Intouchables
- 2011
- Tous publics
- 1h 52min
Après être devenu tétraplégique à la suite d'un accident de parapente, un aristocrate engage un jeune homme des cités en tant qu'aide-soignant.Après être devenu tétraplégique à la suite d'un accident de parapente, un aristocrate engage un jeune homme des cités en tant qu'aide-soignant.Après être devenu tétraplégique à la suite d'un accident de parapente, un aristocrate engage un jeune homme des cités en tant qu'aide-soignant.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 38 victoires et 40 nominations au total
Thomas Solivérès
- Bastien
- (as Thomas Soliveres)
Dorothée Brière
- Eléonore
- (as Dorothée Briere Meritte)
Émilie Caen
- Galeriste
- (as Emilie Caen)
Résumé
Reviewers say 'The Intouchables' is celebrated for its heartwarming portrayal of an unlikely friendship, addressing themes of resilience and social disparity. The film balances humor with emotional depth, avoiding sentimentality. Critics praise François Cluzet and Omar Sy for their performances and chemistry, bringing authenticity to their roles. While some find the film simplistic or clichéd, others appreciate its uplifting message and serious theme handling without melodrama. Its universal appeal and genuine character connection contribute to its success.
Avis à la une
10OttoVonB
Do not look at this through the prism of "Foreign Films". You'd be wasting your time and miss something far too important.
Hollywood does scale like nobody else, leaving the competition gasping in its wake. France does intimacy, and brutality. Nothing is sacred. And rather than try to revive the New Wave or emulate Hollywood like most widely seen French films of late, "Intouchables" harnesses its core strengths - ease with intimacy, willingness to ridicule anything and brutal honesty - and delivers one of the funniest, most honest and touching films I have ever seen.
Sy is a failed robber, going through the motions and playing the stereotypical jobless émigré. Cluzet is a romantic and melancholy mind trapped in a useless body. The circumstances that bring them together are too funny to spoil here, but meet they do, and an awkward relationship quickly blossoms as they bring out the best in each other.
The film's simplicity is delightfully misleading: the script is a masterpiece of comedy writing, and however good the rest of the cast is, the central duo is magical. Sy's comic timing will have you in stitches, but it is his honesty and vulnerability that make you fall in love with the character. Cluzet isn't your typical sad-sack, instead, much of the finest pleasures in the film consist in watching him use his keen mind to mess with the world around him (a subplot about an abstract painting really takes the biscuit, you'll know it when you see it).
This is one of the most unique, beautiful and honest friendships ever committed to film. It will make you laugh, it will make you cry... a delightful celebration of everything in life that makes it worthwhile.
Hollywood does scale like nobody else, leaving the competition gasping in its wake. France does intimacy, and brutality. Nothing is sacred. And rather than try to revive the New Wave or emulate Hollywood like most widely seen French films of late, "Intouchables" harnesses its core strengths - ease with intimacy, willingness to ridicule anything and brutal honesty - and delivers one of the funniest, most honest and touching films I have ever seen.
Sy is a failed robber, going through the motions and playing the stereotypical jobless émigré. Cluzet is a romantic and melancholy mind trapped in a useless body. The circumstances that bring them together are too funny to spoil here, but meet they do, and an awkward relationship quickly blossoms as they bring out the best in each other.
The film's simplicity is delightfully misleading: the script is a masterpiece of comedy writing, and however good the rest of the cast is, the central duo is magical. Sy's comic timing will have you in stitches, but it is his honesty and vulnerability that make you fall in love with the character. Cluzet isn't your typical sad-sack, instead, much of the finest pleasures in the film consist in watching him use his keen mind to mess with the world around him (a subplot about an abstract painting really takes the biscuit, you'll know it when you see it).
