Grotesquerie

All I have to say is this right here... If Niecy Nash (I don't have time to worry about a hyphenated add-on to her name) doesn't win some kind of award for these performances in these 10 episodes, there is something wrong with the Hollywood system. Forget about what the show is about, whether you like the show or not, whether the other actors are good, or the direction is good, just watch the show because Ms. Nash is nothing short of interesting as f!*k. Now, I'm going to add this so my required minimum is met for this review. These shows are getting more and more demented because Hollywood is mostly demented.

Grotesquerie: A Symbolic Nightmare

I'm not entirely sure how to categorize "Grotesquerie." It isn't strictly a horror series; rather, it feels very symbolic. It reflects the continuous nightmare the world, especially the United States, is living in. The acting is brilliant from all the actors, with each performance adding depth to the story. The idea itself is good, but the execution wasn't as strong. I blame the script and the director for this. Additionally, there is too much violence, which can be overwhelming. Overall, I did like the series and I'm waiting for another season if there will be one. I give it a 7 out of 10.

This psychological thriller assembles a stellar cast to tell a story that sometimes feels uncertain about its direction. At times, the show evokes Silence of the Lambs, with Niecy Nash delivering an impressive performance as a flawed investigator who excels at her job yet is haunted by her own demons. The show's artistic scenes, the hyper-sexualized Catholic priest, and the surreal, exaggerated events create the sense of watching a fever dream.

As the episodes progress, the main protagonist often appears to drift through life in ways that feel unexplained. In the last quarter of the season, this approach finally begins to make sense-but then the plot takes yet another convoluted turn that may leave the audience perplexed. Despite the stellar cast, top-notch acting, and several iconic scenes, it often feels like the story itself was secondary to these other elements.

Ryan Murphy once was good at providing variety tales,but now feel pieces he thinks need telling his way is art versus fetish.

The lead was an unstable detective unsure how she kept her job,seemed she couldn't find her way out of a paper bag.

Who honestly would discuss a new case with a stranger claiming to be a nun,without actual credentials.. I get some nuns are less conservative,but how she acted was insane.

The priest just didn't fit his part seems Murphy was trying,to get a look-alike of Evan Peters & it failed.

Redd was an odd character that seemed too personal with the husband under her care,feel there is more to the story only time will tell.

The only thing that was grotesque was the daughter in the first episode dressed in something purposely tight & eating food enough for two people.. Who cares that she is pretty or anything,let's make weight her character focus because apparently that's how large people are perceived.

I know this is a two episode review but,feels like another season of AHS titled something else.

The series is full of clichés & plotholes,maybe stereotypes but nothing really original.

Cinematography was ok,but nothing stellar either.

Check this out & decide yourself,review edits might come as the series concludes.

Edited update- Just like in AHS: NYC all of a sudden in the last few episodes Ryan Murphy flips a switch on the storyline cohesiveness,he probably calls it artistic or twist but it shouldn't leave the viewer feeling a variety of emotions to the series from disconnected/confused & so forth.

This series was torture and I finally gave up watching it at the end. By the episode 10, I really just had enough of the steam of conscious , dark, depressing mess. I do like Neisy and Courtney as actors even if their performances were fairly one dimensional "Felliniesque" portrayals.

It just did not offer me enough to make me care about any of these characters, so much so that I had to bail because I could tell that Ryan Murphey probably would not resolve it and I would leave angry and unsatisfied . And the cinematography was so dark, much of the time I felt I was watching a black screen. Don't bother!