Une jeune femme est poursuivie par une force surnaturelle inconnue après une relation sexuelle.Une jeune femme est poursuivie par une force surnaturelle inconnue après une relation sexuelle.Une jeune femme est poursuivie par une force surnaturelle inconnue après une relation sexuelle.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 25 victoires et 44 nominations au total
Debbie Williams
- Mrs. Height
- (as Deborah Williams)
D.J. Oliver
- Police Officer
- (as DJ Oliver)
Linda Boston
- Teacher
- (as Linda B. Boston-Gilbert)
Avis à la une
Finally a real horror in a long time! No more bloody, slasher crap. This is how the really scary movies were made. Suspense and fear are created by great cinematography and music.
The pace of the movie is slow and almost no to few special effects are present. I surely hope that this movie hails the return of the great horror genre: we are scared of the unknown and not violence for the sake of it.
All the young actors are promising, they really pulled it off. Kudos to the director who also wrote the script, I am looking forward to his next movie.
Go see it, you won't regret it!
The pace of the movie is slow and almost no to few special effects are present. I surely hope that this movie hails the return of the great horror genre: we are scared of the unknown and not violence for the sake of it.
All the young actors are promising, they really pulled it off. Kudos to the director who also wrote the script, I am looking forward to his next movie.
Go see it, you won't regret it!
Does anyone else wish this had been a short film? The mood and atmosphere are so thick for the first half hour or 45 minutes and then it just trucks along for the rest of the movie without a lot of energy. Fantastic cinematography and music, but the characters are pretty limp and it's hard to care what happens to them. Once they go into the investigation part of the film, everything falls apart and it becomes a chore.
That is the only way to review this film.
The goal of every journeyman film-maker from the beginning of the medium to the present, is to produce something that has the most impact per dollar spent.
Think of the first Night of the Living Dead. Shot on location with unknowns and local residents as extras. And the local butcher donated the entrails.
Think Ginger Snaps, which started as an obscure Canadian horror flick but found an audience because of the great writing and the charisma of its stars.
What we have here is another attempt to strike film gold by going for a high I/B ratio.
A small cast. Minimal special effects. No special sets or backgrounds.
A really clever idea, sort of a take off on the Ring which itself was a riff off a Japanese horror classic.
So what's the bottom line? Well done for what you get. Writer/Director Mitchell has a heck of a career ahead of him. Several "jump out of your seat" moments. And also a plot riff which you just know was contributed by some of the frat boys who crowd-sourced the film -- "you can get rid of the curse if you just sleep with someone, fast!"
The bad news? It is not in the same class as Living Dead or Ginger. There are lulls. There are gaps. There are times you start to wish you have purchased the extra large popcorn and coke.
Great career launch.
The goal of every journeyman film-maker from the beginning of the medium to the present, is to produce something that has the most impact per dollar spent.
Think of the first Night of the Living Dead. Shot on location with unknowns and local residents as extras. And the local butcher donated the entrails.
Think Ginger Snaps, which started as an obscure Canadian horror flick but found an audience because of the great writing and the charisma of its stars.
What we have here is another attempt to strike film gold by going for a high I/B ratio.
A small cast. Minimal special effects. No special sets or backgrounds.
A really clever idea, sort of a take off on the Ring which itself was a riff off a Japanese horror classic.
So what's the bottom line? Well done for what you get. Writer/Director Mitchell has a heck of a career ahead of him. Several "jump out of your seat" moments. And also a plot riff which you just know was contributed by some of the frat boys who crowd-sourced the film -- "you can get rid of the curse if you just sleep with someone, fast!"
The bad news? It is not in the same class as Living Dead or Ginger. There are lulls. There are gaps. There are times you start to wish you have purchased the extra large popcorn and coke.
Great career launch.
It Follows is one of the most unique and unsettling horror films of the last decade. The premise is simple yet chilling-after a sexual encounter, the protagonist Jay is cursed with a mysterious entity that relentlessly follows her. This creature, which can take the form of anyone, walks slowly but constantly toward its target. There's no way to outrun it forever, and if it catches up to you, it kills you. What makes the movie so terrifying is the ever-present threat that never rests. It's a brilliant concept because it taps into a deep, primal fear of being pursued.
What stands out about It Follows is how it builds tension. There are no cheap jump scares; instead, it relies on creating an atmosphere of dread. You'll often find yourself scanning the background, looking for figures slowly creeping toward the camera, which keeps you on edge the entire time. The 80s-inspired synth soundtrack amplifies the eerie vibe, making the whole experience feel dreamlike and nightmarish at the same time. By the end of the movie, you'll be left with a lingering sense of paranoia, questioning if someone-or something-is slowly walking toward you.
What stands out about It Follows is how it builds tension. There are no cheap jump scares; instead, it relies on creating an atmosphere of dread. You'll often find yourself scanning the background, looking for figures slowly creeping toward the camera, which keeps you on edge the entire time. The 80s-inspired synth soundtrack amplifies the eerie vibe, making the whole experience feel dreamlike and nightmarish at the same time. By the end of the movie, you'll be left with a lingering sense of paranoia, questioning if someone-or something-is slowly walking toward you.
The metaphor was fine. In general, I liked the movie.
There are metaphors and subtexts in good horror movies that have been made recently. This is a good thing I think.
There are metaphors and subtexts in good horror movies that have been made recently. This is a good thing I think.
Le saviez-vous
- AnecdotesThe film's concept derives from a recurring nightmare the director used to have, in which he would be stalked by a predator that continually walked slowly towards him.
- Gaffes(at around 8 mins) In the bedroom, the camera is reflected in the TV set.
- Crédits fousThere are no opening credits at all, and the title does not appear on-screen until the end of the film.
- ConnexionsFeatured in Film '72: Épisode #44.2 (2015)
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- How long is It Follows?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Está detrás de ti
- Lieux de tournage
- Redford Theatre, Détroit, Michigan, États-Unis(theatre interiors and exteriors)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 14 674 076 $US
- Week-end de sortie aux États-Unis et au Canada
- 160 089 $US
- 15 mars 2015
- Montant brut mondial
- 21 808 393 $US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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