Star Wars : Épisode VIII - Les Derniers Jedi
- 2017
- Tous publics
- 2h 32min
Rey continue de développer ses nouvelles capacités en suivant les conseils de Luke Skywalker, qui se voit déstabilisé par la force de ses pouvoirs. Pendant ce temps, la Résistance se prépare... Tout lireRey continue de développer ses nouvelles capacités en suivant les conseils de Luke Skywalker, qui se voit déstabilisé par la force de ses pouvoirs. Pendant ce temps, la Résistance se prépare au combat contre le Premier Ordre.Rey continue de développer ses nouvelles capacités en suivant les conseils de Luke Skywalker, qui se voit déstabilisé par la force de ses pouvoirs. Pendant ce temps, la Résistance se prépare au combat contre le Premier Ordre.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 4 Oscars
- 26 victoires et 99 nominations au total
Résumé
Avis à la une
From the very outset, it becomes apparent that The Last Jedi lacks any coherent vision or respect for the source material. Johnson takes delight in tearing down the established mythology, tossing aside the profound themes and intricate character arcs that have captivated audiences for decades. Instead, we are subjected to a hodgepodge of convoluted plotlines and laughable attempts at subversion, all executed with a lack of finesse and intelligence that is truly astonishing.
Gone are the iconic heroes we once held dear, replaced by hollow caricatures of their former selves. Mark Hamill's portrayal of Luke Skywalker, a character etched into the annals of cinematic history, is reduced to a moping hermit devoid of purpose or conviction. The essence of Luke's struggle and growth, painstakingly developed over multiple films, is discarded in favor of a disillusioned old man who resorts to throwing tantrums like a petulant child. It is a disservice to Hamill's talent and an insult to the audience's intelligence.
Furthermore, the new characters introduced in The Last Jedi are equally unimpressive. Rey, portrayed by Daisy Ridley, continues to be a one-dimensional Mary Sue, effortlessly mastering the Force without any training or struggle. The potential for compelling storytelling is squandered, replaced by a tedious parade of nonsensical twists and contrived romantic entanglements. The script is riddled with cringe-inducing attempts at humor, which only serve to further undermine any semblance of seriousness or gravitas.
Visually, the film offers little respite from its narrative failings. The action sequences lack the grandeur and precision that once defined the franchise, devolving into a cacophony of meaningless explosions and flashy yet empty spectacle. The once awe-inspiring space battles are reduced to uninspired video game sequences, bereft of any emotional weight or strategic depth. Even the iconic lightsaber duels, once choreographed with elegance and purpose, now feel like nothing more than a choreographed mess of flashy acrobatics.
It is clear that The Last Jedi suffers from a severe lack of creative vision, guided by a director who either misunderstands or deliberately disregards the essence of the Star Wars saga. The film's attempts at subversion and reinvention fall flat, resulting in a disjointed and unsatisfying experience that tarnishes the legacy of its predecessors. Star Wars: Episode VIII - The Last Jedi is an abomination, an insult to the intelligence of its audience, and a dark stain on the once-shining galaxy far, far away.
The problem as I see it is that it tried to tackle too much in one movie. Worst, it spent so much time on unimportant (and seemingly inconsequential) events and not enough time on the bigger questions that were left hanging from TFA. The story structure is a mess. The Finn/Rose subplot could've been totally removed, and the new characters introduced were a waste of time.
Characterizations were very inconsistent. Characters who had already grown in TFA (Finn, Poe) suddenly regressed for no reason. Major characters (Rey, Kylo, Luke) would make surprising moves without any basis or set-up, for the sake of surprise. In fact a lot of the movie can be said as favoring a "twist" happening at the expense of consistent character development. The prequel movies' treatment of Anakin's character development was a lot more satisfying, AND that's a generally panned. At least the prequel movies' story tried in earnest, TLJ did worst that just phoning it in.
As some movies have become acclaimed films over time after an initial bashing by the critics (e.g. Bladerunner), this one I believe will take the opposite direction.
Here's hoping JJ fixes everything with IX.
The reasons for my loathing are the same as those noted in the countless scathing reviews here on IMDb, so I won't go into drawn out detail - suffice to say that the film frequently beggars belief, is massively bloated, defies logic and is full of misplaced humour (the worst moments being the horrible 'steam iron' gag and BB-8's handy coin launcher).
3 out of 10, solely for the impressive special effects. Writer/director Rian Johnson shouldn't be allowed within 12 parsecs of another Star Wars sequel.
Every Star Wars Movie and Series, Ranked
Every Star Wars Movie and Series, Ranked
Le saviez-vous
- AnecdotesMark Hamill and Rian Johnson revealed at a BAFTA screening that Hamill asked to play a CG character in addition to his role as Luke Skywalker, saying that he had done it before (he had previously done CGI work for the computer game Squadron 42 (2026) (which is the separate solo campaign of Star Citizen)). In the film he plays Dobbu Scay, the character who puts money inside BB-8 in the Casino scenes.
- GaffesWhen Poe gets permission to leave the bridge and runs towards the X-Wing bay, several pilots on the bridge follow him, including the alien C'ai Threnalli. However, immediately after C'ai runs out of frame, there is a reaction shot of Finn with C'ai still standing at a console in the background.
- Citations
Kylo Ren: I'll destroy her. And you. And all of it.
Luke Skywalker: No. Strike me down in anger and I'll always be with you. Just like your father.
- Crédits fousIn loving memory of our princess, Carrie Fisher.
- Versions alternativesThe home video releases (both physical and digital) include a version with an isolated score. It is accessible through the Movies Anywhere app.
- ConnexionsEdited into If Star Wars Wasn't Serious (2014)
- Bandes originalesAquarela Do Brasil
Written by Ary Barroso
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Star Wars: Épisode VIII
- Lieux de tournage
- Salar de Uyuni, Bolivie(ending battle exterior scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 317 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 620 181 382 $US
- Week-end de sortie aux États-Unis et au Canada
- 220 009 584 $US
- 17 déc. 2017
- Montant brut mondial
- 1 334 407 706 $US
- Durée2 heures 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1