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Nashville

  • 1975
  • R
  • 2 घं 40 मि
IMDb रेटिंग
7.6/10
30 हज़ार
आपकी रेटिंग
लोकप्रियता
4,231
1,643
Nashville (1975)
Home Video Trailer from Paramount Home Entertainment
trailer प्ले करें2:11
1 वीडियो
99+ फ़ोटो
SatireTragedyComedyDramaMusic

कुछ व्यस्त दिनों के दौरान, कई परस्पर संबंधी लोग एक राजनीतिक सम्मेलन की तैयारी करते हैं.कुछ व्यस्त दिनों के दौरान, कई परस्पर संबंधी लोग एक राजनीतिक सम्मेलन की तैयारी करते हैं.कुछ व्यस्त दिनों के दौरान, कई परस्पर संबंधी लोग एक राजनीतिक सम्मेलन की तैयारी करते हैं.

  • निर्देशक
    • Robert Altman
  • लेखक
    • Joan Tewkesbury
  • स्टार
    • Keith Carradine
    • Karen Black
    • Ronee Blakley
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.6/10
    30 हज़ार
    आपकी रेटिंग
    लोकप्रियता
    4,231
    1,643
    • निर्देशक
      • Robert Altman
    • लेखक
      • Joan Tewkesbury
    • स्टार
      • Keith Carradine
      • Karen Black
      • Ronee Blakley
    • 208यूज़र समीक्षाएं
    • 119आलोचक समीक्षाएं
    • 96मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 ऑस्कर जीते
      • 23 जीत और कुल 25 नामांकन

    वीडियो1

    Nashville
    Trailer 2:11
    Nashville

    फ़ोटो168

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 160
    पोस्टर देखें

    टॉप कलाकार47

    बदलाव करें
    Keith Carradine
    Keith Carradine
    • Tom Frank
    Karen Black
    Karen Black
    • Connie White
    Ronee Blakley
    Ronee Blakley
    • Barbara Jean
    Shelley Duvall
    Shelley Duvall
    • L. A. Joan
    David Arkin
    David Arkin
    • Norman
    Barbara Baxley
    Barbara Baxley
    • Lady Pearl
    Ned Beatty
    Ned Beatty
    • Delbert Reese
    Timothy Brown
    Timothy Brown
    • Tommy Brown
    Geraldine Chaplin
    Geraldine Chaplin
    • Opal
    Robert DoQui
    Robert DoQui
    • Wade
    • (as Robert Doqui)
    Allen Garfield
    Allen Garfield
    • Barnett
    Henry Gibson
    Henry Gibson
    • Haven Hamilton
    Scott Glenn
    Scott Glenn
    • Pfc. Glenn Kelly
    Jeff Goldblum
    Jeff Goldblum
    • Tricycle Man
    Barbara Harris
    Barbara Harris
    • Albuquerque
    David Hayward
    David Hayward
    • Kenny Fraiser
    Michael Murphy
    Michael Murphy
    • John Triplette
    Allan F. Nicholls
    Allan F. Nicholls
    • Bill
    • (as Allan Nicholls)
    • निर्देशक
      • Robert Altman
    • लेखक
      • Joan Tewkesbury
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं208

    7.630K
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    फ़ीचर्ड समीक्षाएं

    chaos-rampant

    A case of the setup being larger than the payoff

    Let's get the obvious out of the wa first. Nashville is a Robert Altman film and that's as close to a guarantee of a well directed, well acted film as one's likely to find in 70's cinema. However Nashville is also an almost three hour film and for its duration and amount of talent involved the payoff is not what one would expect.

    Now what is it that we all look for in movies of Nashville's calibre? Why do we ask in exchange for our money and undivided attention to the screen? I'd say it's little moments of insight; into ourselves, human nature, the world by and large. Nashville has them. So what's the problem you say? The problem is that they're buried and suffocating under the enormous weight of the rest of the movie, a barrage of country and western songs, five or ten actors crammed in every other shot, three or four people talking one over the other, a narrative slump of miniplots that criss cross in every scene. Typical Altman quirks yes but here they trump what in other cases they help surface: substance.

