Dans l'espoir de repartir avec une immense fortune, un trio de voleurs entre par effraction dans la maison d'un aveugle qui n'est pas aussi impuissant qu'il en a l'air.Dans l'espoir de repartir avec une immense fortune, un trio de voleurs entre par effraction dans la maison d'un aveugle qui n'est pas aussi impuissant qu'il en a l'air.Dans l'espoir de repartir avec une immense fortune, un trio de voleurs entre par effraction dans la maison d'un aveugle qui n'est pas aussi impuissant qu'il en a l'air.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 21 nominations au total
Jimmie Chiappelli
- Coroner
- (non crédité)
Jane May Graves
- Cindy Roberts
- (non crédité)
Michael Haase
- Detroit Police Officer
- (non crédité)
Brak Little
- Neighborhood Man
- (non crédité)
Avis à la une
Don't Breathe: That rare modern horror film that uses tension building and atmosphere. With an unsettiling preformance from Stephan Lang and a totaly original story while being full of hitchcocking suspence and twists to create real modern horror, Don't Breathe is that rare modern horor film that succeds Intellectually as well as viscerally.
if you like horror it is a must watch!
I was expecting this film to be cheesy and well, crap! But I was surprised. I feel it grips the audience really well.
The central theme lying at the heart of 'Don't Breathe' is the sense of claustrophobia, a sense of being trapped/imprisoned. The director shows us a number of appropriate images like window bars, bars outside gates, prison like shadows being cast by Venetian blinds,etc. to drive home the theme. This theme resonates both in a literal sense with the kids being imprisoned in the house that they had planned to rob in the first place, as well as on a broader symbolic level because it is made clear that these youngsters aspire to break out of the 'prison' of life in a financially ailing Detroit and head for California.
This film at the heart of it is an exploitation film and certain details get revealed with the passage of time that in keeping with the genre of exploitation cinema, flirt with lack of realism and force you to suspend disbelief a bit. But what made it very easy for me to suspend disbelief and go along with the ride was Fede Alvarez's direction. Without his masterful directorial skills and storytelling, this film will not work, full stop. He elevates the film. The Giallo inspired visual texture that he uses with the red and green neon lights not just makes the film look vibrant, but also serves a thematic purpose. His camera is extremely active and he makes use of space in the interiors of the house skilfully. He uses extended long takes to raise the tension and his use of ambient noises and music is subtle and brilliant. The very first shot of the film itself is masterful in the way the camera moves from an overhead position gradually to a ground level one to reveal what's happening along with a gradual rise in the volume of the music.
Stephen Lang has to be admired for his performance. He brings a very raw, masculine physicality to his demeanour that truly makes him terrifying at times.
I think this is one of the best directed horror/thriller films I have seen for some time. It doesn't spend too much time in developing its characters. Both the sides in the conflict are not worth unconditional sympathy. The youngsters are low time criminals and the blind man is not someone worth sympathy either once certain details about his life and mental condition get revealed. I guess it was intentional on the director's part to stage the film with a degree of moral ambiguity where the viewer doesn't fully care for either of the two parties and in the end it works within the exploitation film framework.
To end, I'll say 'Don't Breathe' is a film that I would recommend more for the direction than for the script itself.
This film at the heart of it is an exploitation film and certain details get revealed with the passage of time that in keeping with the genre of exploitation cinema, flirt with lack of realism and force you to suspend disbelief a bit. But what made it very easy for me to suspend disbelief and go along with the ride was Fede Alvarez's direction. Without his masterful directorial skills and storytelling, this film will not work, full stop. He elevates the film. The Giallo inspired visual texture that he uses with the red and green neon lights not just makes the film look vibrant, but also serves a thematic purpose. His camera is extremely active and he makes use of space in the interiors of the house skilfully. He uses extended long takes to raise the tension and his use of ambient noises and music is subtle and brilliant. The very first shot of the film itself is masterful in the way the camera moves from an overhead position gradually to a ground level one to reveal what's happening along with a gradual rise in the volume of the music.
Stephen Lang has to be admired for his performance. He brings a very raw, masculine physicality to his demeanour that truly makes him terrifying at times.
I think this is one of the best directed horror/thriller films I have seen for some time. It doesn't spend too much time in developing its characters. Both the sides in the conflict are not worth unconditional sympathy. The youngsters are low time criminals and the blind man is not someone worth sympathy either once certain details about his life and mental condition get revealed. I guess it was intentional on the director's part to stage the film with a degree of moral ambiguity where the viewer doesn't fully care for either of the two parties and in the end it works within the exploitation film framework.
To end, I'll say 'Don't Breathe' is a film that I would recommend more for the direction than for the script itself.
After Evil Dead's well-made remake, a lot of us felt that Fede Alvarez was a director to watch. With Don't Breathe, he definitely became a director I'm very excited to see future projects from.
I admire his knack to generate tension. After the film kicks off, there is really no stopping. It became almost unbearable at the end, nearly reaching the point of overkill. When you have a thriller filled with so much tension throughout its running time, there's only so much you can do before you start yelling "you gotta be kidding me" at the screen.
The cinematography was beautiful and moody and the performances were fine, except maybe Jane Levy, who I felt was too wooden, making her character a little bit unlikable.
Don't Breathe was a solid effort and a great addition to the home invasion genre with a little twist.
I admire his knack to generate tension. After the film kicks off, there is really no stopping. It became almost unbearable at the end, nearly reaching the point of overkill. When you have a thriller filled with so much tension throughout its running time, there's only so much you can do before you start yelling "you gotta be kidding me" at the screen.
The cinematography was beautiful and moody and the performances were fine, except maybe Jane Levy, who I felt was too wooden, making her character a little bit unlikable.
Don't Breathe was a solid effort and a great addition to the home invasion genre with a little twist.
Not being a massive fan of horror films I'm quite selective in which ones I watch . The reviews for this were pretty good so I gave it a go and I have to say I really enjoyed it. It's the story of three friends who decide to rob the home of a blind war veteran but things go terribly wrong when they find out that there is more to this man than they first thought. What I like about this is that it doesn't have any supernatural aspect to the story so it feels more real than most horrors. There are some quite disturbing scenes so it's not for the faint hearted . One especially involving a turkey baster but you will have to see the film to find out what that's all about ! All in all it's well worth a watch but not with granny at Christmas.
Le saviez-vous
- AnecdotesStephen Lang wore contact lenses that greatly restricted his vision, particularly in low light. The other actors, in the scene taking place in the dark, wore lenses that made them look like they had dilated pupils but also greatly restricted their vision.
- GaffesWhile inside the car, Rocky's pants do not show any hole or slit after it had been cut open by The Blind Man earlier.
- Citations
The Blind Man: There is nothing a man cannot do once he accepts the fact that there is no God.
- Crédits fousAt the end of the credits there is a dedication in Spanish: "For our friend Pablito Blois 1980-2015"
- ConnexionsFeatured in Hollywood Express: Épisode #14.34 (2016)
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- How long is Don't Breathe?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- No respires
- Lieux de tournage
- Stern Film Studio, Pomáz, Hongrie(interiors of The Blind Man's house)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 9 900 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 89 217 875 $US
- Week-end de sortie aux États-Unis et au Canada
- 26 411 706 $US
- 28 août 2016
- Montant brut mondial
- 157 761 002 $US
- Durée1 heure 28 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.40 : 1
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