Un mystérieux danger menace des étrangers dans un ranch du Texas, les obligeant à s'unir contre la menace inconnue.Un mystérieux danger menace des étrangers dans un ranch du Texas, les obligeant à s'unir contre la menace inconnue.Un mystérieux danger menace des étrangers dans un ranch du Texas, les obligeant à s'unir contre la menace inconnue.
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As soon as the blue line appeared, I immediately thought of "lost" and "under the dome", two other shows where people are trapped someplace and there is some mysterious danger they must avoid.
This is very poorly written because there are lots of scenes where the simple question of "why" is never asked and that's how they string us along like they have done before.
It's not natural for humans not to ask obvious questions.
It takes more than some spooky music to not notice how lazy the writing is.
This show has potential because of the tension between the characters but the isolation/mystery element is just another run at an island or a dome.
I'll still watch it but the slow pace won't keep my attention for too long. It's too boring at this pace, and I am not as dumb as they must take me for.
This is very poorly written because there are lots of scenes where the simple question of "why" is never asked and that's how they string us along like they have done before.
It's not natural for humans not to ask obvious questions.
It takes more than some spooky music to not notice how lazy the writing is.
This show has potential because of the tension between the characters but the isolation/mystery element is just another run at an island or a dome.
I'll still watch it but the slow pace won't keep my attention for too long. It's too boring at this pace, and I am not as dumb as they must take me for.
It seems like the director put all of the effort into the pilot episode. Well, to be exact, the first 2 episodes are really great, the show starts off very promising and sets up an intriguing and mysterious situation.
We're left wondering what's happening and is it really happening?
But then comes episode 3 and after minute 27, things start to fall apart. As soon as they try making sense and explaining what's going on, all of the magic and excitement and mystery that the first 2 episodes built up evaporates. Because it all becomes so boring and predictable.
Which is a real shame. I really wanted this show to be more, but this isn't Lost. And it certainly isn't From. It's just... bland.
We're left wondering what's happening and is it really happening?
But then comes episode 3 and after minute 27, things start to fall apart. As soon as they try making sense and explaining what's going on, all of the magic and excitement and mystery that the first 2 episodes built up evaporates. Because it all becomes so boring and predictable.
Which is a real shame. I really wanted this show to be more, but this isn't Lost. And it certainly isn't From. It's just... bland.
Teacup on Peacock is yet another example of today's TV trend-taking what could be an engaging story and stretching it over eight episodes so slowly that you can practically watch the plot evaporate. The first six episodes are a masterclass in how to take ordinary, daily activities-making tea, staring into space, exchanging sighs-and somehow expect them to build suspense. It's the TV equivalent of watching paint dry, but with occasional brooding glances to remind you something "big" might happen.
And finally, when it all comes to a head in the last two episodes, you realize it's just more of the same, only louder and faster. The series wraps up by leaving just enough plot threads hanging-like an overworked screenwriter forgot to delete their sticky notes-to suggest a possible season two. Because why answer questions now when you can dangle the carrot of resolution just out of reach forever?
In the end, Teacup proves that modern screenwriting has become the art of saying nothing at great length. It's binge-watching at its worst: a narrative that's as lukewarm as the title and filled with enough empty space to make you question your life choices.
And finally, when it all comes to a head in the last two episodes, you realize it's just more of the same, only louder and faster. The series wraps up by leaving just enough plot threads hanging-like an overworked screenwriter forgot to delete their sticky notes-to suggest a possible season two. Because why answer questions now when you can dangle the carrot of resolution just out of reach forever?
In the end, Teacup proves that modern screenwriting has become the art of saying nothing at great length. It's binge-watching at its worst: a narrative that's as lukewarm as the title and filled with enough empty space to make you question your life choices.
If it was renewed for a second season I don't think Im gonna watch it. It's been promoted as it's good as From series or Lost. It's nowhere near that. It has some light at some points but it drops everytime so it kinda bores the s**t out of it. It's not scary or gives you chills or anything. Could've been great. I love Sci-Fi but this is not the thang. I think Episode 2 was the only good episode so far in the series other episodes are so boring that you might fall asleep for sure cause I did. Im just watching this so I could finish this asap and never continue to watch it if they green lit season 2.
I watch for Yvonne Strahovski. There's something about her - a magnetism, a quiet force - that makes you think she should be headlining films, not locked into roles on TV. Still, she owns every scene as Mrs. Waterford in "The Handmaid's Tale," the kind of role that gets under your skin and stays there. Then there's "Teacup." It wants to be eerie, unsettling, even grotesque. Instead, it drags, provoking yawns where there should be tension, eye-rolls in place of chills. Like the moment they buy the kid's story, then start throwing around the title "Assassin" like it's a game. Sure, the show is reaching for a place alongside the heavyweights of dystopian drama, but it misses the mark - plot, dialogue, even the characters - just shy of hitting the right notes.
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Le saviez-vous
- AnecdotesAdapted from the book Stinger (1988) by Robert McCammon.
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