    The double axis Nashville revolves around is music and politics. An interesting combination subject in and off itself. Altman follows a reverse process, he wisely takes these two universal concepts and limits their scope significantly, music becomes the country scene of Nashville and politics a political convention of the Replacement Party. Altman lets the universal spring from the specific, for in the end of the day, despite man's countless efforts to prove the opposite, we have more in common than not. A naive, almost pathetic waitress's dream of becoming a country singer should resonate as powerfully in every culture. In that sense Nashville is more about human beings, their dreams, ambitions, secrets and inadequacies than it is about music or politics.

    The politics part of Nashville is handled equally breezy and smart. Politics is largely an abstract concept for the average person, an unseen, unknown force that magically appears in television screens, newspapers and radios and governs our lives. Altman translates that same essence in the form of a political campaign van that appears throughout the movie, the unseen speaker making promises of change with a monotonous voice. The actual presidential candidate he represents never appears in the movie. He remains elusive and unseen.

    However well crafted and intelligent in the handling of theme Nashville may be, in the end it's those little moments of insight into human nature that count. The charming, young country singer talking on the phone with his girlfriend while the older, married woman he just had sex with prepares to leave the room, unable to hear what is being said. The husband of said married woman who has his suspicions about the strange phonecalls his wife receives hits on the naive waitress that wants to be a star. The waitress whose lack of talent is only surpassed by her naive ambition that is driven to do a striptease in a room full of men with the promise of singing with country star Baby Jane. Baby Jane is a popular and beautiful country star only on the outside, on the inside she's fragile, neurotic and empty.

    The problem with Nashville is that those little moments of insight are dwarfed by the entirety of the movie. Many of the singing scenes for example should have been left on the cutting room floor - not everyone is a country fan after all, "we get the gist now move on". In the end the way I see it is that if I'm gonna give you almost three hours of my life, you better have something really important to say. Nashville is only mildly important and not as entertaining as it would have you believe.
    gortx

    Robert Altman's masterpiece

    Robert Altman's sprawling masterpiece is a brilliant look at not just America in the mid-70s, but a reflection of the nation we were to become. Set during a Presidential campaign it weaves themes both large and small. The U. S. was about to celebrate its Bicentennial. Watergate had forced Nixon to resign. The revolutionary 60s had become the Me decade.

    Altman and writer Joan Tewkesbury created a mosaic to explore and provoke. NASHVILLE may be set against the worlds of politics and country music, but, it really isn't about either. It's about a nation that is divided along many lines right down to the individual.

    The massive cast (24 'main' characters) includes supreme turns by Lily Tomlin, Ronee Blakely, Ned Beatty, Henry Gibson, Karen Black, Keith Carradine, Gwen Welles and more.

    In a decade where Altman also made MASH, MCCABE AND MRS. MILLER and THE LONG GOODBYE he stood as tall as anyone of that era.
    10sryder@judson-il.edu

    a milestone in my filmgoing experience

    I saw Nashville when it was first shown, billed as Altman's "birthday card" to America on the occasion of the bicentennial. The greatest tribute I can pay is that, despite its frequent shifts of location, many individual scenes and characterizations, as well as the overarching story line, remained vivid in my mind over the years before I was able to purchase the film on video. When I taught Film History at my college I used Nashville as the final examination for the course. After having viewed the film, students were instructed to identify the elements of film technique previously studied(such as overlapping dialogue, jump shots, widescreen, etc) in order to forward the narrative, as they were employed by Altman. In general, they did very well; even those who disliked the film. There are too many admirable performances for me to mention; however, those that remained most vivid in my mind over the years were those of Gwen Welles, Ronee Blakley, Henry Gibson, and Lily Tomlin. One last note of appreciation regards the fact that all the characters were introduced within the first twenty minutes at the airport; their personalities brought out in the highway scene;and their being brought together again, cyclically, during the last twenty minutes at the "Parthenon". It has been several years since I used Nashville for pedagogical purposes. When I purchased the DVD recently I found that, despite my numerous viewings and classroom analysis, the impact was virtually the same as when I first saw it in 1976. For me, it did not "murder to dissect" this personal milestone.
    Bsherris

    Words Fail Me...

    Nashville was the first "R" rated film that my father took me to see. At 14 years of age, I was many years from NYU film school, and a neophyte when it came to appreciating cinema.

