutions exist in the film only vaguely or not at all. For entertainment, people listen to radio, which features the mournful country-western music of Hank Williams. Or, they go to the town's decrepit picture show, where an elderly Miss Mosey kindly returns money to the kids who got there too late to see the cartoons.

    If the film has a weakness it is in the presentation of a realism that is incomplete. We see mostly stifling bleakness, though that is ameliorated somewhat by humor. What we don't see are the uplifting influences and the optimism that sustained agrarian generations through hardships and rough times.

    Nevertheless, within the film's story parameters, the film does convey an accurate account of what life was like for ordinary folks in West Texas in the early 1950s. I doubt that this film could be made today. Contemporary audiences have been conditioned to expect non-stop action, loudness, glitz, and overblown special effects, all of which are absent, mercifully, from this film.

    Low-key, perceptive, bleak, and melancholy, "The Last Picture Show" easily makes my list of Top Ten favorite films of all time.

    इस तरह के और

    पेपर मून
    8.1
    पेपर मून
    Texasville
    6.0
    Texasville
    Five Easy Pieces
    7.4
    Five Easy Pieces
    ईज़ी राइडर
    7.2
    ईज़ी राइडर
    Nashville
    7.6
    Nashville
    Targets
    7.3
    Targets
    The Wild Bunch
    7.9
    The Wild Bunch
    Badlands
    7.7
    Badlands
    What's Up, Doc?
    7.7
    What's Up, Doc?
    The Last Picture Show: A Look Back
    7.1
    The Last Picture Show: A Look Back
    McCabe & Mrs. Miller
    7.6
    McCabe & Mrs. Miller
    The Long Goodbye
    7.5
    The Long Goodbye

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      At 9 minutes and 54 seconds, Ben Johnson's performance in this movie is the shortest ever to win an Academy Award for Best Supporting Actor.
    • गूफ़
      The lavalier mic on Duane's tie is visible during the graduation scene.
    • भाव

      Sam the Lion: You boys can get on out of here, I don't want to have no more to do with you. Scarin' a poor, unfortunate creature like Billy just so's you could have a few laughs - I've been around that trashy behavior all my life, I'm gettin' tired of puttin' up with it. Now you can stay out of this pool hall, out of my cafe, and my picture show too - I don't want no more of your business.

    • इसके अलावा अन्य वर्जन
      Special edition includes seven minutes of footage not included in the original release.
    • कनेक्शन
      Featured in The Last Picture Show Re-Release Promo (1971)
    • साउंडट्रैक
      Cold, Cold Heart
      (uncredited)

      Written by Hank Williams (as Hank Williams Sr.)

      Performed by Tony Bennett

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल30

    • How long is The Last Picture Show?Alexa द्वारा संचालित
    • What is 'The Last Picture Show' about?
    • Is 'The Last Picture Show' based on a book?
    • Where is Anarene, Texas?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 22 अक्टूबर 1971 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • La Última Película
    • फ़िल्माने की जगहें
      • 605 South Ash Street, Archer City, टेक्सस, संयुक्त राज्य अमेरिका(high school)
    • उत्पादन कंपनियां
      • Columbia Pictures
      • BBS Productions
      • Last Picture Show Productions
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $13,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $2,91,33,000
    • दुनिया भर में सकल
      • $2,91,46,746
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 58 मिनट
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Jeff Bridges, Timothy Bottoms, Ellen Burstyn, Cloris Leachman, Cybill Shepherd, and Ben Johnson in The Last Picture Show (1971)
    टॉप गैप
    By what name was The Last Picture Show (1971) officially released in India in Hindi?
    जवाब
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