Dans les années 1630, la magie noire et les forces de la sorcellerie s'acharne sur une famille de La Nouvelle-Angleterre.Dans les années 1630, la magie noire et les forces de la sorcellerie s'acharne sur une famille de La Nouvelle-Angleterre.Dans les années 1630, la magie noire et les forces de la sorcellerie s'acharne sur une famille de La Nouvelle-Angleterre.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 43 victoires et 72 nominations au total
- Black Phillip
- (as Wahab Chaudhry)
- Lead Coven Witch
- (as Vivien Moore)
Avis à la une
The movies has a slow pace but its still intense. And it will only feel intense if you give in and not wait for action and speed. This movie is no Hollywood spectacle.
The movie feels like a depiction of real life. No stupid jokes and exaggerated action scenes. Slow and calm dialogues. I liked the way the witch was enacted too. I am happy to see that she is not shown as a crazy woman jumping around eating toads.
On the other side, I wished there would have been a deeper insight into the witches thoughts.
So... go and see if you want more than silly Hollywood witches.
The film takes place in such a secluded location that it instantly gives you a feeling of loneliness and dread before it even unfolds its beautifully constructed storyline. I loved the plot, the timing, the acting... basically everything about the film. It's also a brilliant display of female empowerment, which is common among horror films, but in a whole new way that's different from the standard last surviving girl motif.
Whether you're a fan of horror, or just great films in general... I highly suggest The Witch to everyone.
A very strong and deserving 8 out of 10!
The film is a loving and accurate recreation of Puritan New England in the 1600s with everything from the language to the sets being authentic to the period. That in and of itself makes it fascinating to watch. Having lived in Virginia, where the Jamestown Settlement and the 1600s sometimes can seem like they happened the day before yesterday, I especially enjoyed the film. The location, in Ontario, reminded me of rural Virginia in winter, which made me quite homesick. So the film might have affected me more than some other audience members.
The Witch is a fascinating glimpse into Christianity as practiced by 17th century Puritans. Satan and Evil are almost tangible presences in the woods and wilderness of the New World, while God is a distant, cold, and demanding being who must be constantly begged for forgiveness and mercy, since all human thoughts, words, and deeds seem to be gravely sinful and offensive to his eyes.
A family of seven (parents, four children, and an infant) are exiled from their plantation community for not adhering to the accepted interpretation of scripture. They build a farm at a distance from the plantation near a frightening wood. The farm is failing (the family won't have food to last the winter). Meanwhile, the infant has been snatched from the oldest daughter while in her care at the edge of the wood. From this point on the family either descends into madness or is destroyed by Satan in the form of a witch who lives nearby in the woods. How the family's disintegration is interpreted will depend on which century's point of view you choose to use.
*** (out of 4)
Extremely well-made horror film set in New England during the 1600s as a family moves away from a colony and starts a new life in a house on the edge of some woods. One day the oldest daughter Thomasin (Anya Taylor-Joy) is watching her baby brother when something from the woods takes the child. Soon the family is torn apart by witchcraft.
Writer-director Robert Eggers' THE WITCH is the latest horror movie that is getting raves from critics and fans and it's also the newest movie to be called the "scariest of all time." I'm not going to sit here and say the movie scared me because it really didn't. With that said, THE WITCH really was a refreshing throwback to various European horror films from the late 60s and early 70s where atmosphere was the most important thing.
I really respected that Eggers tried to deliver a religious horror film that didn't deal with cheap shock effects and needless over-the-top exorcisms. There's really not any graphic violence or gore either. Instead of going for these cheap jump scares the director instead builds up a terrific setting and slowly plays out the action. The film clocks in at just over 90 minutes and rest assure that every single second is well-made, effective and it slowly builds up to its conclusion. I'm sure mainstream teenage viewers won't enjoy such a slow build-up but adults should enjoy this.
The atmosphere is certainly the selling point of the movie. I thought the director made you believe that you were watching something taking place in the 1600s and there's no question that the entire cast does a very good job in their parts. The atmosphere is certainly rich and thick and manages to set the film apart from most of the horror movies out there now. As I said, I wasn't scared by THE WITCH but it did a good job at slowly building up the drama and it plays out extremely well.
The source material for this movie is amazing. Folktales are a horror goldmine and it's a shame you don't see it being used so often. The movie draws you in with it's original concept and stetting.
The approach to horror itself is very unorthodox in the sense that most horror movies nowadays rely on obscurity or grotesque visuals. This movie shows horror in broad daylight, the camera is steady, there are no monsters, no gore. So what good is it? - Realism. Especially in the supernatural scenes. The rawness of theses scenes is the best part. You're always asking yourself 'is this superstition or is this real?' and 'who is the real villain?'. Of course that's until the charm is ruined by the bullshit ending where those questions are answered in the worst way possible. If they left room for speculation and stuck to the subtle approach I would've given this film a 6 or a 7.
'The Witch' had some good ideas but it's far from perfect. I feel sorry for people who claim that this movie is some 'masterpiece'. Apparently they've been watching only shitty movies this whole time. The cinematography was dry and even felt effortless. I liked the composition in only one shot: the dinner prayer. The picture lacks tonal contrast to compensate the lack of color. It just fails at grasping your attention. Only parts where the dryness benefits the movie are the horror scenes, all the other shots are just tedious and repetitive. Sorry, but it needs to have style or at least some visual value before it can qualify as a 'masterpiece'.
The actors did a great job. My favorite was Kate Dickie as Katherine who I think came off as more threatening then the actual witch.
You can tell that 'The Witch' was heavily inspired by Stanley Kubrick's work (sadly Eggers doesn't take notes from his shot composition though). Not only has it similar motives to 'The Shining' but also a soundtrack that resembles Ligeti's 'Requiem' form '2001 Space Odyssey'.
Le saviez-vous
- AnecdotesThe spelling of the title "The VVitch" is how the word was written in the story's period because the letter "W" was not yet in common use at the time.
- GaffesOne mistake in the dialogue is the incorrect usage of the personal pronouns "Thou" and "You." During the 17th century, "You" was reserved for formal situations, and when one was addressing someone of higher status/rank. "Thou," on the other hand, was used in personal/informal settings and between peers and close relations (similar to the French Tu vs. Vous). Throughout the film, the characters use thou and you interchangeably; however, a close-knit family such as theirs would not have likely addressed each other with the formal "You."
- Citations
Thomasin: Black Phillip, I conjure thee to speak to me. Speak as thou dost speak to Jonas and Mercy. Dost thou understand my English tongue? Answer me.
Black Phillip: What dost thou want?
Thomasin: What canst thou give?
Black Phillip: Wouldst thou like the taste of butter? A pretty dress? Wouldst thou like to live deliciously?
Thomasin: Yes.
Black Phillip: Wouldst thou like to see the world?
Thomasin: What will you from me?
Black Phillip: Dost thou see a book before thee?... Remove thy shift.
Thomasin: I cannot write my name.
Black Phillip: I will guide thy hand.
- ConnexionsFeatured in Film '72: Épisode #45.3 (2016)
Meilleurs choix
Director Robert Eggers' Essential Watchlist
Director Robert Eggers' Essential Watchlist
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- La bruja
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 25 138 705 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 800 230 $US
- 21 févr. 2016
- Montant brut mondial
- 40 423 945 $US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.66 : 1