    I am now 39, and to date I have seen tens of thousands of films, not to mention possessing a sizable video library. Considering my love of social politics, there is not a month that goes by that I have not thought of this film for one reason or another. There are some movies that you simply see, and there are the rare few that become part of the soul.

    Simply said, Nashville is a singular work of cinematic genius that has gone dreadfully under appreciated for the last 25 years. It is a film chock full of life's little (and not so little) truths; some happy, some sad...all meaningful.

    Now that it is making a long overdue reappearance on DVD in it's original (and integral) widescreen format, it is my sincerest hope that people will avail themselves of the opportunity to discover this forgotten gem for themselves.

    Lastly, that this film did not make the AFI's 100 great American films is an absolute sin.
    8Idocamstuf

    Outstanding, one of the best films of the 70's

    What a great film this was, with a huge cast and director like that you just cant miss. I was very surprised that I enjoyed it as much as I did, knowing that I usually dont enjoy musicals or country music, but somehow this film was excellent!! Maybe it was the way we got to know all of those characters, especially Tomlin, who was phonomonal, and her relationship with that singer. So many familiar faces in this film also made it extremely exciting, Jeff Goldblum on that tricycle was hilarious. To sum it up, this film is a must see. 9 1/2 out of 10.

    इस तरह के और

    McCabe & Mrs. Miller
    7.6
    McCabe & Mrs. Miller
    Short Cuts
    7.6
    Short Cuts
    3 Women
    7.7
    3 Women
    The Long Goodbye
    7.5
    The Long Goodbye
    The Player
    7.5
    The Player
    California Split
    7.1
    California Split
    MASH
    7.3
    MASH
    Thieves Like Us
    6.9
    Thieves Like Us
    The Last Picture Show
    8.0
    The Last Picture Show
    Gosford Park
    7.2
    Gosford Park
    A Wedding
    7.0
    A Wedding
    नाशविले
    7.7
    नाशविले

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The film was very much improvised by the actors and actresses, who used the screenplay only as a guide. They spent a great amount of their time in character, and the movie was shot almost entirely in sequence.
    • गूफ़
      When attempting to interview Tommy Brown, Opal says that she is from the BBC. When questioned, she explains that this stands for the British Broadcasting Company. It actually stands for the British Broadcasting Corporation. This was intentionally done to insinuate that Opal doesn't actually work for the BBC and was an impostor. Geraldine Chaplin confirmed this in a 2000 interview in Premiere magazine.
    • भाव

      Hal Phillip Walker: Who do you think is running Congress? Farmers? Engineers? Teachers? Businessmen? No, my friends. Congress is run by lawyers. A lawyer is trained for two things and two things only. To clarify - that's one. And to confuse - that's the other thing. He does whichever is to his client's advantage. Did you ever ask a lawyer the time of day? He told you how to make a watch, didn't he? Ever ask a lawyer how to get to Mr. Jones' house in the country? You got lost, didn't you? Congress is composed of five hundred and thirty-five individuals. Two hundred and eighty-eight are lawyers. And you wonder what's wrong in Congress? No wonder we often know how to make a watch, but we don't know - the time of day.

    • क्रेज़ी क्रेडिट
      The Paramount logo is in black and white and the image looks shaky. The scratchy effect was reportedly achieved when director Robert Altman took the negative with the logo on it, threw it onto the ground, and stomped on it.
    • कनेक्शन
      Featured in Precious Images (1986)
    • साउंडट्रैक
      It Don't Worry Me
      Music and Lyrics by Keith Carradine

      Performed by Barbara Harris

      Lions Gate Music Co. / Easy Music (ASCAP)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल20

    • How long is Nashville?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • जुलाई 1975 (कनाडा)
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      • यूनाइटेड स्टेट्स
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    • उत्पादन कंपनियां
      • ABC Entertainment
      • American Broadcasting Company (ABC)
      • Paramount Pictures
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    बॉक्स ऑफ़िस

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    • बजट
      • $22,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $99,84,123
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      • $99,95,876
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      2 घंटे 40 मिनट
    • रंग
      • Color
    • पक्ष अनुपात
      • 2.35 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Nashville (1975)
    टॉप गैप
    By what name was Nashville (1975) officially released in India in English?
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