This is one of the most unique, beautiful and honest friendships ever committed to film. It will make you laugh, it will make you cry... a delightful celebration of everything in life that makes it worthwhile.
wow, what a wonderful movie!! full of love, friendship and laughs. just like i always said, when a french movie is good, it's not just good, it's great! and this movie simply explains it. no wonder this movie would have won some international awards, it really deserved it. with these two great actors of two generation, the performances of both is just a perfect casting job. this is an absolutely feeling-good movie, warm up your heart without any intention. in this movie, you will see how it's like day and night that the extreme poverty of the immigrant families and the extreme prosperity of the french rich people. by contrast, this movie used it to prove that oil and water could have mixed together and evolved into a very heartfelt social structure.
i enjoyed it 100%.
i enjoyed it 100%.
This movie surprised us. We checked on IMDb and saw 8/10 for a french movie, without hesitation we went to the movie theatre to watch the movie.
The subject is hard but the movie is really funny. In a few seconds you are fully projected within the film from the beginning to the end. There is no special effet but the actors are playing very well and the movie is based on a real story.
If you are skeptical for French movie don't be for this one ... it is a must see movie.
Enjoy the movie.
The subject is hard but the movie is really funny. In a few seconds you are fully projected within the film from the beginning to the end. There is no special effet but the actors are playing very well and the movie is based on a real story.
If you are skeptical for French movie don't be for this one ... it is a must see movie.
Enjoy the movie.
Being french and a film maker myself, I have high standards for ratings, and this one definitely deserves in 10/10. I've not seen a film showing our world with such humour in a long time. The jokes are absurd and possibly, with a touch of British humour to them. The directing is beautiful, the acting is incredible, the shots are somehow truthful, if I can say that about a shot. It may be Omar Sy's first time in a leading role, for a major production, but he really delivered, and not just in the funny parts, the delivery of emotions was just spotless. Francois Cluzet was also just as brilliant, as he usually is. I will be recommending this film to everyone, and seriously hoping it will be released in the UK soon enough for me to see it again! Only negative aspect... the Americans are thinking of doing a remake... why do they always have to? I mean would you reconsider remaking the "Joconde" or the Sixtine Chapel to American standards? Film is an art like any other, it travels the world as it is... no need for remakes...
I am now trying to find words to describe this movie for an hour. I couldn't.
You've seen it, or you haven't. It's monumental and outrageously good.
The cast is brilliant. The jokes lovely. The story and the idea behind the movie is beautiful. Especially when you've worked/lived with handicapped people. The music is such a perfect choice, it is unbelievable.
I hope this movie makes a plenty of people think about how good their life is and how bad it could have been.
Bottom line: Oscar-worthy. Period.
You've seen it, or you haven't. It's monumental and outrageously good.
The cast is brilliant. The jokes lovely. The story and the idea behind the movie is beautiful. Especially when you've worked/lived with handicapped people. The music is such a perfect choice, it is unbelievable.
I hope this movie makes a plenty of people think about how good their life is and how bad it could have been.
Bottom line: Oscar-worthy. Period.
Le saviez-vous
- AnecdotesAlthough the real-life 'Driss' was a young Algerian man called Abdel, directors Éric Toledano and Olivier Nakache changed the character's nationality to Senegalese, as they had enjoyed working with Omar Sy on Tellement proches (2009), and really wanted him to play the part. Sy also had the experience of living in the impoverished French suburbs, just like Driss.
- GaffesWhen the police car first appears behind Driss, you can hear a short burst of the siren, which is clearly an American-inspired tone (also used in UK etc.) When the pursuit begins, the police car has the recognizable and correct French siren tone.
- Crédits fousFive percent of the profits from the film will be donated to the Association Simon of Cyrene - 15 rue de Suffren - 75015 Paris whose purpose is to create shared living spaces for disabled adults and friends.
- ConnexionsFeatured in De wereld draait door: Épisode #7.128 (2012)
- Bandes originalesSeptember
(Maurice White/Allee Willis/Al McKay)
Performed by Earth Wind & Fire (as Earth, Wind & Fire)
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- How long is The Intouchables?Alimenté par Alexa
Détails
Box-office
- Budget
- 9 500 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 10 198 820 $US
- Week-end de sortie aux États-Unis et au Canada
- 103 507 $US
- 27 mai 2012
- Montant brut mondial
- 426 590 315 $US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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